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2023 Grammy nominations are here: Beyoncé leads while others are snubbed

The nominations for music’s biggest night, the Grammys, are here. The official nominations were announced on Tuesday November 15, and many artists received first time nominations. Some were expected, others were surprises, and others are on their way to break records.
Beyoncé scored nine nominations for her album RENAISSANCE and her song “Be Alive” from the film King Richard, leading the number of nominations. These nominations bring her to a total of 88 nominations, tying her for the most nominations in history with her husband JAY-Z. Kendrick Lamar followed closely behind with eight nominations.
As with any award show nomination list, there is always a discussion about people and projects that were snubbed, those who people feel don’t deserve nominations and those who maybe don’t fit into the category. And in recent years, fans and artists have chosen to boycott the Grammys due to controversy over the voting and nomination process of the Recording Academy. Many artists chose not to submit their work to be considered for nominations as a result.
This year is sure to be no different. With nominations now out, social media will be ablaze talking about what was chosen and what was left out. Which will only continue after the actual awards show. Especially the major categories of Record Of The Year, Album Of The Year and Song Of The Year.
Some of the biggest award categories nominees are:
RECORD OF THE YEAR
“Don’t Shut Me Down” – ABBA
“Easy On Me” – Adele
“Break My Soul” – Beyoncé
“Good Morning Gorgeous” – Mary J. Blige
“Bad Habit” – Steve Lacy
“You And Me On The Rock” Brandi Carlile featuring Lucious
“Woman” – Doja Cat
“The Heart Part 5” – Kendrick Lamar
“About Damn Time” – Lizzo
“As It Was” – Harry Styles
ALBUM OF THE YEAR
Voyage – ABBA
30 – Adele
Un Verano Si Ti – Bad Bunny
RENAISSANCE – Beyoncé
Good Morning Gorgeous (Deluxe) – Mary J Blige
In These Silent Days – Brandi Carlile
Music Of The Spheres – Coldplay
Mr. Morale & The Big Steppers – Kendrick Lamar
Special – Lizzo
Harry’s House – Harry Styles
SONG OF THE YEAR
“Abcdefu” – GAYLE
“About Damn Time”- Lizzo
“All Too Well (10 Minute Version)” – Taylor Swift
“As It Was” – Harry Styles
“Bad Habit” – Steve Lacy
“Break My Soul” – Beyoncé
“Easy On Me” – Adele
“God Did” – DJ Khaled featuring Rick Ross, Lil Wayne, JAY-Z, John Legend and Fridayy
“The Heart Part 5” – Kendrick Lamar
“Just Like That” – Bonnie Raitt
Many of the same artists have nominations in all three categories so one could take a clean sweep and win every major category of the night. Or there could be some surprises and be some surprise winners of the night. The Beyoncé and Adele is deja-vu to the 2017 awards where they faced off following Adele’s 25 and Beyoncé’s Lemonade. Adele even talking about Beyoncé’s album in her acceptance speech for album of the year.
Best New Artists is another major category that causes discussion of course.
BEST NEW ARTIST
Anitta
Omar Apollo
Domi & JD Beck
Muni Long
Samara Joy
Latto
Måneskin
Tobe Nwigwe
Molly Tuttle
Wet Leg
Many of these artists had big years, especially Måneskin who burst onto the scene after winning Eurovision. However, many feel that several pop artists like Dove Cameron and Tate McRae were snubbed for this category.
The full list of nominations can be found on the Grammys website. Under each nominee, it is listed who worked on each project, so it is clear who would receive the award if the project wins.
Some new categories added this year include Songwriter Of The Year, Non-classical Best Alternative Music Performance, Best Americana Performance, Best Score Soundtrack For Video Games And Other Interactive Media and Best Spoken Word Poetry Album. Best Song for Social Change was also added as a Special Merit Award.
With so many categories, not every award will be aired live. Some get announced before the show and some are just announced during the show with no formal award presentation. A full list of winners will be available shortly after the show.
As of now, it has not been announced what artists will perform at the show. But it will be a night full of amazing music performances, collaborations and honoring musicians who have made lasting marks in the world of music.
The 65th annual Grammy Awards is set to take place Sunday February 5 from Los Angeles Crypto.com Arena. You can tune in to watch at 8 p.m. Eastern Standard Time on CBS and stream it on Paramount+.
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First look at del Toro’s Pinocchio promises action, creativity and heart

You know its going to be a good movie when the trailer itself is a tearjerker.
Visionary director Guillermo del Toro has brought to life many fantastical tales for all audiences. Mature audiences can enjoy film such as the Academy Award winning Shape of Water and Pan’s Labyrinth, while the whole family can enjoy his Troll Hunters series. His vast body of work promises quality, heart, and imaginative, emotional storytelling and Pinocchio seems to be no exception.
Opening the trailer is Pinocchio’s mustached cricket conscience, voiced by Ewan McGregor, who looks and acts nothing like Jiminy from the Disney version and rightly so. It becomes quickly apparent little is taken from the Disney version in favor of having a new take on the classic tale. The friendly insect all but directly states with a wink and a nod that this is not the Disney version, and we don’t actually know the real story.
From this first trailer, its made quite clear that audiences can expect a phenomenal story filled with heart. Viewers will follow Pinocchio as he explores ostracism, fame, complex emotional ties, learning how to be good and how to tell who has your best interests at heart. Some may be shocked that Pinocchio’s nose literally branches out as opposed to growing out as a wooden cylinder, but that originality only adds to the film’s creative spirit.
The characters are quickly and effectively established without giving too much away about the new plot: Pinocchio is the little boy with the “borrowed soul,” his grieving creator who is also his father figure, the sleazy sideshow fox offering fame and fortune and a blue-light emitting sphinx that offers the truth about mortality to little Pinocchio (“you never know how much time you have with someone until they’re gone”).
Filled with lines that are simultaneously gut-wrenching and quotable, del Toro’s dark take on Carlo Collodi’s classic tale is definitely a film to get ready for. Prepare many boxes of tissues, because they’ll probably be needed.
Guillermo del Toro’s Pinocchio comes out in some theaters and on Netflix on December 9, 2022. Check out the full trailer below!
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Escape into Palaye Royale’s cathartic and chaotic Fever Dream

One thing is for sure: this album was a dream.
On October 28, rock band Palaye Royale released their highly anticipated third album Fever Dream. This is an album that I have been anticipating since the group dropped “Punching Bag” and “No Love In L.A.” in July 2021. As each single was released in the following months, that anticipation only grew. I was eager to hear what the group would release as a follow-up to their album The Bastards, an album that was in my top releases of 2020.
This album did not disappoint. From start to finish, Fever Dream tells an engaging story that has the listener enraptured with the music. From the lyrics to the instrumentals and the order of the songs, it is clear thought, care and love went into putting together this masterpiece of an album.
It opens with the somber notes of “Eternal Life – Intro.” Acoustic guitar is blended with frontman Remington Leith’s pain and emotion-filled voice to set the tone for the start of the album. A gentle instrumental build creates a smooth transition into “Eternal Life” and the album is a go. This track talks about wanting to escape the real world, wanting a new life, how you are the villain in your life and you just need to escape your mind and thoughts. Leith’s scream-like vocals highlight that pain and mix well with the heavier guitar and drums to set the mood.
In order to understand and appreciate Fever Dream fully, listening to the album in order is key. It tells the story of struggling with mental health, career, relationships, feeling like you want to disappear and living in a dream world. We begin to see a shift about 75% of the way through the album on the track “Lifeless Stars.” This anthemic track talks about people who are struggling can make it through and do great things. The chorus says, “we are, we are the lifeless stars shining in the dark/we all, we all have teenage scars/defining who we are,” referencing how we all persevere through hard times. Leith even sings during the bridge, “they said I would burn out/and slowly sink and drown/but I don’t wanna die, I don’t wanna die today,” a stark contrast to the lyrics from previous songs. The listener begins to see the mental shift that is coming with the rest of the album.
“King of the Damned” has hard-hitting guitar and drums that create a sassy and powerful sound. This song screams vengeance, finding your place and making yourself known. Leith talks about how people have told him he has no purpose and no cause, but he is the leader of the lost. This can be attributed to the fans, known as Soldiers of the Royale Council. From a more abstract angle, it references people who felt lost and pushed to the side. Mixed with the harsh sound, screaming and edgy vocals full of fury, “King of the Damned” shows that Leith is not to be stopped.
The highlight of this album is the title track “Fever Dream”. This anthemic song features a variety of instrumental styles. Dark sounding verses with brighter choruses create a beautiful dynamic and bring the concept of a fever dream to life. Lyrically, this song speaks to wanting to escape to a perfect world where there are no problems and living happily. The lyrics are as if Leith is speaking to one person and he is trying to convince him to come with him. As long as they have each other, they will be okay. Paired with the choral and march-like bridge, this song is a masterpiece that takes the listener on a journey.
Choosing a favorite on the album is tough, but “Line It Up” featuring LP is a contender. This song talks about life on the road, not wanting to live a boring life or be like their parents. They want to take risks, take the plunge into the unknown and pursue their dreams. The song’s instrumental is simple. There are cool groovy guitar lines that drive the song, but the lyrics really carry “Line It Up.” Leith and LP’s vocals sound beautiful together, blending perfectly to put the cherry on top of a beautiful track. Both bring the emotion and add their own twist and style that works perfectly.
“Oblivion” is a fantastic transition track. This acoustic song talks about wanting to help and not being sure where to go. It is like a cry for help and the pain is heard clearly in Leith’s vocals, bringing the lyrics to life. It sounds like he is on the verge of tears, letting out all the emotion that has built up throughout the course of the album. The lyrics are repetitive to really hit the meaning home. A touch of strings at the end create a big moment before fading out, making it sound even more like a stream of consciousness, last plea for help.
“Off With The Head” and “Off With The Head – Outro” are fantastic album closers. The first half gives a jazzy, jumpy beat to get you moving. Leith’s vocals are powerful and give the edge the song needs. It even has a little sass behind it, giving off the aura of, “I am not here to play, I have the power now.” But, the real standouts on the track are the guitar and drums. The guitar lines are killer, powerful and full of emotion with hard-hitting drums that and add just enough. Both work to create a seamless transition into the outro to bring the album home. Every element comes together with full force. A dramatic guitar line, steady drum beat, Leith’s powerful and emotion filled vocals go hard with the repetition of, “They say we all/they say we all fall down/Why don’t they know by now/we won’t go down, no, no.” This slowly fades out and the album comes to an end.
Fever Dream is cohesive from start to finish. A clear story is told not only with lyrics, but with instrumentals. Guitar, piano, drums, bass, everything compliment one another. Everything had a purpose: nothing, including dynamics, mixing and added effects, feels out of place. Each song has its own unique sound, but Fever Dream still feels like one album.
Remington Leith brought the emotion to the lyrics. Whether it is subtle soft vocals, angry scream vocals or powerful emotional belting, he brought the lyrics to life and aided the storytelling. The listener understood what emotion to feel while listening and what was being conveyed. Making every song easy to connect with in some way.
This has easily become my favorite Palaye Royale album and a contender for best album of the year.
Fever Dream is currently available to stream and purchase.
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YouTube star Daniel Howell brings levity and humor to a doomed world

Youtube veteran Daniel Howell is back on the road for his End of the World Tour. Howell took the stage at the Agora Theater in Cleveland, OH on November 2 with his new stage show, “We’re All Doomed.”
Those who are familiar with Howell’s work will know he is no stranger to talking about the issues that keep us up at night. He touches on existential crises, mental health, and talk about how the world is doomed. While over the years his content has shifted away from Youtube, that same dark humor with a touch of hope remains.
The show touched on topics relating to social media, technology, climate, politics, mental health and more. While normally serious topics make you question everything, Howell talks about them in a way you cannot help but laugh at. From tiktok to avoiding social interactions, Howell touches on topics that everyone in the audience can relate to and has laid in bed thought about at least once.
The environment of the show is a judgment free zone. Whether you are a new fan of Daniel Howell or have been watching him from his start over a decade ago, you will be welcomed and have a wonderful time. It is a show where you can talk to the person sitting next to you, and you may leave with a new friend.
“We’re All Doomed” lives up to its name. While the show did not permit any pictures or videos of the show to prevent material from getting out, what was touched upon culminated in a conclusion that we may be doomed, but we will be okay.
Daniel Howell is currently on tour across the United States and is scheduled to bring the show to Australia next year. Tickets can be purchased on Daniel Howell’s website.
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Avatar: The Way of Water trailer gives new look at Pandora’s water tribe

The wait for the upcoming sequel to James Cameron’s 2009 smash hit Avatar is almost over.
On November 3, the new trailer for the upcoming film Avatar: The Way of Water was released. It not only introduces some of the new characters in the feature, but teases how the humans will return to wreck havok on the Pandora.
The trailer opens on a pregnant Neytiri (Zoe Saldana) notching a bow before introducing Kiri (Sigourney Weaver), one of her and Jake Sully’s (Sam Worthington) children. Also in the brood are their sons Neteyam and Lo’ak, daughter Tuktirey and their adopted human son Miles.
It should go without saying the film looks visually incredible. Avatar: The Way of Water and the other announced sequels were famously delayed because of Cameron’s “commitment to the special effects that set Avatar apart from other films of its time,” according to Kayleigh Donaldson for Screenrant.
“A noted perfectionist, he made no qualms about taking his time and waiting for the technology to catch up to his vision,” Donaldson said.
With how visually stunning the first film is, it’s incredible to see what time and technological advances have done to make the sequel look even better. What remains to be seen, of course, is the full story.
If nothing else, The Way of Water certainly promises something entertaining. The Omaticaya seem to be at odds with the aquatic Metkayina clan, shown when the leader Ronal’s (Kate Winslet) partner Tonowari (Cliff Curtis) explicitly tells Sully, “We cannot let you bring your war here.” It does not seem that will deter Lo’ak and the Metkayina clan leaders’ daughter, who seem to have a Romeo and Juliet love story going on, nor will it stop the inevitable battle between humans and Na’vi.
Not only that, but it seems the humans never left to begin with. A new mech suit with skinny, almost spiderlike arms runs through a burning environment alongside an avatar in Army fatigues. The avatar can be presumed to be Col. Miles Quaritch (Stephen Lang), who is confirmed to be back in the story as a “specialized avatar” known as a recombinant. Giovanni Ribisi is also confirmed to reprise his role as weaselly bureaucrat Parker Selfridge in the film.
The effects were certainly worth the thirteen-year wait, but audiences won’t know until December whether the story is. If nothing else, audiences certainly have a gorgeous three-hours-and-twelve-minutes to look forward to.
Avatar: The Way of Water releases exclusively in theaters December 16. Check out the full trailer below!
Will you return to Pandora this winter? What are you anticipating most? Let us know in the comments!
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Op-Ed: What we can learn from Stray Kids and Omega X about K-pop fans

Recent statements made by Stray Kids leader Bang Chan has shed new light on the relationship between idols and fans.
On October 23, K-pop media outlet Koreaboo reported on a recent Chan’s Room broadcast, a TikTok live show hosted by Stray Kids’ leader Bang Chan. In the live, he chatted candidly about his life while answering questions from STAYs. In the live, Chan read a comment that read, “We must protect Stray Kids.” While he expressed gratitude towards the group’s fans, he took the opportunity to constructively call fans out who leave negative comments on posts made by other groups.
“I’m actually really glad that we have STAYs beside us,” Chan said. “We have STAYs watching out for us and stuff, but sometimes after watching the stuff that you guys do, I wanted to say that it’s always good…we’re grateful for you guys trying to protect us, right? But protecting us should be the only thing that you do, but downgrading others is something you should not do.”
K-pop is notorious for having some of the most intense fans on the internet, but examination isn’t often done into why fans feel adamant to defend and occasionally attack on behalf of their idols. There are many factors contributing to this, including but not limited to sasaengs, the highly competitive nature of the industry and the bias Western audiences have historically held against K-pop. These are topics that are well-recorded and discussed, but two often slip under the radar.

Actress Park Min-young portraying a sasaeng, or “stalker fan,” in the Korean Drama “Her Private Life” (Image Source) The first is the increasingly parasocial relationships fans have with these groups, which Koreaboo outlined directly.
“With the way K-Pop artists can now personally interact with a larger amount of fans globally than ever before through social media and apps such as Bubble and Weverse, there are even more opportunities for fans to foster a deeper connection with their favorite artists,” the site reported.
These apps, among others, offer direct communication between fans and idols through paid memberships and microtransactions. Additionally, platforms like Pocketdols and Rising Star often sell video calls with smaller groups like Vanner, Pink Fantasy and pre-debut group XEED for as little as $31 per two minutes. Special event packages, often priced from $94 to $187, often include personalized video messages and exclusive selfies from the member they bought time with. This can foster a connection with these artists that makes fans feel more like friends, especially for those who buy several minutes or multiple calls.

Platforms like Pocketdols and Rising Star let fans get closer than ever to their favorite idols. (Image Source: Pocketdols) The second, potentially more important, factor is the mistreatment idols face. It’s not difficult to find hate comments on platforms like Instagram and Twitter, which idols themselves often have access to. Cyberbullying led to the suicides of idols Sulli and Goo Hara in 2019, and volleyball player Cho Jang-mi, known on Twitch as BJ Jammi, in 2022. On February 9, shortly after Jammi’s death, Justin McCurry wrote an article for The Guardian about the level of abuse these public figures can face online.
“The suicide of the singer and actor Sulli sparked anger of the failure of management agencies to protect their stars from ‘toxic fandom and demands for government action against bullying on popular internet portals where users were able to comment anonymously,” McCurry reported.

“She [Sulli] laughed when she wanted to laugh and cried when she wanted to cry. She brazenly spoke out. She didn’t fit the mould. [sic]” (Quote and Image Source) This isn’t the only kind of abuse they can face, however. On October 23, Koreaboo reported allegations of physical and verbal abuse towards Omega X after the final stop of their Connect: Don’t Give Up world tour in Los Angeles. On 5:48 am EST, Twitter user @hwi_418 posted an audio recording captured while waiting for an Uber home from the event.
“Guys, I was waiting for the Uber that I called outside and I saw the company CEO hitting the members,” @hwi_418 Tweeted. “I really didn’t know what to do since my hands were shaking so much. They were being hit right in front of me but I couldn’t do anything.”
The identity of the person mistreating the group was recently confirmed to be a woman named Kang, the CEO of Spire Entertainment. This was further corroborated by statements made by Kang and Spire Entertainment. Later, For X, Omega X fans, and non-fans alike came out with other stories alleging mistreatment. One incident was originally posted to Twitter October 4 by user @jsmgryu, who alleged their mother had a similar encounter with the group in an airport.

Source: Koreaboo 
Source: Koreaboo This news came at the end of an already tumultuous tour. It was initially managed by Code1 Entertainment before being replaced by MC Entertainment, who were later dropped themselves. Adding to the chaos, the members were stranded in Chile after their Santiago concert, causing the cancellation of the Boston date. Furthermore, it was revealed Omega X’s tickets back to South Korea were unexpectedly cancelled, leading to the members having to buy their own plane tickets home.

Omega X debuted under Spire Entertainment on July 30, 2021 with the mini-album and single Vamos. (Image Source) Omega X is known as a “second chance group” because all the members are from previously disbanded groups. Specifically, Jaehan was the main vocalist in Spectrum and Sebin was the face of Snuper. Other members of these disbanded groups, Taewoong from Snuper and Donggyu from Spectrum, spoke out in Omega X’s defense on Instagram on October 24. A former staff member of Seven O’Clock, rapper Hangyeom’s former group, expressed his support the same day.

Left to Right: Taewoong’s (Snuper) Instagram story, Donggyu’s (Spectrum) Instagram story Considering the mistreatment groups can face and the deep connections fans feel with their favorites, it’s no wonder K-pop fans are so dedicated. So, it’s incredibly puzzling when K-pop fans use cyberbullying tactics against other groups or fandoms in the name of their own.
The K-pop industry is no stranger to fan wars, whether fandoms are cattily boasting about their group’s accomplishments online or engaging in physical fights. Especially on Twitter, there’s this feeling that not only is their favorite group The Best, but they have to be The Best. It seems, to validate themselves as fans, they have to prove other groups are The Worst or at least otherwise inferior. This has caused K-pop fans, regardless of fandom, to garner their negative reputation.
Chan’s live brought this up explicitly, saying that leaving negative comments not only hurts the people they’re trying to hurt, but themselves and their favorite group.
“You’re going to ruin your image,” he said. “You’re going to ruin our [Stray Kids] image, too. Let’s keep our Stray Kids and STAY image as nice as it can be.”
He went on to point out the futility of these fan wars and negative comments.
“Defending us is good,” Chan said. “Downgrading others is not good, because that’s not gonna fix anything. That’s not gonna do anything good.”
So, what happens when K-pop fans unite? On June 7, 2020, Kristine Kwak reported for Variety:
“…The BTS ARMY has earned its stripes as a massive global influence and its effort to match the groups $1 million donation was accomplished within a day of the news, hitting $1,026,531 with 35,609 donors,” Velez said.
This accomplishment by ARMY is impressive, but they are just one, admittedly vast, fandom. It’s a different thing altogether for folks to cross fandom lines and work together.
Shortly after the news about Omega X broke, that’s exactly what happened. Fandoms from groups including Ateez, Kingdom, Black Level, EXO, E’Last, Just B, Ikon, BTS and Stray Kids, among others, came together to promote the hashtag #PROTECTOMEGAX on Twitter.
Choice, fans of K-pop boy group A.C.E, even went so far as to suggest the group’s company, Beat Interactive, sign the group themselves to get them away from Spire.
Chan’s live, as well as previous statements from other idols, proves not only they don’t condone bad actors, but they see them and actively want fans to be better. It’s completely understandable for a fandom to celebrate and defend their favorite artists, but there’s a right and a wrong way to utilize that intensity.
It’s beyond obvious what is possible when K-pop fans unite towards a common goal. In the future, one can only hope they can do the same when a group isn’t going through a difficult time.
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“Don’t Worry, Darling” is as enjoyably creative as it is messy

Everyone’s a sucker for a twist on the romanticism of the 1950s housewife and psychological thrillers. What could go wrong when the two are mixed, a la Stepford Wives?
The opening of the film does an effective job at appealing to the fantasy of an easy, routine life: husband goes to work, wife tends the house and goes shopping, takes care of the husband when he comes home and then commences amazing sex and cocktail parties. The honeymoon comes to an end when strange things start to happen, and fellow housewife Margaret (Kiki Lane) seems to have gone insane.
The best thing about this film is that it looks nice. Florence Pugh as Alice Chambers is perfection, as her performance is stunning across the board. Her reactions show genuine curiosity, dread and eventually horror as she realizes what her life has come to. Combined with amazing costumes, production design and cinematography, the whole setup is a real treat for the eyes. Some trippy sequences such as the famous “wall squish” scene and the empty eggs are effective at communicating to the character as well as the audience that something is off.While the visuals are stunning, it’s hard to tell if some of the issues are glitches in the program or some kind of malicious test performed by the leader Frank, played by Chris Pine. He does an effective job as the smarmy villain, but the writing does little to reveal the reasoning behind his motivations. Did he mess with Margaret the way he is implied to be messing with Alice, or was it all unintentional? It’s hard to tell if that matters to the writer, let alone the characters. This is a consistent issue, as some lines of dialogue and character decisions seem to favor getting to the next plot point as opposed to achieving dynamic worldbuilding or storytelling.
It’s a stark shock to see Harry Styles as a greasy, grungy incel as opposed to the sleek and debonair character we see him as throughout the film. He succeeds at giving the character surprising depth as you realize he did what he did to spend more time with her and give her a break, while grossly not realizing that its ultimately at her expense not her benefit. Its an overall selfish move as he effectively and by force strips her not only of her autonomy but her sense of reality and security. His attempt at killing Alice at the end of the film is extremely out of left field and seems to only have been added to enable inclusion of a quasi-exciting chase scene as a climax.
Don’t Worry Darling isn’t a masterpiece by any means, but it’s not a complete and total train wreck. It introduced some interesting themes and concepts, but unfortunately some just fall flat. Why is it only men that die in real life when they die they in simulation? Was Frank’s wife a victim or an accomplice?An interesting combination of Alice in Wonderland, The Truman Show, and Stepford Wives, Don’t Worry Darling asks a lot of questions without really bothering to answer most of them. However, for a try hard film that looks smarter than it actually, is the viewing was plenty enjoyable.
Don’t Worry Darling is currently playing in theaters. -
Op-Ed: When We Were Young Fest 2023 announcement, too early?

If you even follow the emo and alternative music scene in the slightest you have probably heard of When We Were Young Fest. This is a music festival that is taking place for the first time this year and has both the favorite acts from the early 2000’s and popular acts from the current scene.
The festival announced on October 11 it will be returning in 2023 and announced who is slated to perform. The line up is stacked, with Green Day and Blink-182 scheduled to headline. It is scheduled for October 21, 2023 at the Las Vegas Fairgrounds, the same place as this year.
Only one date has been announced and tickets are already sold out, but the festival announcement came before this year’s festival even occurred.
This has many people like myself concerned and feeling a bit unsure about the announcement. Ever since this year’s festival was announced, concerns about how the festival will run, customer service and just overall lack of information has even worried those not attending.
Scheduling over 50 acts for one day, the time frame, lack of information about stages and more left people feeling the festival will be a disaster. While more dates were announced, every act is performing on one day, essentially making three separate one-day festivals. This left many concerned about how long each act will perform, factoring in longer sets for headliners, time to change equipment, staggering acts and more. No information was provided before the festival was announced. No one has been able to get straight answers and the socials and the website for the festival do not provide much clarity.
On October 6, the map for the festival was provided and set times were posted on October 17, which will hopefully aid in concerns. However, with still many questions and concerns, announcing a second year for a new festival still feels risky. It is locking in people to attend a festival a year from now, without seeing how the first year goes.
The announcement most likely was related to Blink-182 announcing their comeback with Tom DeLonge on the same day. It is definitely a strategic marketing move done well, driving people to check out the festival with Blink-182 being one of the headliners. Mix that with Green Day and acts like Waterparks, 5 Seconds of Summer and Pierce the Veil with their return music, people were bound to buy tickets. And those who missed out on this year’s tickets are definitely going to get tickets for next year.
However, there is still little to no information, except what we know for this year’s festival. So once again, people are buying tickets blindly, with no knowledge of how the festival works or if anything went wrong and needs to be fixed after the first year. It is not like Riot Fest or Lollapalooza that have some years under their belt and people know what to expect. It is a brand new festival where kinks are about to happen.
In my opinion, they should have waited until after at least the October 22 and 23 dates of the festival to give people an idea of how the festival runs. In a perfect world, they should have waited until every date was over. Let the 2022 festival be the focus of the attention then turn attention to 2023. Let people get all their 2022 questions answers and information they need, then allow an influx of questions and information for the second year. Especially announcing it just under two weeks before the first date, people have questions they need answers and all they are seeing is their website and social media feeds full of 2023 news. Meanwhile, 2022 is happening soon and they still feel in the dark.
While I think the announcement was not a smart move, I think it definitely drove people to talk about the festival and drove people to the site and to want to get tickets. It was a marketing and PR move well done. The excitement around the festival was high with the dates for this year being so close, so adding in dates for another year definitely increased the excitement and made people want to buy tickets over a year in advance.
Only time will tell if this announcement was a smart move or will backfire. How smooth the 2022 festival goes will reveal a lot.
Will people regret buying tickets ahead of time or will it make people mad they did not get tickets already?
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(G)-IDLE welcome you to their glamorous and sensual “Nxde” show

A “wild, wicked and wonderful show” is promised in (G)-IDLE’s latest comeback teaser.
The first frame of the video shows a curvaceous, rubber hose-style pin-up girl introducing the (G)-IDLE girls as “loves, ladies and lusty legends” before cutting to Soyeon. Dressed as a flapper, the group’s leader sits at a piano and sings the thesis of the upcoming title track “Nxde.”
“Why you think that ’bout nude?” Soyeon asked. “‘Cause your view’s so rude. Think outside the box, then you’ll like it.”
As she sings, a kaleidoscope of the rest of the group dressed as flappers plays before cutting to a wide shot of the theater and going to black.
While the girls aren’t likely to actually bare it all like the opening card promised, fans are certainly in for a treat with this comeback.
(G)-IDLE’s fifth mini-album I Love will be available to stream on October 17, and physical copies will become available to purchase on October 18. Three versions of the album – Born, Act and X-File – is currently available for pre-order.
Watch the full teaser below!














