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Neck Deep choose nostalgia over variety on new album
Get out the skateboards, cargo shorts and snap backs: Neck Deep are back and returning their pop punk roots.
Welsh pop punk band Neck Deep released their self-titled album on January 19, 2024 through Hopeless Records. This is the band’s first album release since 2020’s All Distortions Are Intentional, making this a highly anticipated return for fans of the group.
Fans of Neck Deep know they have embraced the label of “Generic Pop Punk” for years, a staple in their merch collection are shirts that feature that phrase, and that label rings true on this project. The loud, fast-paced guitars and drums mixed with catchy and screamable choruses are ever-present throughout. Listening through you cannot help but want to head bang and picture a circle pit and crowd surfers.
The album touches on a variety of topics over the short 10 tracks. Songs like “Dumbstruck Dumbf**ck”, “This Is All My Fault” and “Heartbreak Of The Century” touch on relationships and heartbreak, while “We Need More Bricks” is a politically charged track about needing people to get angry and work towards changing things. The songs “Go Outside!” and “It Won’t Be Like This Forever” discuss mental health.
The main issue this album faces is that there is no break for the listener. The album is high-energy and fast-paced almost the entire time. The closest instances for a slower moment are on the tracks, “It Won’t Be Like This Forever” and “They May Not Mean To (But They Do)” but those tracks are only slowed down slightly. It is still high energy and full sound. For those listening to the whole album for the first time, it may be a bit exhausting. While the album itself is not long, jumping from in-your-face guitars and drums on track after track, can be overwhelming. Having at least one more acoustic or slower moment would be a nice way to break up the listening experience.
To go along with the lack of breaks, there isn’t much variety sonically. Each song is full of pounding running drums, power chords, some distorted guitars and large choruses. At times, the instrumentals drown out the vocals, like on “Sort Yourself Out” and the opening track “Dumbstruck Dumbf**ck”. Each song follows that same pop punk formula almost to a tee. So, when listening, you can predict where the song is going. There aren’t dynamic changes with softer, toned back instrumentals that slowly build to large moments. While that is not typical of pop punk songs, having even a touch of something different would elevate this album. The songs needed a dash of something extra or unexpected to allow them to stand out from every other pop punk song, or even other Neck Deep tracks.
That is not to say there are no tracks that have moments that stray a bit. Some songs like “It Won’t Be Like This Forever” have more acoustic openings, and there are instances where vocalist Ben Barlow has belting moments like on “Take Me With You”. However, those moments are rare. They get lost with the rest of the album that blends from one track to the next. If the band took those moments and developed them more, the songs would stand out, and allow for a dynamic listening experience.
What saves the album are the lyrics and themes discussed throughout the album. “We Need More Bricks” is a powerful and relevant track. This song touches on everything from the British monarchy and wars to political protests and calls on everyone to work together to make a difference. Ben Barlow sings “The kids are wide awake/And they rage against the palace”, calling out people protesting against the traditional monarchy. The chorus sings “We need more fight and we need more grit/We need more punks and we need more bricks”, calling on everyone to open their eyes and fight for change. In today’s world, with politicians trying to pass discriminatory laws, genocide, international wars, global warming and more, people need to be ready to fight for change. Barlow sings “The next emergency can only be so tragic/An opportunity for the next distraction tactic,” calling out how we cannot get distracted by whatever political tactics that will be used after the next tragedy to hide what is actually happening in the world.
“Go Outside!” is another stand-out track. While still having the pop punk sound, it attempts to bring a touch of variety. The drums are still heavy, but less in your face. The guitars drive the track with a repetitive line that can be heard throughout the song, even having some solo moments to let it shine. The vocals are also emotional and needy. Listening closely, you can hear the desperation in his voice. He is yearning for something in his life to change in order to be okay again. The lyrical content discusses struggling with mental health and not feeling like yourself. Barlow is begging for someone to help him be okay again. In the chorus, he sings: “Save me/I have lost myself/So I’m begging you to say my name/Snap me out of this/Take me back to when I felt like me/When I felt like me”. Later, he talks about needing to open up and tell this person everything, but he is not ready to share that part of himself yet. The vulnerable side of him. Right now, he just needs them to help him feel okay.
“Moody Weirdo” is the closing track and may be the song on the album. This track has an uplifting feel. The instrumental is the most toned down and feels more bright. The drums are pulled back to overwhelm the vocals, but are still the driving force. You are still able to rock out and get the pop punk feel, but not feel overwhelmed. It feels like a more modern, updated sound that merges a current rock sound with the nostalgic pop punk sound we love. It’s a refreshing sound to close out the album.
Barlow also brings a positive and hopeful vocal delivery to “Moody Weirdo”. The lyrics discuss the internal struggle of accepting yourself and the need for personal growth and accepting the changes. Barlow sings, “You gotta take one small step every day/ Don’t fight the change/ Just say what you have to say”, these lyrics are straightforward and pack a punch. They clearly paint a picture of an almost epiphany Barlow has come to. Listening to the chorus, it is clear he is describing how we have to take each day as it comes and accept that life will change. However, the last line hints that you do not have to be afraid to speak up. There is room to be yourself, and stand up for what you believe in. Which can also be applied to themes discussed throughout the record. Relationships will change, you can speak up and fight for change in the world, and accept that making changes in your life may be what is needed to help better yourself and your mental health. It feels almost like the climax of the album. If you were to take one message from listening to every track, this chorus would be what you remember,
During the bridge of “Moody Weirdo”, Barlow feels as if he’s talking to himself and coming to realization that he needs someone by his side to navigate life. He sings, “ I didn’t think I was stupid/ It was all a fear / And I don’t think I can do this without you here”. While it is just a few lines, the are blunt, and let us know exactly what he Barlow is thinking. These are the words he wants to say this special person in his life. In the past, they have been apart, maybe he even pushed this person away. But, he knows he was wrong, and he is ready for to have someone by his side to go through these challenges. In previous songs like “This Is All My Fault”, he was pushing another person away, but he has come full circle and is no welcoming someone back in life. This demonstrates the growth Barlow has gone through from the beginning of the record.
Overall, this self-titled project is a solid pop punk album. It is full of fast-paced, energetic tracks with choruses made for screaming and moshing, made for those who long for the nostalgic pop punk they grew up listening to. However, that comes with the price of the album feeling sonically static and underwhelming. At times the loud and in-your-face instrumental overwhelms the vocal delivery and lyrics, the two highlights of the project.
Neck Deep is not a bad album. It just lacks variety and does not bring anything new to the table. It falls in the middle of the road. It has its moments where the songs are able to branch out past the typical pop punk mold. Those few instances allow to break up the wall of rolling drums and distorted guitars that is present from start to finish. However, those moments are few and far between. This leaves the album feeling a bit lackluster and not one that will bring constant repeat listening.
Fans of pop punk and those who enjoy the OG sound of Neck Deep will enjoy this album. For those who want something that brings some new and unique sounds, this album will fall flat.
Neck Deep is available on all major streaming services. Neck Deep is currently on tour, ticket information can be found on their website.
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Avril Lavigne announces Greatest Hits North American summer tour
Hey, hey, you, you! Avril Lavigne will see all the skater bois on tour this summer.
On January 22, Avril Lavigne announced her Greatest Hits North American Tour. The tour kicks off on May 22 in Vancouver, British Columbia and wraps up on September 16 in Edmonton, Alberta in Canada. The tour has stops across the United States and Canada including stops in California, Washington, New York, Ohio, Virginia and more. According to the tour announcement on her Instagram, Lavigne will perform the greatest hits from all her albums, fan favorites and “perhaps some special requests.” From “Complicated” off her debut album Let Go and “Here’s To Never Growing Up” off her self-titled, to “I’m A Mess” off of her most recent album Love Sux and everything in between, there is no shortage of hits for her to perform all summer long.
Along with the tour announcement, she announced her who will be joining her on the road. The support acts are Royal And The Serpent, All Time Low, Simple Plan and Girlfriends. Not all acts will be on each date. The shows will either have Royal And The Serpent and All Time Low, or Girlfriends and Simple Plan. The tour poster indicates which pairing will be at each date.
To break up the tour, Lavigne will also perform at several music festivals across Europe. Those include Rock For People, Novarock, Pinkpop, Tinderbox and Main Square Festival.
General sale for all dates go on sale Friday January 26 at 10 a.m. local venue time. Information for each specific date can be found on her website.
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End of an era: MatPat takes a step back from Game Theory
It’s not just a theory, gamers.
On January 9, the founder and host of The Game Theorists YouTube channel Matthew Patrick, better known as MatPat, posted a twenty-five-minute video titled “Goodbye Internet.” In the video, Patrick announced he will no longer be hosting the channel’s shows Game Theory, Style Theory, Food Theory and Film Theory as of March 9. He stated this was not an easy decision and struggled to keep tears from his eyes for “Goodbye Internet’s” runtime, as he’d founded the channel with his wife Stephanie Patrick (née Cordato) in 2011.
“If you think about it, this channel was Steph and my first child,” Patrick said. “Before we had Ollie, before we had Skip, CatPat, was this. This was our baby.”
A promo for Game Theory was posted on April 14, 2011. The first official theory, titled “Game Theory: Is Chrono Trigger’s Time Travel Accurate?” was posted on April 18, 2011. Patrick answers the inevitable question of why he’s leaving early into the video, first citing YouTuber Tom Scott’s farewell video “After ten years, it’s time to stop making videos” posted on January 1. He also stated he intends to spend more time with his family, spending much of gushing about his son Ollie. Patrick also admitted a more “selfish” reason for his decision, citing the desire to “end on a high note.”
“When you think about it, there’s really only two ways to step away from a YouTube channel,” Patrick stated. “You either decide the day you stop uploading and you’re like ‘I’m done’; or, you just keep uploading videos from now until the heat death of the universe and you watch as your relevance slowly dies or your passion slowly dies.”
Before he “whips and nae naes off into the distance” he will host nine more theory videos, culminating in his final video on March 9. These theories are intended to tie up loose ends, revisit “old favorites” and generally provide closure for fans before his final theory, which Patrick described as a “a going away celebration.”
While he is delegating hosting duties, he won’t be stepping away from The Game Theorists entirely. Patrick will remain part of GTA Live “for the foreseeable future” and announced his role as a host for an upcoming Style Theory fashion show. However, he stated his position will mostly shift to behind-the-scenes production work.
“I’m still gonna be alongside the creative directors talking about programming, brainstorming ideas for episodes,” Patrick said. “That’s awesome. I love that. I don’t want to give that up.”
In the section labeled “A New Challenger Appears,” Patrick further explained why he’s stepping away from hosting duties. Patrick currently hosts all four Theory sub-channels but has “always envisioned these channels as a place where we could spotlight all sorts of creators.” He intends to shine the spotlight on those who do behind-the-scenes work on his team. While he contributes to the script-writing process, Patrick admits most of the words he recites on recent Theory videos are not his own.
Patrick highlights co-writers as listed in the descriptions of various Theories. “I’m listed on every single one of them as the writer because I touch every single script,” he said. “I polish it into my voice, but in all honesty, the bulk of what I’m saying is coming from someone else. It’s their research, it’s their work. Why should they have to filter their creativity through my voice?”
After March 9, each of The Game Theorists‘ sub-channels will be hosted by their respective Creative Directors. Forrest Lee, an editor of the channel for ten years, will host Film Theory, Amy Roberts will host Style Theory, Santi Massa will host Food Theory and Tom Robinson will host Game Theory.
Patrick ended the video with tearful gratitude for everyone who has watched the channel’s videos for the past thirteen years.
”I love you guys,” he said. “I do. You’re not just numbers. You’re not just ad impressions. You’re not just merch sales. What you have done for me and, from everyone I’ve talked to, what I’ve done for you is special. It’s special.”
If you haven’t already, check out MatPat’s full farewell video below:
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The In-Crowd’s Ten Best K-pop Songs of 2023
In a blinding flash, 2023 already feels long gone. Left in its wake are the seventy groups debuted, seemingly countless comebacks and no shortage of moments that left K-pop fans’ jaws on the floor. It was truly an unforgettable year, reflected best by the sheer quality of title tracks released.
From fun choreography and inspiring lyrics to insane vocals and snappy production, this was an insanely good year for K-pop and some very painful cuts were made. Here are my picks for the ten best K-pop title tracks of 2023.
10. “Bite Me” Enhypen
After mostly toning down their vampiric concept for recent comebacks, Enhypen brought it back full force on their sixth EP Dark Blood. Released May 22, 2023, the group kicks off the title track “Bite Me” with a hypnotizing harmony before diving headfirst into an utterly addictive beat. The bass blasts during the pre-chorus as Niki, Jay and Sunghoon take turns all but commanding you to “come here and get some.” It’s both unexpectedly and enticing, as if nothing good will come of getting involved with them, but it’s too tempting to resist. The only thing this song is missing is a real ending, fading out awkwardly after the second chorus without capping off any of its themes. Regardless, “Bite Me” is a marvelous return to form you can’t help but sink your teeth into.
9. “Performer” Vanner
Fresh off their Peak Time win, Vanner returned strong with the Veni Vidi Vici album on August 21, 2023. Its lead single “Performer” almost feels retro, from the whistles in the beat to the “na na nas” in the chorus. The production is so bright it borders on bubble gum, a breath of fresh air in a year full of bass-heavy bangers while being utterly danceable in its own right. All five members glow with post-victory confidence, but rapper Sungkook (formerly Ahxian) particularly stands out with his low voice and high-energy bars. “Performer” is as much a celebration of how far Vanner has come as it is how far they still have to go, and I can’t wait to see what comes next.
8. “seOul drift” OnlyOneOf
OnlyOneOf aren’t strangers to bold choices and strong statements, so “seOul drift” was just the latest example when it dropped March 2, 2023. They set the mood with squealing tires and exhaust fumes baked right into the track, only to drop in an oil-slick bass line and a buzzy synth line. Every member has a chance to strut their stuff as rappers, but I’m always a sucker for a good call and response moment. To my delight, rapper Mill and vocalist KB deliver with effortless confidence. Really, the entire song is an exercise in fearlessly going after what they want without concern for limits and this song makes you feel like you’re right next to them in their passenger seat.
7. “Do or Die” xikers
With the help of producers EDEN, Maddox, Ollounder, Peperoni and even labelmate Kim Hongjoong (ATEEZ), Xikers crafted a deliberately messy banger with a relentless bass line and fuzzy guitar. There’s no reason why a song by a K-pop boy group should have this much riot grrrl energy, yet this insanely talented group of young men somehow pull it off. It’s not a purely punk track, using vocal distortion and hip hop production elements, but it doesn’t need to be to perfectly illustrate the rookie group’s youthful energy and rebellious spirit. It’s a carefully crafted rebellion, due to its sleek production and the very nature of K-pop as a genre, but the members’ performances still manage to make “Do or Die” feel authentic.
6. “Unforgiven” LE SSERAFIM & Nile Rogers
The moment it was announced LE SSERAFIM’s May 1, 2023 comeback would be co-produced by legendary producer Nile Rogers, I knew it was going to be something special. These girls certainly did not disappoint, releasing a call for solidarity with anyone who refuses to conform to anybody’s standards but their own. LE SSERAFIM somehow pulls off an “I’m not like other girls” concept in the least toxic way possible, inviting anyone and everyone to “come and cross the line” with them. Each of the girls contribute their own unique charms and powerful vocals against a twanging, almost rubbery baseline and perfectly-mixed trap snares. They may not be “forgiven,” but they don’t let something that trivial stand in their way.
5. “쉿 (Shhh)” Kiss of Life
Rookie girl group Kiss of Life burst through the gate with their debut track “쉿 (Shhh).” Released on July 5, 2023, the girls traverse a genre-blending celebration of individuality with jaw-dropping vocals and flawless harmonies, while lyrics like “you are you no matter what anyone says” and “take off the clothes that don’t fit/and throw them away” drive the message of staying true to oneself home. The production is almost reminiscent of The Neptunes, from the tongue clicks of the spare chorus to the jubilant horn line. Throughout “Shhh,” Kiss of Life are feeling themselves without any care for what anyone might say about them. Despite being so new to the scene, these girls have already proved themselves as consummate performers to keep an eye on.
4. “Break the Brake” Xdinary Heroes
Xdinary Heroes don’t just want “some more,” nobody is going to stop them from getting it. Following up “Freakin’ Bad” from their April 2023 comeback, “Break the Brake” shoved right past it upon its October 11, 2023 release. The synth itself seems to bounce with anticipation over pulse-pounding drums as Od.e and Jungsu pull the listener in before Gaon pushes them off the ledge with a single “alright, I’m ready/go, go, go.” The song never slows down from there, held aloft with the band’s electric chemistry and unrepentant ambition. Lead guitarist Junhan steals the show right at the end with a squealing, rapid-fire guitar solo without breaking a sweat. It’s easily their most aggressive track to date, they seem beyond comfortable in this lane.
3. “Bouncy (K-Hot Chili Peppers)” ATEEZ
In my opinion, ATEEZ’s music peaked in 2022 and everything else has been a well-deserved victory lap. One such example was the delicious ear worm “Bouncy (K-Hot Chili Peppers),” a braggadocious banger that has more fun than any single person in any room. They know they’re on top and are beyond comfortable there, best shown with lines like “nothing stands in our way/try to stop us” and “if you wanna know how let me show you right now.” Every member bleeds confidence all over the track, with Wooyoung and Yeosang being consistent standouts. Topped off with a club-ready beat, glass-shattering high notes from Jongho and white-hot bars from Mingi, Hongjoong and vocalist Seonghwa, this song practically has steam rising from it with every play.
2. ” 퀸카 (Queencard)” (G)-IDLE
On their sixth EP I Feel, released on May 15, 2023, (G)-IDLE delivered a flawlessly crafted K-pop bimbo anthem. As sassy at it is catchy, “Queencard” is the perfect song to blast when you just want to feel hot and confident with your besties. With lines like “my boob and booty’s hot” and “I’m twerkin’ on the runway,” leader and lead rapper Soyeon produced a delightfully vapid celebration of shameless vanity and self-love no matter how you look. There’s no doubt these girls are taking selfies when the camera shutter clicks during the pre-chorus, and why shouldn’t they? As Sophia Gomez pointed out for Clash, the song’s title “퀸카 (queen-kah)” is Korean slang for “popular” and they know that’s exactly what they are.
1. “Hard” SHINee
How does one put SHINee into words? The K-pop legends have been traversing nearly every genre with the same amount of talent, passion and that unnamable It Factor since their 2008 debut. As such, when their first comeback since 2021’s Don’t Call Me dropped, the world stopped to listen. Shawols and multi-fans alike were treated to a hip-hop-heavy track with unshakeable swagger and confidence, as well as the sluttiest anti-drop of the year. Minho and Key rap like you (yes, you) personally offended them, while Onew and Taemin deliver soaring vocals with inimitable charisma. No matter how many genres SHINee has dabbled in, the “Princes of K-pop” have kept one thing consistent: they were, are and always will be The Standard for the scene.
What favorites of yours made the cut and which ones didn’t? Check out the full playlist below!
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The In-Crowd’s Top Five Essential Rock Albums of 2023
Looking back on 2023, the number of well-written, beautifully produced and overall fantastic albums released is outstanding. From debut albums to veteran acts, everyone was dropping new music this year. With all the new music released, it can be overwhelming trying to figure out where to start. Whether you were looking for pop rock, pop punk or post-punk, there was an album dropped this year to fit what style or sound for everyone.
Trying to narrow down the top albums of 2023 was a very difficult task. However, everyone needs to know what albums from this year are must-listens to, right? So, I managed to narrow it down to five albums for you all to check out.
Keep reading to check out the top five rock albums from 2023.
5. This Is Why – Paramore
Paramore released their first album in almost six years on February 10, 2023, with This Is Why. The album sees Hayley Williams, Taylor York and Zac Farro reuniting once again to bring this long-awaited masterpiece to Paramore fans. Paramore explores a post-punk sound and faces a post-pandemic world on This Is Why. It explores the anxieties from witnessing global tragedies, but also growing older and seeing the changing world. The lead single “This Is Why” gave a look into what fans would expect from the album, with urgent melodies and lyrics talking about people lacking empathy and care for others. “The News” pairs well with the title track, addressing how the 24-hour news cycle has become all-consuming and we have become addicted to watching atrocities around the world unfold in front of us. In the song “Running Out Of Time,” Paramore realizes their time on Earth is not forever and they are entering stages of life without knowing what is going on. This album feels very cathartic not only for the band but also for the fans. The subject matter on the album is not unique to just the band. So, This Is Why allowed fans to have an album they could connect to their own lived experiences. The breath-taking songwriting pairs with dynamic drums, jagged guitars and emotional vocals from Hayley Williams to create songs that perfectly encapsulate this new era of Paramore. This Is Why is the comeback album that demonstrates these veterans are stronger than ever.
4. Retrovision – Honey Revenge
Honey Revenge released their debut album Retrovision on June 23, 2023. The duo consists of Donovan Lloyd on guitar and Devin Papadol on vocals. The duo has been on the rise this year, and Retrovision cements who they are as a band. The album features a sassy and groovy sound, heavily influenced by the pop punk and rock groups they grew up listening to. The band has referenced bands like Paramore, Taking Back Sunday, The Plain White T’s, The All-American Rejects, Katy Perry, P!nk and even Korn, as bands and artists they grew up listening to that and inspired them to want to combine rock, metal and pop into one. They have even cited Disney rock like Hannah Montana and Demi Lovato as early influences for the group. The album is full of bright guitar riffs and toe-tapping drum beats that emulate pop anthems with a pop-punk twist. So, while you can dance to the record, you are also able to headbang and rock out. The catchy and quirky lyrics will get stuck in your head and have you singing along by your second listen. For example, the cadence and style of the chorus of “Favorite Song” are made to flow right off your tongue, making it perfect to sing along. “Sensitive” is the heaviest track, with more roaring and rougher guitars and heavier drums, leaning more into the duo’s pop-punk influences. “Scapegoat” slows it down for a moment with a more mellow and emotional moment. Papadol sings “not gonna be your scapegoat to use,” calling out her partner for trying to put the blame for the fallout of their relationship ending. The album talks about topics relating to toxic relationships like the angry and sassy song “Worst Apology” and letting your emotions dictate your decisions on tracks like “Airhead.” Retrovision is short, to the point and straddles the line of pop and rock music beautifully to create a fun album you cannot help but dance and sing along to.
3. Built To Last – Arrows In Action
Arrows In Action shows us that they are “Made For This” on their debut album Built To Last, which was released on May 26, 2023. The album discusses all the feelings and experiences that come with trying to figure out your place in this world. Songs about heartbreak, self-doubt, losing connection with loved ones and more can be found on this incredible album. The order of the tracks on the album creates a journey for the listener. It creates the experience of going through life with the band and experiencing the emotions that they have felt. The closing track “Built To Last” completes that journey and brings everything full circle with the last verse taking a line from each song on the album. It feels like a moment of reflection, looking back at what has happened in life so far. It feels as if the band is ready to learn from what has happened so far and is ready to move forward. The album also features incredible collaborations. On the strong and thematic track “The Credits,” Loveless and Magnolia Park join the band to chronicle the ending of a relationship that the band does not want to end. They are holding on to what little relationship has left, hoping it will never end. Even though they know eventually “The Credits” will roll and the relationship will be over, just like a movie. The groovy and fun song “Wide Eyes” features Brian Butcher of The Home Team, who adds sassy vocals to his own verse and some backing vocals. With each listen, you unlock more levels to the album and can connect more and more with the tracks. Built To Last is a strong demonstration of what Arrows In Action can do as a band and they are just getting started. You can check out our full review of the album here.
2. INTELLECTUAL PROPERTY – Waterparks
Waterparks dropped their fifth album INTELLECTUAL PROPERTY on April 14, 2023 and they did not disappoint. The album does not simply fall into one singular genre category. It takes influence from pop punk, rock, pop, electronic and more. There is not a word to describe it other than “Waterparks.” Every album they release pushes the boundaries more and more, and this album was no different. Coming in at only 31 minutes, the album manages to pack a punch and tell a complete story. INTELLECTUAL PROPERTY discusses themes surrounding religious trauma and how that affects how frontman Awsten Knight lives his life. The topics range from sexual guilt, mental health, relationships, and more. Knight does not hide what he is talking about with his blunt lyric writing. With lines like “I know you’re dying wish is to be baptized in my spit” on “Funeral Grey,” Knight is not afraid to say it how it is. There is no guessing what message he is trying to get across. Also, each song on the album has its own unique sound. The song “2 BEST FRIENDS” has light and playful instrumentals while “RITUAL” is heavier and dark. “CLOSER” is toned back with acoustic guitar, piano, and angelic sound. However, the fantastic production is what completes the album. All the layering, synthesizers and vocal effects are mixed and blended to create the atmospheric and cohesive experience of the album. You can check out my full review of the album here.
1. Are We Having Fun? – Weathers
Released on May 5, 2023, Weathers talk about love, heartbreak, anger, sadness and more on their album Are We Having Fun?. The album heavily focuses on the ups and downs of relationships, addressing everything from first meetings to break-ups. The group brings a cohesive sound from start to finish. Every song tells a complete story and has its own unique sound that still fits into the overall sound and vibe of the album. Are We Having Fun? features emotionally rich vocals from lead singer Cameron Boyer, especially on “Goodbye My Friends,” roaring guitars, groovy bass lines, strong and steady drums, fun synthesizers and more. Weathers shows how they have evolved and have honed in their sound, production and songwriting. Nothing feels out of place or thrown together. It all fits together like a perfect puzzle. The small little details like “Interlude” including the melody of album tracks “She Hates Me” and “Little Castaway” tie the album together and make it feel like a complete work and not songs just thrown together. The contrast of fast-paced funky tracks like “Drama Queen” and slower and darker songs like “Carsick” keep the listener interested the whole time. At only twelve songs, the album does not drag or feel too short. By the end, Weathers does answer the album title’s question: no, we are not having fun. Life and relationships are difficult. You have to keep pushing through, and everything will be okay in the end. You can check out our full review of the album here.
All albums mentioned on this list can be found on all major music streaming platforms.
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The In-Crowd’s Ten Best Rock Songs of 2023
2023 was a year of non-stop music releases. Whether it was veteran bands or new must-watch artists, everyone brought out all the stops to drop music that we have had on repeat all year long. From politically driven songs to tracks about toxic relationships to comeback singles, no matter what music you were looking for, you can find it in a 2023 release.
Wondering what music should be at the top of your must listen to list? While trying to narrow down all the best releases seems impossible, I managed to pick ten of the best releases for you all to check out. Keep reading for the top ten rock songs released this year.
10. “T.M.I” Meet Me @ The Altar
Meet Me @ The Altar get open and honest on “T.M.I” off their debut album Past // Present // Future. This track talks about dealing with mental health and self confidence as seen with the lyric “I hate myself, I look in the mirror and start to cry.” The strong and punchy electric guitar and fast drums create a more upbeat tone. The contrast of the high energy sound with the more deep and negative lyrics works beautifully to create a song that will have you dancing while also not feeling alone. The topics and thoughts that are discussed on the track are ones that many can relate to and experience regularly. Meet Me @ The Altar absolutely smashed it and “T.M.I” is a must listen to from this year.
9. “Blame Brett” The Beaches
The Beaches are “sorry in advance” on their song “Blame Brett.” This pop-rock song is a warning to our narrator’s next love interest she will not be the best partner as she sings, “I’m only gonna treat you bad, I’m probably gonna let you down.” However, she says you can blame her ex, Brett, for that. The tight guitar on the song keeps the song moving and makes you want to dance. A subtle, groovy base shines on the verse to give a more laid-back feel. The drums are subtle, but still pack a punch. This song was made to be blasted with your windows down as you scream the chorus. So turn it up and dedicate it to all the “Brett’s” in our lives.
8. “Love From The Other Side” Fall Out Boy
Fall Out Boy made their return and came back with a bang. “Love From The Other Side” takes all the best elements from all eras Fall Out Boy, fine tunes them and adds in some new twists and spits out a comeback single that is better than anyone could expect. A piano and string opening leads into banging drums and roaring guitars that blend beautifully with the strings. When greeted with the iconic voice of Patrick Stump and belting chorus, you cannot help but scream. This four and half minute masterpiece showed us that Fall Out Boy took the time to reflect, refine their sound and are ready to make their return. They are back and better than ever.
7. “Randy McNally (No Love Like Christian Hate)” TX2
In a year full of politicians trying to pass laws to take away rights from those in LGBTQ+ community, TX2’s “Randy McNally (No Love Like Christian Hate)” resonated with many. This song details how politicians are using religion as the basis to pass laws banning drag shows and ban books. The title specifically calls out the lieutenant governor of Tennessee who passed many bills targeting the LGBTQ+ community. However, it was recently discovered he was leaving flirtatious comments from his verified Instagram on photos of an openly gay man. This track is blunt and to the point: it addresses how those in power are happy to pass laws based on hate as long as it keeps them in power. Which, unfortunately, is becoming more and more relevant every day. The guitar opens the track with an electric riff that grabs your ear, followed by a scream that lets you know TX2 is angry. Listening to the track, you hear a lot going on: the drums are fast, pounding and keep the song moving. The vocals are rough, angry, and sassy. Mixed with the guitar and drums are electronic beats that add in a cool beat. It is loud, in your face, never backing down. The song closes out with a guttural scream from TX2 where he lets out all the built up anger with the world. By the end, you are head banging and screaming along.
6. “Cruel” Broadside feat. Brian Butcher
Broadside and Brian Butcher from The Home Team created a catchy, groovy and dark but hopeful track. This song is all about wanting to give up, but someone in your life will not let you leave or give up on you. Ollie Baxxter of Broadside and Butcher sound great not only individually, but their voices blend beautifully when they combine. They each have their own unique vocal style that shines and still keeps the groovy feel to the song. The bass and guitar lines on “Cruel” are made for head bobbing and dancing. When this song is played live, it is almost impossible to stand still. This song manages to take a relatable and hard topic, but bring it to life in a fun, hopeful and catchy manner needed in 2023.
5. “RITUAL” Waterparks
Waterparks new album INTELLECTUAL PROPERTY was spectacular, and their song “RITUAL” was a stand out track. “RITUAL” was a heavier song on the album and is full of a running dream beat that keeps you hooked in from start to finish. Singer Awsten Knight provides a range of vocals with a higher-pitched sound in the chorus, moments where there is some heavier, scream-like vocals, and a deeper effect on the line “like a ritual.” The track opens with someone asking “What if I want to have sex before I get married?” and someone responds with “Well I guess you just have to be prepared to die,” so you are immediately drawn in. Nothing else on the album sounds like it and remains a stand out track many listens later.
4. “Worst Apology” Honey Revenge
“Worst Apology” is the sassy and powerful track that will get stuck in your head. This song is all about not accepting apologies from people who haven’t changed and will not change, a topic that so many people who have been in toxic relationships can relate to. Plus, the track has a cool groovy beat that will have you dancing in no time. Lead singer Devyn Papadol sounds amazing and brings the sassy energy with her vocal performance. The lyrics themselves are clever and meant to be screamed like “now my drink tastes like I should ruin your night.” Put all of that together and you have a top song for 2023.
3. “The Credits” Arrows in Action feat. Loveless and Magnolia Park
“The Credits” is one of the best collaborations released in 2023. Arrows In Action, Loveless and Magnolia all sound incredible during their individual moments. Loveless brings in anger during their verse and Magnolia Park soars on the powerful and emotional bridge, and Arrows In Action create the feeling of heartbreak and longing not only on the lyrics but on the instrumentals as well. From rolling drums and dynamic guitar, the song sounds like it belongs in a movie. Plus, the metaphorical lyrics to compare the ending of the relationship to a movie really bring the song to life. Of course, when three artists like them collaborate, you can expect nothing short of greatness.
2. “18+” Scene Queen
Scene Queen was not afraid to call out bands in the pop punk scene on “18+.” This track discusses how many bands are now being called out for being inappropriate with underage fans. In the song she makes note of how many of these bands are still experiencing success. The anger is laced throughout her voice and the heavy guitars, drums and screaming in the bridge bring even more emotion. And the lyrics themselves are catchy and clever. You cannot help but chant “eighteen plus, eighteen get those children off your bus” every time you hear it. Lyrics like “bras hanging off the bus” seemingly making a direct call out to the band All Time Low, how they famously collected bras on tour and kept them in a trailer. This was the song those who have been in the scene for a while needed. It is the song for us to let out all the built up anger and frustration with the actions of bands and people in the scene.
1. “ALL CAPS” Weathers feat. John the Ghost
This song has been in my constant rotation from the second it was released. The high energy guitar and drums draw you in from the start. The two work together to create the feeling of anxiousness and rushing that all culminates in the chorus. Those elements mix with the catchy chorus that you cannot help but scream at the top of your lungs from every time. The verses are short and more laid-back, sounding almost like they are talking themselves through what is going on in the relationship. Both Weathers lead singer Cameron Boyer and John The Ghost sound fantastic on the track individually and blend well together. Plus, it touches on the relatable topic of struggling in a toxic relationship. All of this works together to create a song that hits more and more with every listen, making it the top song for 2023.
You can listen to all these songs on our official playlist here.
EDITOR’S NOTE: Music videos for each track have been provided where possible. This was not possible for every song on this list due to embedding issues with YouTube.
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Ten Christmas songs for every holiday vibe
For many, Christmas truly is the most wonderful time of the year: decorating the Christmas tree, shopping for close friends and family, kissing under the mistletoe and watching Christmas movies with a hot drink. For others, the holiday season is not so simple. Family dynamics can be strained, gift shopping can get expensive or even impossible and romance is hardly as simple as Hallmark Christmas films portray.
If you fall in one camp, the other or somewhere in between, Penny Rae Hawkins and Alicia Kobasic teamed up to curate a holiday playlist with something for everyone.
“12 Days of a Pop Punk Christmas” Jarrod Alonge
Looking for a pop punk take on the Christmas classic? Jarrod Alonge has got you covered. Instead of golden rings and a partridge in a pear tree, we have skinny khakis and flannel shirts. Oh, and we can’t forget the Vans and snapback hats. If you were a pop punk fan in the 2010s, this song will for sure bring some nostalgia. Don’t forget your peace teas and pizza to complete the pop punk Christmas spirit.
“Colorful” SHINee
If all you want for Christmas this year is to feel “magical” or “wonderful,” this synth-heavy winter jam will brighten up your holiday like Christmas lights. In addition to celebrating the group’s five-year anniversary, the music video shows Onew, Jonghyun, Minho, Key and Taemin having a jolly time decorating a space for Christmas. Whether you’re enjoying their 2013 career highlights or dancing around the Christmas tree, SHINee will make the “white and coldly frozen world” just a bit brighter.
“December” Neck Deep
No Christmas pop punk list would be complete without this heartbreaking classic. The minute the clock strikes midnight on December 1, pop punk kids are spinning this track. While it may not be what you may think of as a Christmas song, it is played all season long, making it fit to be on this list. So, grab your tissues and get ready for a “long lonely December.”
“Funky Glitter Christmas” NMIXX
Since debut, NMIXX have been doing things just a little differently. For this 2022 holiday banger, the seven-member girl group pay homage to Christmas standards like “Joy to the World,” “Feliz Navidad” and “Deck the Halls” while still delivering a shiny K-pop package. All they want this holiday season is to have a big party with family and friends, which just sounds like a blast coming from them. I wish everyone could have this much fun during the holidays.
“Christmas on the Road” Sleeping with Sirens
Sleeping With Sirens talk about the joy and happiness of returning home after being on the road on this next song. Being with friends and family is the center of many people’s holiday traditions, and that is captured perfectly on “Christmas On the Road.” Kellin Quinn sings about returning home on Christmas and being greeted by his partner and watching his children play. The perfect song to listen to as you celebrate the holiday with the ones you love.
“Christmas Evel” Stray Kids
“Christmas Evel” is for anyone who just can’t bring themselves to get into the holiday spirit. Even while filling in for Santa Claus, the eight members of Stray Kids bemoan black street slush, biting cold weather, spending the holidays alone and even global warming. During the chorus, Felix drones “jingle jingle jingle all the way” with heavy sarcasm that works perfectly with the track’s jaded tone. So, feel free to sulk in the corner at your next family gathering without shame. Stray Kids understands.
“Every Snowflake is Different (Just Like You)”
This Christmas playlist would not be complete without the My Chemical Romance song that was featured in a Christmas episode of Yo Gabba Gabba! This song is all about how everyone is special in their own way, just like snowflakes. Spreading love and positivity with the Christmas spirit? What could be better. Plus, just like every classic Christmas song, this song is catchy and will have you singing along in no time.
“X-MAS” Xdinary Heroes
Much like Jack Skellington in The Nightmare Before Christmas, Xdinary Heroes bring a sinister twist to the holiday season. One could even imagine this song being from the perspective of one of the denizens of Christmas Town with lyrics like “on this happy street, there’s only darkness left” and “until the sunrise, hide in the closet/hide even the slightest breaths.” The holidays can be stressful and anxiety-inducing for many, and Xdinary Heroes shake that up with a party-ready banger.
“Santa Stole My Girlfriend” The Maine
Now, this track is for those who are experiencing some heartbreak this holiday season. This song talks about how Santa stole his girlfriend and now all get for Christmas is a broken heart. It is not your sweet and cheesy Christmas song about Santa coming to town. This song is full of anger and hatred towards Jolly old St. Nick. For those who need to let out some anger this Christmas, here is the track for you.
“All I Want for Christmas is You” Taehwan and Gon (VANNER)
On December 16, Vanner members Taehwan and Gon delivered an early Christmas gift for VVS: a cover of Mariah Carey’s immortal classic “All I Want for Christmas is You.” The cover adds an original rap from Gon, but it’s mostly a delightful and straightforward cover without many big changes. Whether you’re dashing out the door for a holiday party or unwinding at home with hot cocoa, this track will surely make you smile soon after the door closes at the start.
What songs are you adding to your holiday mix? Check out the full playlist below!
EDITOR’S NOTE: Music videos for each track have been provided where possible. This was not possible for every song on this list due to embedding issues with YouTube.
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Hazbin Hotel unveils season one release date, trailer
Reservations are officially open at the Happy Hotel!
On December 12, Hazbin Hotel’s official social media shared an official poster including a release date. The poster revealed the show’s first season will premiere January 19, 2024 on Amazon Prime. This season is produced by A24 with Amazon MGM Studios.
The pilot will follow Charlie Morningstar (Erika Henningsen), the princess of Hell, as she tries to establish the “Happy Hotel,” renamed “Hazbin Hotel” by Alastor the Radio Demon (Amir Talai). She establishes the hotel a place intended to rehabilitate demons before the annual purge from Heaven. Principle characters from the pilot including Charlie’s girlfriend and hotel manager Vaggie (Stephanie Beatriz), adult film actor Angel Dust (Blake Roman) and his best friend Cherri Bomb (Krystina Alabado), among others, will be featured.
On December 13, the trailer for Hazbin Hotel’s first season was released on the Vivziepop YouTube channel.
Fan reactions on X (formerly Twitter) have been largely positive, with many offering fan art and theories in addition to building hype for the show. Show creator Vivienne Medrano chimed in to promote the show as well.
Hazbin Hotel‘s pilot episode was posted on October 28, 2019 via the official VivziePop YouTube channel. As of this article’s posting, it has received 92 million views. Additional content related to Hazbin Hotel includes the web comic Dirty Healings and an animated music video for the Silva Hound song “Addict” themed around Angel Dust, both released in July 2020. The show’s spinoff series, Helluva Boss, premiered October 31, 2020 and features a team of assassins set in the same universe.
With the release date of Hazbin Hotel’s first official still over a month away, there’s still plenty of time for even more anticipation to ramp up. In the meantime, check out the pilot episode below!
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Scene Queen brings bimbocore, provides safe space for Ohio Bimbo Beta Pi sisters
The crowd is a sea of pink, feathers, glitter and plenty of pink cowgirl hats. All eyes are drawn to the stage set at the front of sorority house, waiting for the lights to dim and the show to begin.
On November 18, Scene Queen took the stage at The Roxy @ Mahalls in Lakewood, OH on her Bimbo Beta Pi (BBΠ) Nationwide Tour. This night was a special and exciting show. It was a hometown show for the singer, making it extra special, which she highlighted talking about how she grew up going to shows in the smaller room at Mahall’s. She was also one the first dozen or so shows at the newer larger venue The Roxy.
Scene Queen has coined her own style and subgenre of metalcore named bimbocore. Her music is full of themes of female empowerment, fighting the patriarchy and more. Bimbo Beta Pi is the sorority and community she has created to encompass her fanbase.
Halfway through the show, Scene Queen explained Bimbo Beta Pi a bit more. On stage she has the front of sorority house with the greek letters across the front along inflatable pools, prop kegs and solo cups to create a scene similar to what someone might expect at a frat party. She talks about how the idea of sorority is friendship and having a support system. Your fellow sorority sisters are people you can count on and create a place where you belong. That is the feeling and community she is trying to create.
Scene Queen picked two people from the crowd and invites them on stage. She then inducted them into BBΠ. They had to recite a promise and then were given two necklaces with the BBΠ letters. She then went on to say that everyone in the crowd is also a part of BBΠ, which emphasized the fact Scene Queen shows are a safe space where everyone looks out for one another.
Beyond that, the overall atmosphere, energy and experience at a Scene Queen show was different from any other metalcore or rock concert. For one, it was not a typical crowd of black band shirts you may expect to see at any other show. Everywhere you looked, you saw pink, sparkle and glitter. This show is for everyone to forget about the patriarchy, misogyny, hatred and all the other negative energy and problems going on in the world. At a Scene Queen show, you are encouraged to let go, shake your butt and be yourself. It is about reclaiming the metal and rock space to be a safe place for everyone, especially those who are not a cis-heterosexual male. Being in the crowd, you felt safe and comfortable. Before the show, everyone was talking to one another, making friends, and vibing. Everyone was there to rock out to some bimbocore.
Scene Queen’s stage presence was also captivating. She looked like she was having fun and living her dream. A large smile covered her face the majority of the time. But she also brought her songs to life adding in touches of sass, anger and flirting if needed. She used the entire stage and danced and interacted with the crowd, even crowd surfing several times. Her energy was on ten: bouncing around, dancing, messing with her guitar player, teaching the crowd how to twerk, getting the crowd to wave their arms and doing whatever she can to put on a show.
She is transforming what a typical metal show is. It is not just guys standing up there with guitars and singing. She is creating an experience that is more hyper feminine and is a safe space for women and people in the LGBT community. Which is a breath of fresh air, especially those who have been in the scene for a while.
Then, how could I forget the iconic twerkle pit? For those unfamiliar with that term, it refers to a circle pit but instead of the typical moshing, you are encouraged to twerk in the circle pit. This is referred to in Scene Queen’s song “Pink G-String:” “twerkle pit: twerk in the circle pit.” Before she performed that song in particular, Scene Queen encouraged everyone to open up the pit and she needed to see people twerking and dancing in that pit. Only at a Scene Queen show would this happen, and it was incredible. The pit opened and people got to moving, dancing, and shaking. They understood the assignment for sure. People brought out their best twerking moves for the Scene Queen twerkle pit.
Scene Queen also performed her newest song “MILF,” which stands for “Man I Love Fxxxing,” which mixes country and metal together because she wants “to take country music back from Republicans.” If you couldn’t tell by the name, the song is definitely one that would make the conservatives mad, but the crowd loved it. She donned her iconic pink cowgirl hat and turned the stage into her rodeo. She even mimicked a lasso to round up her guitar player. We got to have a little metal hoedown moment. The song itself is sexy and fun. The balance of the metal breakdowns with country guitar and vocals is unique and was such a fun experience live. What other show would you combine all that into one moment?
A stand out moment of the night was when Scene Queen played her song “18+.” This song calls out bands for being inappropriate with young fans and the rise of bands being canceled for allegations relating to that. Unfortunately, it is a very relevant topic at the moment. The crowd absolutely screamed the lyrics to this song, Scene Queen even pointing the microphone towards the crowd to give them the chance to sing parts of the lyrics. This moment felt very cathartic and satisfying, a moment for the crowd to release all the built of feelings of the current state of the scene. Scene Queen strutted around the stage, giving sassy, angry and powerful energy. When the part of the song that mimics a statement to address allegations of a band but bleeps out the name, the crowd shouted names, and she gave a look of we all know what band it could be. Sadly, there are so many.
No matter what song she played, the crowd screamed along to the lyrics. They let out all their anger, frustration and personal experiences to songs about the government trying to take away women’s rights like “Pink Barbie Band-Aid,” speaking your mind and exposing everyone (“Pink Bubblegum”) and taking back your power after experiencing a traumatic event (“Pink Push-Up Bra”). You definitely left the show with no voice, but feeling powerful.
Right before the last song of the night, Scene Queen played into the predictability and overdone idea of an encore. The typical act of bands acting like it is the last song of the night is walk off stage, the crowd cheers and then they come back on stage for one or more songs, many times being their most popular or fan favorite songs. And then the crowd acts all shocked, when most people know that it would happen. For veteran concert goers, this overdone practice can become very overplayed and not as exciting. You come to expect it and the time in between walking off stage and the encore is long and pointless. Many acts in recent years have come to ditch the typical encore and just go right into the last song.
Scene Queen began to introduce “Pink Rover” and called it the “last song of the night.” While introducing the song, she was making winking faces and sarcastically talking about cheering for one more song after she walks off stage. She was, of course, referencing the very predictable act of an encore.
Then, there is one actual final song. Scene Queen and her band came out on stage holding signs. They faced the stage and then all turned around to reveal the signs spelling out “Pre Planned Encore,” which the crowd all chanted. This of course played at the idea of how no matter what happened, they would sing one more song that was scheduled into the setlist. For Scene Queen, the last song of the night was “Pink Panther.”
The whole room was screaming the lyrics and taking advantage of the twerkle pit until the very end. The energy in the crowd was next level, giving it their all until the very last moment. Scene Queen took in every moment of the night and gave it her all until she walked off stage. She even walked along the barricade to say goodbye and give high fives to people in the crowd. As the song came to the close, Scene Queen closed out her hometown show and said goodbye to Lakewood, Ohio members of BBΠ, leaving everyone with a night to remember and a crowd full of new friends.
Scene Queen is an act to watch. Clearly just getting started, she is not afraid to be herself, call people out, and make the space a place that is welcoming to everyone. She is going to keep making the music she wants to, and no doubt her next tour will be even bigger and better.
Scene Queen’s debut album Hot Singles In Your Area is scheduled to be released in Spring 2024. You can keep up to date on upcoming releases and tours on her Instagram.
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IN RETROSPECT: Riot Fest Report – Day Three
If the weather the day before was abysmal, the weather the morning of Sunday, September 17 was flat awful.
Anyone who had been lined up to enter the festival as soon as the gates opened at 11:00am were met with Tweets from the Riot Fest team announcing a rain delay. The festival would not open as planned and, in fact, I was concerned the fest just wouldn’t go on. The delay was put in place for safety reasons, as the flooding made Douglass Park unsafe to navigate.
the original schedule (left) vs. the amended rain delay schedule (right) Luckily, the weather cleared, the updated schedule was posted and gate finally opened at 2:00pm. Unfortunately, that also happened to be the exact time the first bands were rescheduled to begin. The line to enter the festival grounds stretched far down the sidewalk, which meant anyone closer to the back likely wouldn’t enter the festival for quite a while. With Thursday being scheduled to go on right at 2:00pm, I followed the line progression stressed and hoping I’d be able to catch a good chunk of their set. Luckily, it only took me about fifteen minutes to get past the gates and book it towards the Radical stage once more. Somehow, despite slipping on a patch of mud and nearly falling over, I was able to snag a spot not too far from the barricade.
Admittedly, I first tried to catch Thursday live when they played Riot Fest 2021. The issues I ran into when attempting to do so was drinking way too much, smoking weed on top of that and ending up half awake on a hill. In retrospect, it was such a waste. While I missed the first few songs due to the rain delay, watching Thursday sober was an incredible experience. Frontman Geoff Rickly, put simply, is a delight. Rickly has this really casual, comfortable vibe even when performing songs as devastating as “War All the Time” and “Understanding in a Car Crash.” Even if you aren’t super familiar with the band, I highly recommend seeing them live if you have the opportunity to. If you don’t, throw on their 2001 album Full Collapse. It’s worth a listen.
I remember Balance and Composure being a good live act, but I’ll admit I didn’t take too many notes during the performance. Songs like “Body Language” and “Savior Mode” were great live, but neither stuck with me as much as they should have. The crowd energy was great but I didn’t find them all that memorable. Two things I can say for sure is they seemed like great guys who were beyond stoked to be there, which is always awesome to see, and I caught some great photos:
L.S. Dunes may very well be one of the best supergroups to come out of the scene. Members of Circa Survive, Coheed and Cambria, Thursday, and My Chemical Romance came together to put a unique and fresh spin on hardcore. Frontman Anthony Green left it all on the stage, even when he was diving into and rolling all over the crowd. This was a particularly fun set for me because it was the third band including Frank Iero I got to see live, after frnkiero andthe cellabration and My Chemical Romance. Coming from different bands within the same scene, the members had an electric and dynamic chemistry as they tore through a setlist that included beloved tracks “Bombsquad” and “2022” as well as tracks from their debut album Past Lives. This is the only album they’ve put out so far, but this performance has me looking forward to what they put out next.
I’ll admit, going into Riot Fest, I didn’t have any experience with Finch. I’d heard of them, as any current-or-former emo likely would, but I never went out of my way to check them out. After seeing them live, let me tell you how much I was missing out on. Not only were Finch perfectly suited to my tastes in high school, but their live show is as engaging as it is excellent. Devoted fans, newbies like me and those in the middle were treated to performances of “Perfection Through Silence” and “Stay With Me,” and frontman Nate Barcalow frequently communicated with the audience between songs. While I struggle to find the words to properly express myself, the performance left a great impression.
As the sun began to set on Riot Fest, the stage crew began setting up facades covered with what looked like hundreds of pink roses. I couldn’t stop myself from shaking at the sight, as those roses were a visual reference to Toxic Positivity, released on May 19 by The Used. Here is where I need to admit this band was the primary reason I was so determined to get to the barricade. As much as I love them now, The Used meant absolutely everything to me as an angsty teenager. Songs like “The Taste of Ink” and “All That I’ve Got” made me feel seen at a time in my life I felt invisible, among many others of theirs. As much as I loved many of the other bands I saw that weekend, everything for me was leading up to The Used.
The band blasted onstage with “Pretty Handsome Awkward,” igniting a long-neglected rage in me and kicking off their set with white hot catharsis. Frontman Bert McCracken had a manic energy to him, constantly darting all over the stage and pulling wild facial expressions as he screamed lyrics like “I know you meant it/that’s fucking disgusting” and “help yourself/I hope you choke and die.” As I shrieked these long-since memorized lyrics with him, it felt as though I had expelled every negative thought or feeling I’d ever experienced.
After McCracken instructed everyone to throw their arms around each other, the band threw themselves into “I Caught Fire” from their iconic 2004 album In Love and Death. I was able to hold in my tears through the song, despite it being one of my favorite love songs of all time, but I couldn’t stop them when The Used directly followed it up with “All That I’ve Got.” Listening to a song hundreds of times in your bedroom is just fundamentally different from seeing it performed live, with the band only ten feet away and tears streaming down my face. I screamed lyrics long-since engraved somewhere deep in my psyche until my throat was raw. When that song was then followed with “The Taste of Ink,” I was left with no reprieve. It doesn’t feel like an exaggeration to say my soul left my body.
Whenever I unintentionally put a band on such a high pedestal, I’ll occasionally worry about how I would react if they fell off. I don’t think anyone wants to see a band they love in concert and be disappointed because they suck live. Luckily, that wasn’t anywhere near my experience with The Used. Even when shredding their hardest riffs or spouting their vilest lyrics, everyone from McCracken to bassist Jeph Howard, drummer Dan Whitesides and guitarist Joey Bradford were having a fantastic time onstage. Beyond being such excellent musicians and performers, seeing them put on such an incredible live show somehow made both my present self and my inner-angsty-teenager feel validated. Put simply, it was special beyond words and I’m grateful the weekend ended on this note for me.
As much as I wasn’t looking forward to the weekend being over already, I left the festival on light feet. I had nine hours of meandering in Union Station ahead of me, but the satisfaction of another successful and meaningful Riot Fest. Now, as the year is coming closer to an end, I’m shaking with anticipation on what Riot Fest 2024 will bring.
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The In-Crowd 