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Tomorrow X Together tempt fans with limited time hotline ahead of album release

Tomorrow X Together just made MOA’s phone lines a lot sweeter.
On January 20, Tomorrow X Together launched the Sugar Line, a hotline specially for fans in preparation for their upcoming album The Name Chapter: Temptation. In the introductory video posted to the TXT OFFICIAL account, they remind MOA of the upcoming album before encouraging them to “follow instructions” to access “personal messages” the group recorded for the hotline.
The opening message, presented by the entire group, promises hints about the upcoming album before instructing the caller to press a number corresponding to each members’ individual messages: 1 for Soobin, 2 for Yeonjun, 3 for Beomgyu, 4 for Taehyun and 5 for Hueningkai. Each message provides more information about the upcoming album, including themes and the whistle hook from title track “Sugar Rush Ride.”

The track was released on January 19 “This album talks about how you are seduced by the sweetness of instant gratification,” Soobin said in his recording. “Our first track, ‘Devil By the Window,’ demonstrates how vulnerable we are to temptation.”
Yeonjun used his message to promote the title track “Sugar Rush Ride.”
“Every track sounds awesome, but especially our title track ‘Sugar Rush Ride’ is full of temptation,” he said. “Look forward to it.”
Beomgyu spoke briefly about “Happy Fools,” the third track on the album and a collaboration with Coi Leray. He specifically spoke about Tomorrow X Together’s contributions to the song.
“All the members participated in this track just for you, MOA,” he said.
Coi Leray shows love for Tomorrow X Together ahead of their collaboration. Taehyun used his time to talk about the fourth track, “Tinnitus (Wanna Be a Rock),” which he co-wrote.
“I participated in the process of writing the lyrics for this song [sic],” Taehyun said. “Look forward to our album.”
Hueningkai not only expressed gratitude for fans’ patience, but promoted “Farewell, Neverland” in addition to the title track. More than that, he
“Thanks for waiting for us,” he said. “This is a concept album, so hear all tracks in order to understand the full story.”
Tomorrow X Together released a concept trailer for the album on December 2, 2022. At the end of each message, the selected member encourages the caller to listen to the other messages or press 0 to pre-save the album and opt in to receive text messages and updates from the band.
The release of the Sugar Line directly follows the announcement of their upcoming tour ACT: SWEET MIRAGE, set to kick off in Seoul on March 25 and 26.

Earlier this month, Tomorrow X Together released four batches of concept photos: Daydream, Nightmare, Farewell and Lullaby.
With a bold direction and less than a week left before the album’s release, Tomorrow X Together are aiming straight for the second star to the right. Fans will soon find out if it will take them straight on til morning.
The Name Chapter: Temptation is scheduled to release on January 27. It’s currently available to pre-save and pre-order on all major platforms and wherever K-pop albums are sold.
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Bite-Sized Beats: Fall Out Boy “just about snapped” on new single

Fall Out Boy built it, so overcast kids have come.
On January 18, Fall Out Boy released their brand new single “Love From the Other Side.” This marked not only their first single in five years, but the opening salvo for their upcoming album So Much (For) Stardust.
“Love From the Other Side” is a return to form for Fall Out Boy, boasting incredibly strong lyrics from its opening line “model house life meltdown still a modern dream letdown” to the inevitably iconic “every lover’s got a little dagger in their hand.” Beginning with a jaunty piano riff and a grand orchestra, it doesn’t take long for the instrumental to fade and launch into sprinting drums and a dancing guitar line that is no less cinematic. While the leadoff single from 2018’s Mania, “Young and Menace” felt like the an experiment, “Love From the Other Side” feels like the result of years resting and soul-searching. It’s refreshing, energetic and mature in a way that propels the band forward while staying painfully honest.
Unfortunately, this fantastic track and album announcement were accompanied by the announcement that guitarist Joe Trohman would be taking a hiatus from the band. Citing “rapidly deteriorated mental health” in a letter to fans, Trohman also expressed “great pride” in the new album and assured fans this is just a temporary break to prioritize his recovery.
“So, the question remains: Will I return to the fold? Absolutely, one-hundred percent.” This also offers a possible explanation as to why Trohman spends most of the music video with a large raccoon head. In the video’s story, he is “transformed into a raccoon” by a witch in a bedtime story a much-older-looking Pete Wentz reads to his granddaughter.
If this is just the opening credits, So Much (For) Stardust is set to be one hell of a film.
So Much (For Stardust) is scheduled for release on March 24. Check out the music video for “Love From the Other Side” below!
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Music festival round-up 2023: four major festivals announce dates and line-ups

The new year is here and the cold weather has everyone looking forward to sunny weather and all the fun activities it brings. For music lovers, that means music festivals. Many festivals, like When We Were Young Fest and Adjacent, already announced their line-ups at the end of 2022. However, the new year brought many festivals announcing their dates and line-ups. While they bring excitement, they can also be overwhelming.
To help keep it simple, we have compiled details for the latest festivals to publish their lineups: Coachella, Sonic Temple, Bonnaroo and Boston Calling.

One of the most well-known music festivals dropped their 2023 line-up and dates. It will once again take place two consecutive weekends in April with the same line-up each weekend.
Dates:
Weekend One: April 14-16
Weekend Two: April 21-23
Location: Empire Polo Club – Indio, California
Line-up:
Headliners: Bad Bunny, BLACKPINK, Frank Ocean and Calvin Harris.
Other notable acts include Gorillaz, ROSALÍA, Bjӧrk, Charlie XCX, Dominick Fike, Boygenius, YUNGBLUD, Latto, WILLOW, Knocked Loose, Muna, Blondie and The Kid Laroi.
Tickets and Other Information: Available ticket packages, the full line-up, travel information, health and safety information, other activities going on during the festival and more can be found on the Coachella website. The festival is already reporting low availability for the first weekend and recommends looking into Weekend Two for purchasing tickets.

Previously known as Rock on the Range, this festival debuted its new moniker in 2019. After a hiatus due to the COVID-19 pandemic, the Ohio-based rock festival has returned.
Dates: May 25-28
Location: Historic Crew Stadium – Columbus, Ohio
Line-up:
Headliners: Tool, Godsmack, Avenged Sevenfold, Queens of the Stone Age, Kiss, Rob Zombie, Foo Fighters and Deftones.
Other notable acts include Beartooth, Bad Omens, I Prevail, Sleeping With Sirens, Badflower, Dayseeker, Senses Fail, The Pretty Reckless, Nova Twins and New Years Day
Tickets and Other Information: You can find information about full weekend tickets, single day tickets, parking and camping tickets and other information about the festival on the official Sonic Temple website.

Bonnaroo is a music and arts festival set on a 700-acre farm in Tennessee with a variety of music artists. The main venue stays open 24/7 and has acts that go on into the early hours of the morning.
Dates: June 15-18
Location: 700 acre farm – Manchester, Tennessee
Line-up:
Headliners: Zed’s Dead, Liquid Stranger, Kendrick Lamar, Odeza and Food Fighters.
Other notable acts include Portugal the Man, Noah Kahan, Rina Sawayama, Muna, Lil Nas X, Korn, Rainbow Kitten Surprise, Sheryl Crow, The Band Camino, Yung Gravy, Paramore, Girl in Red, Hippo Campus and Peach Pit.
Tickets and Other Information: You can find the complete line-up, as well as ticket information, camping and parking information, local hotels, activities taking place during the festival, premium experiences information and more on the official Bonnaroo website,.

This Boston-based music festival returns! It debuted in 2023 and has a wide variety of music acts that play throughout the three day festival.
Dates: May 26-28
Location: Harvard Athletic Complex – Boston, Massachusetts
Line-up:
Headliners: Foo Fighters, Yeah Yeah Yeahs, The Lumineers, Alanis Morissette, Paramore and Queens of the Stone Age.
Other notable acts include Niall Horan, Chelsea Cutler, The National, Fletcher, The Aces, Loveless, Declan Mckenna, Bleachers, The Linda Lindas, Maren Morris and 070 Shake.
Tickets and Other Information: You can find information about ticket packages for the whole weekend and single day tickets on the official Boston Calling website. You can also find the full line-up, information about past festivals, information about getting to the festival and frequently asked questions.
Tickets for each of these festivals are on sale now. Each one varies in price and has different packages available to fit a variety of budgets and experiences for attendees.
These are only a few of the many festivals that are set to take place throughout the season. Several, like Riot Fest, have yet to announce details for this year, but will be sure to be just as stacked and exciting. Each festival has their own style, set up and overall atmosphere. With no shortage of festivals, there is a one that will be perfect for you no matter what you are looking for.
Which festival are you looking forward to most? Who would you most like to see? Let us know in the comments!
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Ateez promise salvation and “a new Eight” in latest comeback teaser

Just as one era ends, another begins.
On December 22, K-pop powerhouse Ateez released the prologue for their highly-anticipated comeback SPIN OFF: FROM THE WITNESS. It promises not only to continue the lore of their previous comeback THE WORLD EP1: MOVEMENT and its title track “Guerrilla,” but the lore begun from their 2019 release TREASURE EP2: Zero to One and its title track “HALA HALA (Hearts Awakened, Live Alive).”
The lore surrounds a group of dark mirror versions of the Ateez members, known to fans as “Halateez,” clad in black clothes, masks and wide-brimmed hats. According to Suzy Gardner for Koreaboo, these characters “exist in a different dimension from ATEEZ, who exist in the real world.”
“The dimension that ‘Halateez’ is from is a dystopian society where feelings are prohibited and the government bans music,” Gardner wrote. “Through a time and dimension traveling hourglass, ‘Halateez’ can evade their government and put on music performances to remind their society what emotions are. ATEEZ’s lore essentially suggests that ‘Halateez’ are captured, and ATEEZ likely is trying to rescue them.”

Halateez have also shown up in the music videos for “Answer,” “Deja Vu” and numerous tour VCRs. (IMAGE SOURCE) Based on this latest teaser, it looks like the plot is about to thicken considerably. The video features a scarecrow-like effigy of one of the members of ‘Halateez’ between clips from previous music videos and members in various scenes of distress. A particularly interesting scene is of Seonghwa, who is stood in front of the effigy holding his arms out as he seems to blink in and out of reality.
Most intriguing is the titular prologue itself, which is interspersed through text at the bottom of the screen. Not only have “the people lost emotion,” but they have despaired as the world “lost gravity” itself.
“People did nothing but wait for ‘them’ to return,” the prologue continued. “All the while knowing that ‘they’ would never appear again. Amidst the desolated hope the great sound of a bell resonated through the air and a new Eight made their appearance.”
Could the ‘new Eight’ be referring to Ateez, Halateez or a third, yet-to-be revealed syndicate? What exactly did The Witness see? Until the album is released on December 30, fans can only speculate.
Are you looking forward to Ateez’s comeback? Check out the full video for “SPIN OFF: FROM THE WITNESS Prologue” below!
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OnlyOneOf announce 2023 tour with dates

For fans of OnlyOneOf, Christmas just came early.
On December 13, Studio PAV announced via Twitter that six-member K-pop group OnlyOneOf will embark on their first US tour Grand America. The group will begin their tour in Jersey City, NJ on March 31 and end in Los Angeles, CA on April 30, visiting nine cities overall. Cities from April 13 to April 28 have yet to be determined.
OnlyOneOf debuted as a seven-member group on May 28, 2019 with singles “Savanna” and “Time Leap.” Former member Love announced his departure from the group on August 2, 2021 due to personal reasons.
In addition to their Instinct Pt. 2 EP, OnlyOneOf have been releasing solo singles under the UndergrOund IdOl series, beginning, fittingly enough, with “begin” by Yoojung. Subsequent singles include “be free” by KB, “be mine” by Junji, “because” by Rie and “beat” by Mill. The first official teaser for the final single in the series, “beyOnd” by Nine, was posted on December 19.
Check out their latest group comeback “skinz” below! Will you be getting tickets when they go on sale?
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New trailer for “The Price of Glee” excites and offends

The first trailer for ID’s three-part docuseries The Price of Glee promised, “the real story behind the global phenomenon is more twisted than anyone could have imagined.” And it’s already stirring up controversy.
“In May 2009, ten young actors made their TV debut on Glee,” the trailer stated. “By 2020, all of them would be famous. And three of them would be dead.”
The Price of Glee is set to explore behind-the-scenes controversies and public tragedies that followed the hit television series that aired from 2009 to 2015. Specifically, the series will focus on the untimely deaths of main cast members Cory Monteith, Naya Rivera and Mark Salling, who played Finn Hudson, Santana Lopez and Noah “Puck” Puckerman respectively. It feature interviews from family members of the cast, among others.
“Then you find out somebody is not necessarily who you thought they were,” one interviewee said.
This quote specifically seems to reference Mark Salling, who committed suicide on January 20, 2018 after pleading guilty to possession of child pornography. He was expected to be sentenced to up to seven years in prison, as well as registering as a sex offender.
Monteith, who had struggled with drug addiction well before he starred on the hit show, died on July 13, 2013 from a combination of heroin and alcohol. On July 8, 2020, Rivera was declared a missing person after she failed to return a boat rental she took to Lake Piru with her four-year-old son. Her body was found five days later on July 13, seven years to the day after Monteith’s death.
The trailer has caused mixed reactions from fans on Twitter, some of whom can’t wait for the docuseries to air.
Others are less enthused, going so far as to call the trailer “disgusting” and “exploitative.”
A particularly contentious issue surrounds the association between Rivera and Monteith’s accidental deaths with Salling’s suicide. Some object to their deaths being linked at all, let alone to Glee.
Love it or hate it, one thing is for certain: this trailer certainly has people talking.
The Price of Glee is set to premier on ID and Discovery+ on January 16.
What are your thoughts on the docuseries? Will you be tuning in? Check out the full trailer below.
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Xdinary Heroes make history at MAMA 2022

Xdinary Heroes has certainly had an interesting career, especially for having debuted less than a year ago.
The rookie band took home Best New Male Artist and Best Band Performance at the Mnet Asian Music Awards 2022, making them the first rock band to do so.
Xdinary Heroes debuted on December 6, 2021 under JYP Entertainment with the digital single “Happy Death Day” before being put on a hiatus. This caused fans to criticize their label for rushing their debut and providing limited promotions when compared to labelmate NMIXX, who debuted on February 22 with the mini-album Ad Mare. This left fans without a comeback until July 20 when they released their first EP Hello, World! and title track “Test Me.”
The band would not receive a fandom name until September 15, when it was announced fans would be called Villains.
“Without villains, it means that heroes will not exist either,” they posted on their official Twitter. “It is a symbiotic relationship that is essential to each other. Xdinary Heroes need their villains to exist.”
While the name garnered mixed reviews, it won over other contenders Xer, Xynergy, piXels, “♭” (flat) and ♭rose with 33.2% of the votes in an online poll.

SOURCE: Xdinary Heroes Twitter They made their second comeback on November 11 with the album Overload and title track “Hair Cut.”
MAMA broadcast live on November 29 and 30 from the Kyocera Dome in Osaka, Japan. The even was hosted by soloist and former I.O.I member Jeon Somi.
Congratulations to Xdinary Heroes for their historical wins! The full list of winners can be found here.
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Louis Tomlinson shows growth and finds his sound on Faith In The Future

Louis Tomlinson is back with his second solo album, Faith In The Future, the is a follow-up to his 2020 album, Walls. That album was on the top of my list of top albums of 2020, and I was eager to see what Tomlinson would release as a follow-up. Needless to say this album did not disappoint. From start to finish this album has a cohesive sound, beautiful lyric storytelling and is full of moments that listeners can connect with.
While Faith In The Future sounds different sonically than Walls, this album sounds more mature and evolved. It sounds as if Tomlinson found his sound, groove and his sweet spot. The album has an alternative rock sound, mixed with some pop elements that create the unique Louis Tomlinson sound that does not fit into one singular category.
Songs like “The Greatest” and “Out Of My System” have heavier drums and roaring rock guitars. Others like “Written All Over Your Face” and “Headline” have a more jazzy, laid back sound while still having a touch of those alternative rock moments.
These songs are contrasted with acoustic moments spread out from the beginning to the end. “Saturdays” is an emotional track about reminiscing about moments with a past partner without those memories break him. The closing moment “That’s The Way Love Goes” is a simple track about how your past partner has moved on. It is a moment of reflection and realization. It has an orchestral section that takes us to the end of the moment. Even the simple acoustic songs have bigger moments, like bringing in strings instruments or more choir-like vocals like on the track “Common People.” The extra effects are what bring the album up a notch.
Lyrically this album heavily touches on problems and ultimately the end of the relationship. Tomlinson writes about situations in relationships that many listeners can relate. “Written All Over Your Face” is a sassy song about fighting with your partner and knowing they are upset and angry. You know by the way they are looking at you and you want to just move past it and get back to the way things were.
The track “Chicago” addresses missing a relationship and how it had a big impact on you. You would like that person and would be there for that person in any way. This song has simple straightforward lyrics but the orchestral bridge and overall large instrumental atmosphere created in the song makes this a standout track. “Holding On To Heartache” talks about holding onto the pain after a breakup and not wanting to accept that the relationship has ended. All the beauty in the world is passing him by and he is not living in the moment.
The track “Angels Fly” has groovy drums and a belting bridge. The lyrics on this song talk about trying to save a relationship and going back to that person to be there for them in any way you can be. Tomlinson knows his partner is in pain and does not like that they are apart and he wants to try and fix things. His storytelling abilities are what make the album stand out in my opinion. He paints a clear picture of every situation in each song, and puts the listener there with him. Tomlinson touches on personal situations, allowing for the songs to feel personal while also making them applicable to the listener.
Tomlinson has his moments where the vocals are the main attraction. For example, his vocals on the chorus of “Bigger Than Me” let out the emotion, belting it out and bringing the song to life. On tracks like “She is Beauty We are World Class,” he lets his vocals take a step back. It is a softer, lighter vocal that lets the instrumental and electronic effects shine through. He allows his voice to have some edge on the more groovy tracks to add to the vibe of the song.
Overall, Faith In The Future is an album that is full of reflection and heartbreak that still looks forward to the future and what is to come. From start to finish, this album holds your attention and will bring you back for more listens. The growth from Walls to Faith In The Future shows that Tomlinson can continue to grow and develop as an artist.
Faith In The Future was released on November 11 and is available on all streaming platforms. Louis Tomlinson is also heading out on the Faith In The Future World tour next year. Information can be found on his website.
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RM confirmed to make Tiny Desk debut

Suit up, ARMY!
On December 1, NPR Music announced BTS leader RM will hold his very first Tiny Desk Concert in celebration of his upcoming EP Indigo. The concert will take place on December 2 at 7pm KST (5am EST). He will be the first BTS member to do so, making history once again.
RM has previously been recognized for being the youngest and second-most accredited songwriter and composer by the Korean Music Copyright Association (KOMCA) as of September 2022, beat out only by VIXX’s Ravi.
Indigo is the third solo EP to be released by the rapper after RM (2015) and mono (2018). It and the music video for the single “Wild Flower (feat. Youjeen)” will be available on December 2 at 2pm KST (12am EST).
The full track list can be found here. Check out the trailer for “Wild Flower” below!
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Ateez break the walls of Desert Diamond Arena

While the North American leg of Ateez’s Break the Wall tour is over, Atiny’s devotion will remain.

A slogan with Ateez’s version one light stick, called a “lightiny” Some fans lined up to camp outside Desert Diamond Arena for the November 10 Phoenix stop for a chance to get the best possible view of their favorite K-pop group. This was certainly the case for Taylor McCoskey, 23, who held an ATINY VIP ticket that guaranteed first entry into the venue. More than that, she set up camp around 3pm MST on November 9 with her fellow Atiny to ensure a spot at the barricade.
“I would like to be as close as possible because it’s always fun to enjoy the experience with the artist,” McCoskey said. “I’m a little shorter and my vision’s not the best, so I like to be as close as possible…”
In addition to the Phoenix date, she attended their Oakland show, both Anaheim dates and both Atlanta dates before finishing the tour with Ateez at both Newark dates. But, it’s not all about Ateez.
“I’ve met some really wonderful people through Ateez,” she said. “It’s kind of hard to see them sometimes ’cause I live on the East coast and a lot of my friends live on the West coast, so being able to see my favorite group with my friends is the best thing for me. It really motivates me to keep going throughout the days.”

McCoskey with her personalized version 2 light stick Something that immediately set this show apart from other K-pop concerts was the presence of an opening act. Pre-debut group KQ Fellaz 2, the latest group to come from Ateez’s company KQ Entertainment, warmed up the Phoenix crowd with songs “Geek” and “Tricky House.” Despite not having yet properly debuted yet, they presented themselves like seasoned pros who could play to a crowd every bit as well as their seniors. Furthermore, it was lovely to see Ateez spotlight their little brother group, especially with a three-hour set ahead of them.

KQ Fellaz 2 When Ateez performed for the main event, the arena exploded. Opening up with “New World,” they used a combination of the setlist and the VCRs to further the story they’ve been crafting since their 2018 debut. Furthering it even more was an effect displayed over the screens during “HALA HALA (Hearts Awakened, Live Alive).” Flashes of the members in the black outfits of their sinister alter egos were laid seamlessly over the live performance. For those familiar with the group’s lore, it was a reminder of the mystery that still shrouds these dark figures.

A sea of light sticks surround Ateez at Desert Diamond One of the hardest things to do at a K-pop concert is keeping a bias list straight, and all of the members vied hard for the top spot that night. Yeosang has a beauty that leaves you breathless, but his confidence reached an even higher peak than their last tour. Hongjoong’s effortless charisma plays perfectly against Mingi’s smoky demeanor and near-violent rapping.
This is to say nothing of San, whose delivery and stage presence are power incarnate. His perfect foil, and best friend, Wooyoung stunned with soft angels and angelic vocals, while Jongo stakes his claim as one of the best vocalists of this generation of K-pop. It’s hard to describe Seonghwa as anything other than princely, both with his vocals and visuals. Words fail when trying to describe Yunho, whose polite demeanor can melt away to reveal the devil himself in a blink.

From left: Jongho, Yunho, Mingi, Hongjoong, San, Seonghwa, Wooyoung, Yeosang A massive boost to the set list was songs from their latest album, World Ep1: Movement. Easily some of their best work yet, Movement provides songs like “Cyberpunk,” a heart-wrenching plea for something real set against a pounding beat with unbearably sexy choreography. Club-ready track “Sector 1” got people out of their seats early in the set, but there really isn’t anything like the title track “Guerrilla.” Everything from the almost Daft Punk-esque synthesized vocals at the end of the second verse to the skittering trap beat only serves to support the desperate mania that defines the entire EP. There’s also just something in the way they say “break that wall” feels like a justified punch to the nose. Wrapped neatly and tightly with a screeching guitar and hardcore vocal touches, the addictive energy got the crowd fired up even at the end of the set.

“춤을 춰, break that wall, 우리 feel로/세상을 바꿀, we are the guerrillas” An element that made the Phoenix date even more special was knowing it was the first time they’d visited the city. In that spirit, a standout moment came when Mingi told retold a story about he and his friends picking rapper names in high school. which he said were often taken from American cities. The name he chose back then: Phoenix. It added a personal and touching sparkle to an absolute gem of a night.

Onscreen: Mingi, Onstage (from left): Wooyoung, Seonghwa, Hongjoong On their previous tour, they ended their set with the heart-achingly sincere “Turbulence.” While that song did make the set list, they decided to close with “The Real,” an up-beat track to send the crowd out dancing. Hongjoong’s closing statement said it better than I could write it.
“For our last song, we don’t need to be emotional,” he said. “I already told you: today, is just enjoying day. So, let’s smile and let’s sing along together and let’s say goodbye and let’s promise for next day.”
Ateez is a group who defies expectations and pushes their own limits. The final show of this tour was November 28, but we haven’t seen the last of them by a long shot.

“I really really really love Phoenix,” San said. “You guys are really hot and really cool…so, I promise you I will come back.”




















































































































