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  • Louis Tomlinson shows growth and finds his sound on Faith In The Future

    Louis Tomlinson shows growth and finds his sound on Faith In The Future

    Louis Tomlinson is back with his second solo album, Faith In The Future, the is a follow-up to his 2020 album, Walls. That album was on the top of my list of top albums of 2020, and I was eager to see what Tomlinson would release as a follow-up. Needless to say this album did not disappoint. From start to finish this album has a cohesive sound, beautiful lyric storytelling and is full of moments that listeners can connect with.

    While Faith In The Future sounds different sonically than Walls, this album sounds more mature and evolved. It sounds as if Tomlinson found his sound, groove and his sweet spot. The album has an alternative rock sound, mixed with some pop elements that create the unique Louis Tomlinson sound that does not fit into one singular category.

    Songs like “The Greatest” and “Out Of My System” have heavier drums and roaring rock guitars. Others like “Written All Over Your Face” and “Headline” have a more jazzy, laid back sound while still having a touch of those alternative rock moments.

    These songs are contrasted with acoustic moments spread out from the beginning to the end. “Saturdays” is an emotional track about reminiscing about moments with a past partner without those memories break him. The closing moment “That’s The Way Love Goes” is a simple track about how your past partner has moved on. It is a moment of reflection and realization. It has an orchestral section that takes us to the end of the moment. Even the simple acoustic songs have bigger moments, like bringing in strings instruments or more choir-like vocals like on the track “Common People.” The extra effects are what bring the album up a notch.

    Lyrically this album heavily touches on problems and ultimately the end of the relationship. Tomlinson writes about situations in relationships that many listeners can relate. “Written All Over Your Face” is a sassy song about fighting with your partner and knowing they are upset and angry. You know by the way they are looking at you and you want to just move past it and get back to the way things were.

    The track “Chicago” addresses missing a relationship and how it had a big impact on you. You would like that person and would be there for that person in any way. This song has simple straightforward lyrics but the orchestral bridge and overall large instrumental atmosphere created in the song makes this a standout track. “Holding On To Heartache” talks about holding onto the pain after a breakup and not wanting to accept that the relationship has ended. All the beauty in the world is passing him by and he is not living in the moment.

    The track “Angels Fly” has groovy drums and a belting bridge. The lyrics on this song talk about trying to save a relationship and going back to that person to be there for them in any way you can be. Tomlinson knows his partner is in pain and does not like that they are apart and he wants to try and fix things. His storytelling abilities are what make the album stand out in my opinion. He paints a clear picture of every situation in each song, and puts the listener there with him. Tomlinson touches on personal situations, allowing for the songs to feel personal while also making them applicable to the listener.

    Tomlinson has his moments where the vocals are the main attraction. For example, his vocals on the chorus of “Bigger Than Me” let out the emotion, belting it out and bringing the song to life. On tracks like “She is Beauty We are World Class,” he lets his vocals take a step back. It is a softer, lighter vocal that lets the instrumental and electronic effects shine through. He allows his voice to have some edge on the more groovy tracks to add to the vibe of the song.

    Overall, Faith In The Future is an album that is full of reflection and heartbreak that still looks forward to the future and what is to come. From start to finish, this album holds your attention and will bring you back for more listens. The growth from Walls to Faith In The Future shows that Tomlinson can continue to grow and develop as an artist.

    Faith In The Future was released on November 11 and is available on all streaming platforms. Louis Tomlinson is also heading out on the Faith In The Future World tour next year. Information can be found on his website

  • RM confirmed to make Tiny Desk debut

    RM confirmed to make Tiny Desk debut

    Suit up, ARMY!

    On December 1, NPR Music announced BTS leader RM will hold his very first Tiny Desk Concert in celebration of his upcoming EP Indigo. The concert will take place on December 2 at 7pm KST (5am EST). He will be the first BTS member to do so, making history once again.

    RM has previously been recognized for being the youngest and second-most accredited songwriter and composer by the Korean Music Copyright Association (KOMCA) as of September 2022, beat out only by VIXX’s Ravi.

    Indigo is the third solo EP to be released by the rapper after RM (2015) and mono (2018). It and the music video for the single “Wild Flower (feat. Youjeen)” will be available on December 2 at 2pm KST (12am EST).

    The full track list can be found here. Check out the trailer for “Wild Flower” below!

  • Ateez break the walls of Desert Diamond Arena

    Ateez break the walls of Desert Diamond Arena

    While the North American leg of Ateez’s Break the Wall tour is over, Atiny’s devotion will remain.

    A slogan with Ateez’s version one light stick, called a “lightiny”

    Some fans lined up to camp outside Desert Diamond Arena for the November 10 Phoenix stop for a chance to get the best possible view of their favorite K-pop group. This was certainly the case for Taylor McCoskey, 23, who held an ATINY VIP ticket that guaranteed first entry into the venue. More than that, she set up camp around 3pm MST on November 9 with her fellow Atiny to ensure a spot at the barricade.

    “I would like to be as close as possible because it’s always fun to enjoy the experience with the artist,” McCoskey said. “I’m a little shorter and my vision’s not the best, so I like to be as close as possible…”

    In addition to the Phoenix date, she attended their Oakland show, both Anaheim dates and both Atlanta dates before finishing the tour with Ateez at both Newark dates. But, it’s not all about Ateez.

    “I’ve met some really wonderful people through Ateez,” she said. “It’s kind of hard to see them sometimes ’cause I live on the East coast and a lot of my friends live on the West coast, so being able to see my favorite group with my friends is the best thing for me. It really motivates me to keep going throughout the days.”

    McCoskey with her personalized version 2 light stick

    Something that immediately set this show apart from other K-pop concerts was the presence of an opening act. Pre-debut group KQ Fellaz 2, the latest group to come from Ateez’s company KQ Entertainment, warmed up the Phoenix crowd with songs “Geek” and “Tricky House.” Despite not having yet properly debuted yet, they presented themselves like seasoned pros who could play to a crowd every bit as well as their seniors. Furthermore, it was lovely to see Ateez spotlight their little brother group, especially with a three-hour set ahead of them.

    KQ Fellaz 2

    When Ateez performed for the main event, the arena exploded. Opening up with “New World,” they used a combination of the setlist and the VCRs to further the story they’ve been crafting since their 2018 debut. Furthering it even more was an effect displayed over the screens during “HALA HALA (Hearts Awakened, Live Alive).” Flashes of the members in the black outfits of their sinister alter egos were laid seamlessly over the live performance. For those familiar with the group’s lore, it was a reminder of the mystery that still shrouds these dark figures.

    A sea of light sticks surround Ateez at Desert Diamond

    One of the hardest things to do at a K-pop concert is keeping a bias list straight, and all of the members vied hard for the top spot that night. Yeosang has a beauty that leaves you breathless, but his confidence reached an even higher peak than their last tour. Hongjoong’s effortless charisma plays perfectly against Mingi’s smoky demeanor and near-violent rapping.

    This is to say nothing of San, whose delivery and stage presence are power incarnate. His perfect foil, and best friend, Wooyoung stunned with soft angels and angelic vocals, while Jongo stakes his claim as one of the best vocalists of this generation of K-pop. It’s hard to describe Seonghwa as anything other than princely, both with his vocals and visuals. Words fail when trying to describe Yunho, whose polite demeanor can melt away to reveal the devil himself in a blink.

    From left: Jongho, Yunho, Mingi, Hongjoong, San, Seonghwa, Wooyoung, Yeosang

    A massive boost to the set list was songs from their latest album, World Ep1: Movement. Easily some of their best work yet, Movement provides songs like “Cyberpunk,” a heart-wrenching plea for something real set against a pounding beat with unbearably sexy choreography. Club-ready track “Sector 1” got people out of their seats early in the set, but there really isn’t anything like the title track “Guerrilla.” Everything from the almost Daft Punk-esque synthesized vocals at the end of the second verse to the skittering trap beat only serves to support the desperate mania that defines the entire EP. There’s also just something in the way they say “break that wall” feels like a justified punch to the nose. Wrapped neatly and tightly with a screeching guitar and hardcore vocal touches, the addictive energy got the crowd fired up even at the end of the set.

    “춤을 춰, break that wall, 우리 feel로/세상을 바꿀, we are the guerrillas”

    An element that made the Phoenix date even more special was knowing it was the first time they’d visited the city. In that spirit, a standout moment came when Mingi told retold a story about he and his friends picking rapper names in high school. which he said were often taken from American cities. The name he chose back then: Phoenix. It added a personal and touching sparkle to an absolute gem of a night.

    Onscreen: Mingi, Onstage (from left): Wooyoung, Seonghwa, Hongjoong

    On their previous tour, they ended their set with the heart-achingly sincere “Turbulence.” While that song did make the set list, they decided to close with “The Real,” an up-beat track to send the crowd out dancing. Hongjoong’s closing statement said it better than I could write it.

    “For our last song, we don’t need to be emotional,” he said. “I already told you: today, is just enjoying day. So, let’s smile and let’s sing along together and let’s say goodbye and let’s promise for next day.”

    Ateez is a group who defies expectations and pushes their own limits. The final show of this tour was November 28, but we haven’t seen the last of them by a long shot.

    “I really really really love Phoenix,” San said. “You guys are really hot and really cool…so, I promise you I will come back.”

  • Scene Queen earns her crown with new EP “BIMBOCORE VOL. 2”

    Scene Queen earns her crown with new EP “BIMBOCORE VOL. 2”

    Starting off on TikTok can be a rough start. First an artist has to go viral, then the people decide whether that artist went viral because they’re annoying or because they’re genuinely good.

    Scene Queen, previously Rosè until legal issues with the K-idol arose, started gaining traction with her first single “Are You Tired?” under the original moniker. Once the change was made to Scene Queen, she had a great start with her pink yet not so pretty EP “BIMBOCORE”. Metalcore for the Barbie girls, this new genre and movement has taken off with the female metal fans all over. Scene Queen has shown that while black is a cool color, you can still wear pink and be hardcore.

    “BIMBOCORE VOL. 2” is the follow up released on November 10th, 2022 and doesn’t pull any punches with its audience. This EP is full of heavy breakdowns, screams, and pretty pink lyrics about sex, drugs and rock and roll. All of the tracks are heavy and go hard, but still include “pink” in the title.excpet for “Barbie and Ken”, but the pink is implied. Really, its what the Warped Tour girlies didn’t even know they needed.

    The EP starts strong with “Pink Whitney”, aptly named after the delicious pink lemonade flavored vodka and hits just as hard. Unabashedly feminist, she gets out the gate by determining the establishment needs to be disbanded just on the grounds that they don’t pay the girlies enough. Catchy “bang bang de-boom” lyrics and a bopping rhythm make for a fun and mosh-able track. Scene Queen delivers fantastic bars that are a nod to the scene. Notably, “rich bitch can’t pay my expenses/queen for a day like I’m fuckin’ Vic Fuentes” is a tongue-in-cheek line for fans of the Pierce the Veil song “King for a Day”, which is even better when you scroll through the Scene Queen TikTok and find her old meet and greet photos.

    From there, it is simply bop after bop. “Pink G-String” is sexy and sapphic, making nasty lyrics like “floss my teeth with your g-string” sound fun and edgy. The song also establishes a concept that Iggy Azalea fans may have tried to do, but Scene Queen just does it better: a twerkle pit. Yes, that is twerking in the circle pit where most folks thrash. On paper it seems silly, but just one listen to the song may be convincing that its fun. “Pink Cocaine” slows things down a bit with a somber track about drug use and how lonely it is. Making it sound pink and cute doesn’t make it a fun experience, and Scene Queen is very effective at making that clear.

    “Pink Barbie Band-Aid” hits hard at folks who just want to cover up their issues and make them look acceptable instead of facing their issues head on. She plants her pink political flag on the side of bodily autonomy with lyrics like “freedom of speech/freedom means nothing/I don’t own my body/even when we’re fucking” and screams “fuck you!” at the end. If you don’t know, now you do.

    Continuing this trend is “The Rapture (but it’s Pink)” featuring Mothica. The duo claps back at folks against cancel culture, stating clearly that folks who are getting “canceled” had it coming for their poor behavior.

    Adding to Scene Queen’s star-studded album is Cody from Set It Off guesting on “Barbie & Ken”. Possibly the most aggressive track on the album, it bleeds pure maniacal fun as the dolls literally go at each other to the death. Cody and Scene Queen’s harmonies are extremely pleasing to the ears and contrast with Scene Queen’s feral screams near the end of the track. It’s horrific, campy fun that is scary but ultimately a good time for all…except Ken.

    Speaking of feral, girlies looking to lose their shit in the pit can look forward to “Pink Hotel” at live shows. Sexy and kinky, the song starts off sounding more like a Travelocity ad than the closer on a metalcore album. Fear not, it goes off the rails as quickly as it starts as listeners are informed that they can leave their panties at the door as well as their bags. Another little Travelocity-esque interruption occurs to assure listeners that Scene Queen thinks of women as multifaceted and not just hoes, but immediately goes back into fun, sexy debauchery. Not all of the lyrics make sense, but they don’t necessarily have to. Its a sexual, kinky romp that is meant to get the heads banging and the bodies moving. It does just that, and with gusto.

    This album might make some dudes in the scene angry, and that is probably the point. Pink, glittery, and often violent, “BIMBOCORE VOL. 2” establishes this artist as a rocker fans have been waiting for. Scene Queen is here and ready to rule the girls who like to rock hard and feel pretty doing it.

    BIMBOCORE VOL. 2 is currently streaming on Spotify and other music platforms.

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  • 2023 Grammy nominations are here: Beyoncé leads while others are snubbed

    2023 Grammy nominations are here: Beyoncé leads while others are snubbed

    The nominations for music’s biggest night, the Grammys, are here. The official nominations were announced on Tuesday November 15, and many artists received first time nominations. Some were expected, others were surprises, and others are on their way to break records.

    Beyoncé scored nine nominations for her album RENAISSANCE and her song “Be Alive” from the film King Richard, leading the number of nominations. These nominations bring her to a total of 88 nominations, tying her for the most nominations in history with her husband JAY-Z. Kendrick Lamar followed closely behind with eight nominations.

    As with any award show nomination list, there is always a discussion about people and projects that were snubbed, those who people feel don’t deserve nominations and those who maybe don’t fit into the category. And in recent years, fans and artists have chosen to boycott the Grammys due to controversy over the voting and nomination process of the Recording Academy. Many artists chose not to submit their work to be considered for nominations as a result. 

    This year is sure to be no different. With nominations now out, social media will be ablaze talking about what was chosen and what was left out. Which will only continue after the actual awards show. Especially the major categories of Record Of The Year, Album Of The Year and Song Of The Year. 

    Some of the biggest award categories nominees are: 

    RECORD OF THE YEAR

    “Don’t Shut Me Down” – ABBA

    “Easy On Me” – Adele

    “Break My Soul” – Beyoncé

    “Good Morning Gorgeous” – Mary J. Blige

    “Bad Habit” – Steve Lacy

    “You And Me On The Rock” Brandi Carlile featuring Lucious

    “Woman” – Doja Cat

    “The Heart Part 5” – Kendrick Lamar

    “About Damn Time” – Lizzo

    “As It Was” – Harry Styles

    ALBUM OF THE YEAR

    Voyage – ABBA

    30 – Adele

    Un Verano Si Ti – Bad Bunny 

    RENAISSANCE – Beyoncé

    Good Morning Gorgeous (Deluxe) – Mary J Blige

    In These Silent Days – Brandi Carlile

    Music Of The Spheres – Coldplay

    Mr. Morale & The Big Steppers – Kendrick Lamar

    Special – Lizzo

    Harry’s House – Harry Styles

    SONG OF THE YEAR

    “Abcdefu” – GAYLE

    “About Damn Time”- Lizzo

    “All Too Well (10 Minute Version)” – Taylor Swift

    “As It Was” – Harry Styles

    “Bad Habit” – Steve Lacy

    “Break My Soul” – Beyoncé

    “Easy On Me” – Adele

    “God Did” – DJ Khaled featuring Rick Ross, Lil Wayne, JAY-Z, John Legend and Fridayy

    “The Heart Part 5” – Kendrick Lamar

    “Just Like That” – Bonnie Raitt

    Many of the same artists have nominations in all three categories so one could take a clean sweep and win every major category of the night. Or there could be some surprises and be some surprise winners of the night. The Beyoncé and Adele is deja-vu to the 2017 awards where they faced off following Adele’s 25 and Beyoncé’s Lemonade. Adele even talking about Beyoncé’s album in her acceptance speech for album of the year.

    Best New Artists is another major category that causes discussion of course.

    BEST NEW ARTIST

    Anitta

    Omar Apollo

    Domi & JD Beck

    Muni Long

    Samara Joy

    Latto 

    Måneskin

    Tobe Nwigwe

    Molly Tuttle

    Wet Leg

    Many of these artists had big years, especially Måneskin who burst onto the scene after winning Eurovision. However, many feel that several pop artists like Dove Cameron and Tate McRae were snubbed for this category.

    The full list of nominations can be found on the Grammys website. Under each nominee, it is listed who worked on each project, so it is clear who would receive the award if the project wins.

    Some new categories added this year include Songwriter Of The Year, Non-classical Best Alternative Music Performance, Best Americana Performance, Best Score Soundtrack For Video Games And Other Interactive Media and Best Spoken Word Poetry Album. Best Song for Social Change was also added as a Special Merit Award.

    With so many categories, not every award will be aired live. Some get announced before the show and some are just announced during the show with no formal award presentation. A full list of winners will be available shortly after the show. 

    As of now, it has not been announced what artists will perform at the show. But it will be a night full of amazing music performances, collaborations and honoring musicians who have made lasting marks in the world of music. 

    The 65th annual Grammy Awards is set to take place Sunday February 5 from Los Angeles Crypto.com Arena. You can tune in to watch at 8 p.m. Eastern Standard Time on CBS and stream it on Paramount+.

  • First look at del Toro’s Pinocchio promises action, creativity and heart

    First look at del Toro’s Pinocchio promises action, creativity and heart

    You know its going to be a good movie when the trailer itself is a tearjerker.

    Visionary director Guillermo del Toro has brought to life many fantastical tales for all audiences. Mature audiences can enjoy film such as the Academy Award winning Shape of Water and Pan’s Labyrinth, while the whole family can enjoy his Troll Hunters series. His vast body of work promises quality, heart, and imaginative, emotional storytelling and Pinocchio seems to be no exception.

    Opening the trailer is Pinocchio’s mustached cricket conscience, voiced by Ewan McGregor, who looks and acts nothing like Jiminy from the Disney version and rightly so. It becomes quickly apparent little is taken from the Disney version in favor of having a new take on the classic tale. The friendly insect all but directly states with a wink and a nod that this is not the Disney version, and we don’t actually know the real story.

    From this first trailer, its made quite clear that audiences can expect a phenomenal story filled with heart. Viewers will follow Pinocchio as he explores ostracism, fame, complex emotional ties, learning how to be good and how to tell who has your best interests at heart. Some may be shocked that Pinocchio’s nose literally branches out as opposed to growing out as a wooden cylinder, but that originality only adds to the film’s creative spirit.

    The characters are quickly and effectively established without giving too much away about the new plot: Pinocchio is the little boy with the “borrowed soul,” his grieving creator who is also his father figure, the sleazy sideshow fox offering fame and fortune and a blue-light emitting sphinx that offers the truth about mortality to little Pinocchio (“you never know how much time you have with someone until they’re gone”).

    Filled with lines that are simultaneously gut-wrenching and quotable, del Toro’s dark take on Carlo Collodi’s classic tale is definitely a film to get ready for. Prepare many boxes of tissues, because they’ll probably be needed.

    Guillermo del Toro’s Pinocchio comes out in some theaters and on Netflix on December 9, 2022. Check out the full trailer below!

  • Escape into Palaye Royale’s cathartic and chaotic Fever Dream

    Escape into Palaye Royale’s cathartic and chaotic Fever Dream

    One thing is for sure: this album was a dream.

    On October 28, rock band Palaye Royale released their highly anticipated third album Fever Dream. This is an album that I have been anticipating since the group dropped “Punching Bag” and “No Love In L.A.” in July 2021. As each single was released in the following months, that anticipation only grew. I was eager to hear what the group would release as a follow-up to their album The Bastards, an album that was in my top releases of 2020.

    This album did not disappoint. From start to finish, Fever Dream tells an engaging story that has the listener enraptured with the music. From the lyrics to the instrumentals and the order of the songs, it is clear thought, care and love went into putting together this masterpiece of an album.

    It opens with the somber notes of “Eternal Life – Intro.” Acoustic guitar is blended with frontman Remington Leith’s pain and emotion-filled voice to set the tone for the start of the album. A gentle instrumental build creates a smooth transition into “Eternal Life” and the album is a go. This track talks about wanting to escape the real world, wanting a new life, how you are the villain in your life and you just need to escape your mind and thoughts. Leith’s scream-like vocals highlight that pain and mix well with the heavier guitar and drums to set the mood.

    In order to understand and appreciate Fever Dream fully, listening to the album in order is key. It tells the story of struggling with mental health, career, relationships, feeling like you want to disappear and living in a dream world. We begin to see a shift about 75% of the way through the album on the track “Lifeless Stars.” This anthemic track talks about people who are struggling can make it through and do great things. The chorus says, “we are, we are the lifeless stars shining in the dark/we all, we all have teenage scars/defining who we are,” referencing how we all persevere through hard times. Leith even sings during the bridge, “they said I would burn out/and slowly sink and drown/but I don’t wanna die, I don’t wanna die today,” a stark contrast to the lyrics from previous songs. The listener begins to see the mental shift that is coming with the rest of the album.

    “King of the Damned” has hard-hitting guitar and drums that create a sassy and powerful sound. This song screams vengeance, finding your place and making yourself known. Leith talks about how people have told him he has no purpose and no cause, but he is the leader of the lost. This can be attributed to the fans, known as Soldiers of the Royale Council. From a more abstract angle, it references people who felt lost and pushed to the side. Mixed with the harsh sound, screaming and edgy vocals full of fury, “King of the Damned” shows that Leith is not to be stopped.

    The highlight of this album is the title track “Fever Dream”. This anthemic song features a variety of instrumental styles. Dark sounding verses with brighter choruses create a beautiful dynamic and bring the concept of a fever dream to life. Lyrically, this song speaks to wanting to escape to a perfect world where there are no problems and living happily. The lyrics are as if Leith is speaking to one person and he is trying to convince him to come with him. As long as they have each other, they will be okay. Paired with the choral and march-like bridge, this song is a masterpiece that takes the listener on a journey.

    Choosing a favorite on the album is tough, but “Line It Up” featuring LP is a contender. This song talks about life on the road, not wanting to live a boring life or be like their parents. They want to take risks, take the plunge into the unknown and pursue their dreams. The song’s instrumental is simple. There are cool groovy guitar lines that drive the song, but the lyrics really carry “Line It Up.” Leith and LP’s vocals sound beautiful together, blending perfectly to put the cherry on top of a beautiful track. Both bring the emotion and add their own twist and style that works perfectly.

    “Oblivion” is a fantastic transition track. This acoustic song talks about wanting to help and not being sure where to go. It is like a cry for help and the pain is heard clearly in Leith’s vocals, bringing the lyrics to life. It sounds like he is on the verge of tears, letting out all the emotion that has built up throughout the course of the album. The lyrics are repetitive to really hit the meaning home. A touch of strings at the end create a big moment before fading out, making it sound even more like a stream of consciousness, last plea for help.

    “Off With The Head” and “Off With The Head – Outro” are fantastic album closers. The first half gives a jazzy, jumpy beat to get you moving. Leith’s vocals are powerful and give the edge the song needs. It even has a little sass behind it, giving off the aura of, “I am not here to play, I have the power now.” But, the real standouts on the track are the guitar and drums. The guitar lines are killer, powerful and full of emotion with hard-hitting drums that and add just enough. Both work to create a seamless transition into the outro to bring the album home. Every element comes together with full force. A dramatic guitar line, steady drum beat, Leith’s powerful and emotion filled vocals go hard with the repetition of, “They say we all/they say we all fall down/Why don’t they know by now/we won’t go down, no, no.” This slowly fades out and the album comes to an end.

    Fever Dream is cohesive from start to finish. A clear story is told not only with lyrics, but with instrumentals. Guitar, piano, drums, bass, everything compliment one another. Everything had a purpose: nothing, including dynamics, mixing and added effects, feels out of place. Each song has its own unique sound, but Fever Dream still feels like one album.

    Remington Leith brought the emotion to the lyrics. Whether it is subtle soft vocals, angry scream vocals or powerful emotional belting, he brought the lyrics to life and aided the storytelling. The listener understood what emotion to feel while listening and what was being conveyed. Making every song easy to connect with in some way.

    This has easily become my favorite Palaye Royale album and a contender for best album of the year.

    Fever Dream is currently available to stream and purchase.

  • YouTube star Daniel Howell brings levity and humor to a doomed world

    YouTube star Daniel Howell brings levity and humor to a doomed world

    Youtube veteran Daniel Howell is back on the road for his End of the World Tour. Howell took the stage at the Agora Theater in Cleveland, OH on November 2 with his new stage show, “We’re All Doomed.”

    Those who are familiar with Howell’s work will know he is no stranger to talking about the issues that keep us up at night. He touches on existential crises, mental health, and talk about how the world is doomed. While over the years his content has shifted away from Youtube, that same dark humor with a touch of hope remains.

    The show touched on topics relating to social media, technology, climate, politics, mental health and more. While normally serious topics make you question everything, Howell talks about them in a way you cannot help but laugh at. From tiktok to avoiding social interactions, Howell touches on topics that everyone in the audience can relate to and has laid in bed thought about at least once.

    The environment of the show is a judgment free zone. Whether you are a new fan of Daniel Howell or have been watching him from his start over a decade ago, you will be welcomed and have a wonderful time. It is a show where you can talk to the person sitting next to you, and you may leave with a new friend.

    “We’re All Doomed” lives up to its name. While the show did not permit any pictures or videos of the show to prevent material from getting out, what was touched upon culminated in a conclusion that we may be doomed, but we will be okay.

    Daniel Howell is currently on tour across the United States and is scheduled to bring the show to Australia next year. Tickets can be purchased on Daniel Howell’s website.

  • Avatar: The Way of Water trailer gives new look at Pandora’s water tribe

    Avatar: The Way of Water trailer gives new look at Pandora’s water tribe

    The wait for the upcoming sequel to James Cameron’s 2009 smash hit Avatar is almost over.

    On November 3, the new trailer for the upcoming film Avatar: The Way of Water was released. It not only introduces some of the new characters in the feature, but teases how the humans will return to wreck havok on the Pandora.

    The trailer opens on a pregnant Neytiri (Zoe Saldana) notching a bow before introducing Kiri (Sigourney Weaver), one of her and Jake Sully’s (Sam Worthington) children. Also in the brood are their sons Neteyam and Lo’ak, daughter Tuktirey and their adopted human son Miles.

    It should go without saying the film looks visually incredible. Avatar: The Way of Water and the other announced sequels were famously delayed because of Cameron’s “commitment to the special effects that set Avatar apart from other films of its time,” according to Kayleigh Donaldson for Screenrant.

    “A noted perfectionist, he made no qualms about taking his time and waiting for the technology to catch up to his vision,” Donaldson said.

    With how visually stunning the first film is, it’s incredible to see what time and technological advances have done to make the sequel look even better. What remains to be seen, of course, is the full story.

    If nothing else, The Way of Water certainly promises something entertaining. The Omaticaya seem to be at odds with the aquatic Metkayina clan, shown when the leader Ronal’s (Kate Winslet) partner Tonowari (Cliff Curtis) explicitly tells Sully, “We cannot let you bring your war here.” It does not seem that will deter Lo’ak and the Metkayina clan leaders’ daughter, who seem to have a Romeo and Juliet love story going on, nor will it stop the inevitable battle between humans and Na’vi.

    Not only that, but it seems the humans never left to begin with. A new mech suit with skinny, almost spiderlike arms runs through a burning environment alongside an avatar in Army fatigues. The avatar can be presumed to be Col. Miles Quaritch (Stephen Lang), who is confirmed to be back in the story as a “specialized avatar” known as a recombinant. Giovanni Ribisi is also confirmed to reprise his role as weaselly bureaucrat Parker Selfridge in the film.

    The effects were certainly worth the thirteen-year wait, but audiences won’t know until December whether the story is. If nothing else, audiences certainly have a gorgeous three-hours-and-twelve-minutes to look forward to.

    Avatar: The Way of Water releases exclusively in theaters December 16. Check out the full trailer below!

    Will you return to Pandora this winter? What are you anticipating most? Let us know in the comments!

  • Op-Ed: What we can learn from Stray Kids and Omega X about K-pop fans

    Op-Ed: What we can learn from Stray Kids and Omega X about K-pop fans

    Recent statements made by Stray Kids leader Bang Chan has shed new light on the relationship between idols and fans.

    On October 23, K-pop media outlet Koreaboo reported on a recent Chan’s Room broadcast, a TikTok live show hosted by Stray Kids’ leader Bang Chan. In the live, he chatted candidly about his life while answering questions from STAYs. In the live, Chan read a comment that read, “We must protect Stray Kids.” While he expressed gratitude towards the group’s fans, he took the opportunity to constructively call fans out who leave negative comments on posts made by other groups.

    “I’m actually really glad that we have STAYs beside us,” Chan said. “We have STAYs watching out for us and stuff, but sometimes after watching the stuff that you guys do, I wanted to say that it’s always good…we’re grateful for you guys trying to protect us, right? But protecting us should be the only thing that you do, but downgrading others is something you should not do.”

    K-pop is notorious for having some of the most intense fans on the internet, but examination isn’t often done into why fans feel adamant to defend and occasionally attack on behalf of their idols. There are many factors contributing to this, including but not limited to sasaengs, the highly competitive nature of the industry and the bias Western audiences have historically held against K-pop. These are topics that are well-recorded and discussed, but two often slip under the radar.

    Actress Park Min-young portraying a sasaeng, or “stalker fan,” in the Korean Drama “Her Private Life” (Image Source)

    The first is the increasingly parasocial relationships fans have with these groups, which Koreaboo outlined directly.

    “With the way K-Pop artists can now personally interact with a larger amount of fans globally than ever before through social media and apps such as Bubble and Weverse, there are even more opportunities for fans to foster a deeper connection with their favorite artists,” the site reported.

    These apps, among others, offer direct communication between fans and idols through paid memberships and microtransactions. Additionally, platforms like Pocketdols and Rising Star often sell video calls with smaller groups like Vanner, Pink Fantasy and pre-debut group XEED for as little as $31 per two minutes. Special event packages, often priced from $94 to $187, often include personalized video messages and exclusive selfies from the member they bought time with. This can foster a connection with these artists that makes fans feel more like friends, especially for those who buy several minutes or multiple calls.

    Platforms like Pocketdols and Rising Star let fans get closer than ever to their favorite idols. (Image Source: Pocketdols)

    The second, potentially more important, factor is the mistreatment idols face. It’s not difficult to find hate comments on platforms like Instagram and Twitter, which idols themselves often have access to. Cyberbullying led to the suicides of idols Sulli and Goo Hara in 2019, and volleyball player Cho Jang-mi, known on Twitch as BJ Jammi, in 2022. On February 9, shortly after Jammi’s death, Justin McCurry wrote an article for The Guardian about the level of abuse these public figures can face online.

    “The suicide of the singer and actor Sulli sparked anger of the failure of management agencies to protect their stars from ‘toxic fandom and demands for government action against bullying on popular internet portals where users were able to comment anonymously,” McCurry reported.

    “She [Sulli] laughed when she wanted to laugh and cried when she wanted to cry. She brazenly spoke out. She didn’t fit the mould. [sic]” (Quote and Image Source)

    This isn’t the only kind of abuse they can face, however. On October 23, Koreaboo reported allegations of physical and verbal abuse towards Omega X after the final stop of their Connect: Don’t Give Up world tour in Los Angeles. On 5:48 am EST, Twitter user @hwi_418 posted an audio recording captured while waiting for an Uber home from the event.

    “Guys, I was waiting for the Uber that I called outside and I saw the company CEO hitting the members,” @hwi_418 Tweeted. “I really didn’t know what to do since my hands were shaking so much. They were being hit right in front of me but I couldn’t do anything.”

    The identity of the person mistreating the group was recently confirmed to be a woman named Kang, the CEO of Spire Entertainment. This was further corroborated by statements made by Kang and Spire Entertainment. Later, For X, Omega X fans, and non-fans alike came out with other stories alleging mistreatment. One incident was originally posted to Twitter October 4 by user @jsmgryu, who alleged their mother had a similar encounter with the group in an airport.

    Source: Koreaboo
    Source: Koreaboo

    This news came at the end of an already tumultuous tour. It was initially managed by Code1 Entertainment before being replaced by MC Entertainment, who were later dropped themselves. Adding to the chaos, the members were stranded in Chile after their Santiago concert, causing the cancellation of the Boston date. Furthermore, it was revealed Omega X’s tickets back to South Korea were unexpectedly cancelled, leading to the members having to buy their own plane tickets home.

    Omega X debuted under Spire Entertainment on July 30, 2021 with the mini-album and single Vamos. (Image Source)

    Omega X is known as a “second chance group” because all the members are from previously disbanded groups. Specifically, Jaehan was the main vocalist in Spectrum and Sebin was the face of Snuper. Other members of these disbanded groups, Taewoong from Snuper and Donggyu from Spectrum, spoke out in Omega X’s defense on Instagram on October 24. A former staff member of Seven O’Clock, rapper Hangyeom’s former group, expressed his support the same day.

    Left to Right: Taewoong’s (Snuper) Instagram story, Donggyu’s (Spectrum) Instagram story

    Considering the mistreatment groups can face and the deep connections fans feel with their favorites, it’s no wonder K-pop fans are so dedicated. So, it’s incredibly puzzling when K-pop fans use cyberbullying tactics against other groups or fandoms in the name of their own.

    The K-pop industry is no stranger to fan wars, whether fandoms are cattily boasting about their group’s accomplishments online or engaging in physical fights. Especially on Twitter, there’s this feeling that not only is their favorite group The Best, but they have to be The Best. It seems, to validate themselves as fans, they have to prove other groups are The Worst or at least otherwise inferior. This has caused K-pop fans, regardless of fandom, to garner their negative reputation.

    Chan’s live brought this up explicitly, saying that leaving negative comments not only hurts the people they’re trying to hurt, but themselves and their favorite group.

    “You’re going to ruin your image,” he said. “You’re going to ruin our [Stray Kids] image, too. Let’s keep our Stray Kids and STAY image as nice as it can be.”

    He went on to point out the futility of these fan wars and negative comments.

    “Defending us is good,” Chan said. “Downgrading others is not good, because that’s not gonna fix anything. That’s not gonna do anything good.”

    So, what happens when K-pop fans unite? On June 7, 2020, Kristine Kwak reported for Variety:

    “…The BTS ARMY has earned its stripes as a massive global influence and its effort to match the groups $1 million donation was accomplished within a day of the news, hitting $1,026,531 with 35,609 donors,” Velez said.

    This accomplishment by ARMY is impressive, but they are just one, admittedly vast, fandom. It’s a different thing altogether for folks to cross fandom lines and work together.

    Shortly after the news about Omega X broke, that’s exactly what happened. Fandoms from groups including Ateez, Kingdom, Black Level, EXO, E’Last, Just B, Ikon, BTS and Stray Kids, among others, came together to promote the hashtag #PROTECTOMEGAX on Twitter.

    Choice, fans of K-pop boy group A.C.E, even went so far as to suggest the group’s company, Beat Interactive, sign the group themselves to get them away from Spire.

    Chan’s live, as well as previous statements from other idols, proves not only they don’t condone bad actors, but they see them and actively want fans to be better. It’s completely understandable for a fandom to celebrate and defend their favorite artists, but there’s a right and a wrong way to utilize that intensity.

    It’s beyond obvious what is possible when K-pop fans unite towards a common goal. In the future, one can only hope they can do the same when a group isn’t going through a difficult time.