-
The In-Crowd’s Ten Best K-pop Songs of 2023
In a blinding flash, 2023 already feels long gone. Left in its wake are the seventy groups debuted, seemingly countless comebacks and no shortage of moments that left K-pop fans’ jaws on the floor. It was truly an unforgettable year, reflected best by the sheer quality of title tracks released.
From fun choreography and inspiring lyrics to insane vocals and snappy production, this was an insanely good year for K-pop and some very painful cuts were made. Here are my picks for the ten best K-pop title tracks of 2023.
10. “Bite Me” Enhypen
After mostly toning down their vampiric concept for recent comebacks, Enhypen brought it back full force on their sixth EP Dark Blood. Released May 22, 2023, the group kicks off the title track “Bite Me” with a hypnotizing harmony before diving headfirst into an utterly addictive beat. The bass blasts during the pre-chorus as Niki, Jay and Sunghoon take turns all but commanding you to “come here and get some.” It’s both unexpectedly and enticing, as if nothing good will come of getting involved with them, but it’s too tempting to resist. The only thing this song is missing is a real ending, fading out awkwardly after the second chorus without capping off any of its themes. Regardless, “Bite Me” is a marvelous return to form you can’t help but sink your teeth into.
9. “Performer” Vanner
Fresh off their Peak Time win, Vanner returned strong with the Veni Vidi Vici album on August 21, 2023. Its lead single “Performer” almost feels retro, from the whistles in the beat to the “na na nas” in the chorus. The production is so bright it borders on bubble gum, a breath of fresh air in a year full of bass-heavy bangers while being utterly danceable in its own right. All five members glow with post-victory confidence, but rapper Sungkook (formerly Ahxian) particularly stands out with his low voice and high-energy bars. “Performer” is as much a celebration of how far Vanner has come as it is how far they still have to go, and I can’t wait to see what comes next.
8. “seOul drift” OnlyOneOf
OnlyOneOf aren’t strangers to bold choices and strong statements, so “seOul drift” was just the latest example when it dropped March 2, 2023. They set the mood with squealing tires and exhaust fumes baked right into the track, only to drop in an oil-slick bass line and a buzzy synth line. Every member has a chance to strut their stuff as rappers, but I’m always a sucker for a good call and response moment. To my delight, rapper Mill and vocalist KB deliver with effortless confidence. Really, the entire song is an exercise in fearlessly going after what they want without concern for limits and this song makes you feel like you’re right next to them in their passenger seat.
7. “Do or Die” xikers
With the help of producers EDEN, Maddox, Ollounder, Peperoni and even labelmate Kim Hongjoong (ATEEZ), Xikers crafted a deliberately messy banger with a relentless bass line and fuzzy guitar. There’s no reason why a song by a K-pop boy group should have this much riot grrrl energy, yet this insanely talented group of young men somehow pull it off. It’s not a purely punk track, using vocal distortion and hip hop production elements, but it doesn’t need to be to perfectly illustrate the rookie group’s youthful energy and rebellious spirit. It’s a carefully crafted rebellion, due to its sleek production and the very nature of K-pop as a genre, but the members’ performances still manage to make “Do or Die” feel authentic.
6. “Unforgiven” LE SSERAFIM & Nile Rogers
The moment it was announced LE SSERAFIM’s May 1, 2023 comeback would be co-produced by legendary producer Nile Rogers, I knew it was going to be something special. These girls certainly did not disappoint, releasing a call for solidarity with anyone who refuses to conform to anybody’s standards but their own. LE SSERAFIM somehow pulls off an “I’m not like other girls” concept in the least toxic way possible, inviting anyone and everyone to “come and cross the line” with them. Each of the girls contribute their own unique charms and powerful vocals against a twanging, almost rubbery baseline and perfectly-mixed trap snares. They may not be “forgiven,” but they don’t let something that trivial stand in their way.
5. “쉿 (Shhh)” Kiss of Life
Rookie girl group Kiss of Life burst through the gate with their debut track “쉿 (Shhh).” Released on July 5, 2023, the girls traverse a genre-blending celebration of individuality with jaw-dropping vocals and flawless harmonies, while lyrics like “you are you no matter what anyone says” and “take off the clothes that don’t fit/and throw them away” drive the message of staying true to oneself home. The production is almost reminiscent of The Neptunes, from the tongue clicks of the spare chorus to the jubilant horn line. Throughout “Shhh,” Kiss of Life are feeling themselves without any care for what anyone might say about them. Despite being so new to the scene, these girls have already proved themselves as consummate performers to keep an eye on.
4. “Break the Brake” Xdinary Heroes
Xdinary Heroes don’t just want “some more,” nobody is going to stop them from getting it. Following up “Freakin’ Bad” from their April 2023 comeback, “Break the Brake” shoved right past it upon its October 11, 2023 release. The synth itself seems to bounce with anticipation over pulse-pounding drums as Od.e and Jungsu pull the listener in before Gaon pushes them off the ledge with a single “alright, I’m ready/go, go, go.” The song never slows down from there, held aloft with the band’s electric chemistry and unrepentant ambition. Lead guitarist Junhan steals the show right at the end with a squealing, rapid-fire guitar solo without breaking a sweat. It’s easily their most aggressive track to date, they seem beyond comfortable in this lane.
3. “Bouncy (K-Hot Chili Peppers)” ATEEZ
In my opinion, ATEEZ’s music peaked in 2022 and everything else has been a well-deserved victory lap. One such example was the delicious ear worm “Bouncy (K-Hot Chili Peppers),” a braggadocious banger that has more fun than any single person in any room. They know they’re on top and are beyond comfortable there, best shown with lines like “nothing stands in our way/try to stop us” and “if you wanna know how let me show you right now.” Every member bleeds confidence all over the track, with Wooyoung and Yeosang being consistent standouts. Topped off with a club-ready beat, glass-shattering high notes from Jongho and white-hot bars from Mingi, Hongjoong and vocalist Seonghwa, this song practically has steam rising from it with every play.
2. ” 퀸카 (Queencard)” (G)-IDLE
On their sixth EP I Feel, released on May 15, 2023, (G)-IDLE delivered a flawlessly crafted K-pop bimbo anthem. As sassy at it is catchy, “Queencard” is the perfect song to blast when you just want to feel hot and confident with your besties. With lines like “my boob and booty’s hot” and “I’m twerkin’ on the runway,” leader and lead rapper Soyeon produced a delightfully vapid celebration of shameless vanity and self-love no matter how you look. There’s no doubt these girls are taking selfies when the camera shutter clicks during the pre-chorus, and why shouldn’t they? As Sophia Gomez pointed out for Clash, the song’s title “퀸카 (queen-kah)” is Korean slang for “popular” and they know that’s exactly what they are.
1. “Hard” SHINee
How does one put SHINee into words? The K-pop legends have been traversing nearly every genre with the same amount of talent, passion and that unnamable It Factor since their 2008 debut. As such, when their first comeback since 2021’s Don’t Call Me dropped, the world stopped to listen. Shawols and multi-fans alike were treated to a hip-hop-heavy track with unshakeable swagger and confidence, as well as the sluttiest anti-drop of the year. Minho and Key rap like you (yes, you) personally offended them, while Onew and Taemin deliver soaring vocals with inimitable charisma. No matter how many genres SHINee has dabbled in, the “Princes of K-pop” have kept one thing consistent: they were, are and always will be The Standard for the scene.
What favorites of yours made the cut and which ones didn’t? Check out the full playlist below!
-
The In-Crowd’s Top Five Essential Rock Albums of 2023
Looking back on 2023, the number of well-written, beautifully produced and overall fantastic albums released is outstanding. From debut albums to veteran acts, everyone was dropping new music this year. With all the new music released, it can be overwhelming trying to figure out where to start. Whether you were looking for pop rock, pop punk or post-punk, there was an album dropped this year to fit what style or sound for everyone.
Trying to narrow down the top albums of 2023 was a very difficult task. However, everyone needs to know what albums from this year are must-listens to, right? So, I managed to narrow it down to five albums for you all to check out.
Keep reading to check out the top five rock albums from 2023.
5. This Is Why – Paramore
Paramore released their first album in almost six years on February 10, 2023, with This Is Why. The album sees Hayley Williams, Taylor York and Zac Farro reuniting once again to bring this long-awaited masterpiece to Paramore fans. Paramore explores a post-punk sound and faces a post-pandemic world on This Is Why. It explores the anxieties from witnessing global tragedies, but also growing older and seeing the changing world. The lead single “This Is Why” gave a look into what fans would expect from the album, with urgent melodies and lyrics talking about people lacking empathy and care for others. “The News” pairs well with the title track, addressing how the 24-hour news cycle has become all-consuming and we have become addicted to watching atrocities around the world unfold in front of us. In the song “Running Out Of Time,” Paramore realizes their time on Earth is not forever and they are entering stages of life without knowing what is going on. This album feels very cathartic not only for the band but also for the fans. The subject matter on the album is not unique to just the band. So, This Is Why allowed fans to have an album they could connect to their own lived experiences. The breath-taking songwriting pairs with dynamic drums, jagged guitars and emotional vocals from Hayley Williams to create songs that perfectly encapsulate this new era of Paramore. This Is Why is the comeback album that demonstrates these veterans are stronger than ever.
4. Retrovision – Honey Revenge
Honey Revenge released their debut album Retrovision on June 23, 2023. The duo consists of Donovan Lloyd on guitar and Devin Papadol on vocals. The duo has been on the rise this year, and Retrovision cements who they are as a band. The album features a sassy and groovy sound, heavily influenced by the pop punk and rock groups they grew up listening to. The band has referenced bands like Paramore, Taking Back Sunday, The Plain White T’s, The All-American Rejects, Katy Perry, P!nk and even Korn, as bands and artists they grew up listening to that and inspired them to want to combine rock, metal and pop into one. They have even cited Disney rock like Hannah Montana and Demi Lovato as early influences for the group. The album is full of bright guitar riffs and toe-tapping drum beats that emulate pop anthems with a pop-punk twist. So, while you can dance to the record, you are also able to headbang and rock out. The catchy and quirky lyrics will get stuck in your head and have you singing along by your second listen. For example, the cadence and style of the chorus of “Favorite Song” are made to flow right off your tongue, making it perfect to sing along. “Sensitive” is the heaviest track, with more roaring and rougher guitars and heavier drums, leaning more into the duo’s pop-punk influences. “Scapegoat” slows it down for a moment with a more mellow and emotional moment. Papadol sings “not gonna be your scapegoat to use,” calling out her partner for trying to put the blame for the fallout of their relationship ending. The album talks about topics relating to toxic relationships like the angry and sassy song “Worst Apology” and letting your emotions dictate your decisions on tracks like “Airhead.” Retrovision is short, to the point and straddles the line of pop and rock music beautifully to create a fun album you cannot help but dance and sing along to.
3. Built To Last – Arrows In Action
Arrows In Action shows us that they are “Made For This” on their debut album Built To Last, which was released on May 26, 2023. The album discusses all the feelings and experiences that come with trying to figure out your place in this world. Songs about heartbreak, self-doubt, losing connection with loved ones and more can be found on this incredible album. The order of the tracks on the album creates a journey for the listener. It creates the experience of going through life with the band and experiencing the emotions that they have felt. The closing track “Built To Last” completes that journey and brings everything full circle with the last verse taking a line from each song on the album. It feels like a moment of reflection, looking back at what has happened in life so far. It feels as if the band is ready to learn from what has happened so far and is ready to move forward. The album also features incredible collaborations. On the strong and thematic track “The Credits,” Loveless and Magnolia Park join the band to chronicle the ending of a relationship that the band does not want to end. They are holding on to what little relationship has left, hoping it will never end. Even though they know eventually “The Credits” will roll and the relationship will be over, just like a movie. The groovy and fun song “Wide Eyes” features Brian Butcher of The Home Team, who adds sassy vocals to his own verse and some backing vocals. With each listen, you unlock more levels to the album and can connect more and more with the tracks. Built To Last is a strong demonstration of what Arrows In Action can do as a band and they are just getting started. You can check out our full review of the album here.
2. INTELLECTUAL PROPERTY – Waterparks
Waterparks dropped their fifth album INTELLECTUAL PROPERTY on April 14, 2023 and they did not disappoint. The album does not simply fall into one singular genre category. It takes influence from pop punk, rock, pop, electronic and more. There is not a word to describe it other than “Waterparks.” Every album they release pushes the boundaries more and more, and this album was no different. Coming in at only 31 minutes, the album manages to pack a punch and tell a complete story. INTELLECTUAL PROPERTY discusses themes surrounding religious trauma and how that affects how frontman Awsten Knight lives his life. The topics range from sexual guilt, mental health, relationships, and more. Knight does not hide what he is talking about with his blunt lyric writing. With lines like “I know you’re dying wish is to be baptized in my spit” on “Funeral Grey,” Knight is not afraid to say it how it is. There is no guessing what message he is trying to get across. Also, each song on the album has its own unique sound. The song “2 BEST FRIENDS” has light and playful instrumentals while “RITUAL” is heavier and dark. “CLOSER” is toned back with acoustic guitar, piano, and angelic sound. However, the fantastic production is what completes the album. All the layering, synthesizers and vocal effects are mixed and blended to create the atmospheric and cohesive experience of the album. You can check out my full review of the album here.
1. Are We Having Fun? – Weathers
Released on May 5, 2023, Weathers talk about love, heartbreak, anger, sadness and more on their album Are We Having Fun?. The album heavily focuses on the ups and downs of relationships, addressing everything from first meetings to break-ups. The group brings a cohesive sound from start to finish. Every song tells a complete story and has its own unique sound that still fits into the overall sound and vibe of the album. Are We Having Fun? features emotionally rich vocals from lead singer Cameron Boyer, especially on “Goodbye My Friends,” roaring guitars, groovy bass lines, strong and steady drums, fun synthesizers and more. Weathers shows how they have evolved and have honed in their sound, production and songwriting. Nothing feels out of place or thrown together. It all fits together like a perfect puzzle. The small little details like “Interlude” including the melody of album tracks “She Hates Me” and “Little Castaway” tie the album together and make it feel like a complete work and not songs just thrown together. The contrast of fast-paced funky tracks like “Drama Queen” and slower and darker songs like “Carsick” keep the listener interested the whole time. At only twelve songs, the album does not drag or feel too short. By the end, Weathers does answer the album title’s question: no, we are not having fun. Life and relationships are difficult. You have to keep pushing through, and everything will be okay in the end. You can check out our full review of the album here.
All albums mentioned on this list can be found on all major music streaming platforms.
-
The In-Crowd’s Ten Best Rock Songs of 2023
2023 was a year of non-stop music releases. Whether it was veteran bands or new must-watch artists, everyone brought out all the stops to drop music that we have had on repeat all year long. From politically driven songs to tracks about toxic relationships to comeback singles, no matter what music you were looking for, you can find it in a 2023 release.
Wondering what music should be at the top of your must listen to list? While trying to narrow down all the best releases seems impossible, I managed to pick ten of the best releases for you all to check out. Keep reading for the top ten rock songs released this year.
10. “T.M.I” Meet Me @ The Altar
Meet Me @ The Altar get open and honest on “T.M.I” off their debut album Past // Present // Future. This track talks about dealing with mental health and self confidence as seen with the lyric “I hate myself, I look in the mirror and start to cry.” The strong and punchy electric guitar and fast drums create a more upbeat tone. The contrast of the high energy sound with the more deep and negative lyrics works beautifully to create a song that will have you dancing while also not feeling alone. The topics and thoughts that are discussed on the track are ones that many can relate to and experience regularly. Meet Me @ The Altar absolutely smashed it and “T.M.I” is a must listen to from this year.
9. “Blame Brett” The Beaches
The Beaches are “sorry in advance” on their song “Blame Brett.” This pop-rock song is a warning to our narrator’s next love interest she will not be the best partner as she sings, “I’m only gonna treat you bad, I’m probably gonna let you down.” However, she says you can blame her ex, Brett, for that. The tight guitar on the song keeps the song moving and makes you want to dance. A subtle, groovy base shines on the verse to give a more laid-back feel. The drums are subtle, but still pack a punch. This song was made to be blasted with your windows down as you scream the chorus. So turn it up and dedicate it to all the “Brett’s” in our lives.
8. “Love From The Other Side” Fall Out Boy
Fall Out Boy made their return and came back with a bang. “Love From The Other Side” takes all the best elements from all eras Fall Out Boy, fine tunes them and adds in some new twists and spits out a comeback single that is better than anyone could expect. A piano and string opening leads into banging drums and roaring guitars that blend beautifully with the strings. When greeted with the iconic voice of Patrick Stump and belting chorus, you cannot help but scream. This four and half minute masterpiece showed us that Fall Out Boy took the time to reflect, refine their sound and are ready to make their return. They are back and better than ever.
7. “Randy McNally (No Love Like Christian Hate)” TX2
In a year full of politicians trying to pass laws to take away rights from those in LGBTQ+ community, TX2’s “Randy McNally (No Love Like Christian Hate)” resonated with many. This song details how politicians are using religion as the basis to pass laws banning drag shows and ban books. The title specifically calls out the lieutenant governor of Tennessee who passed many bills targeting the LGBTQ+ community. However, it was recently discovered he was leaving flirtatious comments from his verified Instagram on photos of an openly gay man. This track is blunt and to the point: it addresses how those in power are happy to pass laws based on hate as long as it keeps them in power. Which, unfortunately, is becoming more and more relevant every day. The guitar opens the track with an electric riff that grabs your ear, followed by a scream that lets you know TX2 is angry. Listening to the track, you hear a lot going on: the drums are fast, pounding and keep the song moving. The vocals are rough, angry, and sassy. Mixed with the guitar and drums are electronic beats that add in a cool beat. It is loud, in your face, never backing down. The song closes out with a guttural scream from TX2 where he lets out all the built up anger with the world. By the end, you are head banging and screaming along.
6. “Cruel” Broadside feat. Brian Butcher
Broadside and Brian Butcher from The Home Team created a catchy, groovy and dark but hopeful track. This song is all about wanting to give up, but someone in your life will not let you leave or give up on you. Ollie Baxxter of Broadside and Butcher sound great not only individually, but their voices blend beautifully when they combine. They each have their own unique vocal style that shines and still keeps the groovy feel to the song. The bass and guitar lines on “Cruel” are made for head bobbing and dancing. When this song is played live, it is almost impossible to stand still. This song manages to take a relatable and hard topic, but bring it to life in a fun, hopeful and catchy manner needed in 2023.
5. “RITUAL” Waterparks
Waterparks new album INTELLECTUAL PROPERTY was spectacular, and their song “RITUAL” was a stand out track. “RITUAL” was a heavier song on the album and is full of a running dream beat that keeps you hooked in from start to finish. Singer Awsten Knight provides a range of vocals with a higher-pitched sound in the chorus, moments where there is some heavier, scream-like vocals, and a deeper effect on the line “like a ritual.” The track opens with someone asking “What if I want to have sex before I get married?” and someone responds with “Well I guess you just have to be prepared to die,” so you are immediately drawn in. Nothing else on the album sounds like it and remains a stand out track many listens later.
4. “Worst Apology” Honey Revenge
“Worst Apology” is the sassy and powerful track that will get stuck in your head. This song is all about not accepting apologies from people who haven’t changed and will not change, a topic that so many people who have been in toxic relationships can relate to. Plus, the track has a cool groovy beat that will have you dancing in no time. Lead singer Devyn Papadol sounds amazing and brings the sassy energy with her vocal performance. The lyrics themselves are clever and meant to be screamed like “now my drink tastes like I should ruin your night.” Put all of that together and you have a top song for 2023.
3. “The Credits” Arrows in Action feat. Loveless and Magnolia Park
“The Credits” is one of the best collaborations released in 2023. Arrows In Action, Loveless and Magnolia all sound incredible during their individual moments. Loveless brings in anger during their verse and Magnolia Park soars on the powerful and emotional bridge, and Arrows In Action create the feeling of heartbreak and longing not only on the lyrics but on the instrumentals as well. From rolling drums and dynamic guitar, the song sounds like it belongs in a movie. Plus, the metaphorical lyrics to compare the ending of the relationship to a movie really bring the song to life. Of course, when three artists like them collaborate, you can expect nothing short of greatness.
2. “18+” Scene Queen
Scene Queen was not afraid to call out bands in the pop punk scene on “18+.” This track discusses how many bands are now being called out for being inappropriate with underage fans. In the song she makes note of how many of these bands are still experiencing success. The anger is laced throughout her voice and the heavy guitars, drums and screaming in the bridge bring even more emotion. And the lyrics themselves are catchy and clever. You cannot help but chant “eighteen plus, eighteen get those children off your bus” every time you hear it. Lyrics like “bras hanging off the bus” seemingly making a direct call out to the band All Time Low, how they famously collected bras on tour and kept them in a trailer. This was the song those who have been in the scene for a while needed. It is the song for us to let out all the built up anger and frustration with the actions of bands and people in the scene.
1. “ALL CAPS” Weathers feat. John the Ghost
This song has been in my constant rotation from the second it was released. The high energy guitar and drums draw you in from the start. The two work together to create the feeling of anxiousness and rushing that all culminates in the chorus. Those elements mix with the catchy chorus that you cannot help but scream at the top of your lungs from every time. The verses are short and more laid-back, sounding almost like they are talking themselves through what is going on in the relationship. Both Weathers lead singer Cameron Boyer and John The Ghost sound fantastic on the track individually and blend well together. Plus, it touches on the relatable topic of struggling in a toxic relationship. All of this works together to create a song that hits more and more with every listen, making it the top song for 2023.
You can listen to all these songs on our official playlist here.
EDITOR’S NOTE: Music videos for each track have been provided where possible. This was not possible for every song on this list due to embedding issues with YouTube.
-
Ten Christmas songs for every holiday vibe
For many, Christmas truly is the most wonderful time of the year: decorating the Christmas tree, shopping for close friends and family, kissing under the mistletoe and watching Christmas movies with a hot drink. For others, the holiday season is not so simple. Family dynamics can be strained, gift shopping can get expensive or even impossible and romance is hardly as simple as Hallmark Christmas films portray.
If you fall in one camp, the other or somewhere in between, Penny Rae Hawkins and Alicia Kobasic teamed up to curate a holiday playlist with something for everyone.
“12 Days of a Pop Punk Christmas” Jarrod Alonge
Looking for a pop punk take on the Christmas classic? Jarrod Alonge has got you covered. Instead of golden rings and a partridge in a pear tree, we have skinny khakis and flannel shirts. Oh, and we can’t forget the Vans and snapback hats. If you were a pop punk fan in the 2010s, this song will for sure bring some nostalgia. Don’t forget your peace teas and pizza to complete the pop punk Christmas spirit.
“Colorful” SHINee
If all you want for Christmas this year is to feel “magical” or “wonderful,” this synth-heavy winter jam will brighten up your holiday like Christmas lights. In addition to celebrating the group’s five-year anniversary, the music video shows Onew, Jonghyun, Minho, Key and Taemin having a jolly time decorating a space for Christmas. Whether you’re enjoying their 2013 career highlights or dancing around the Christmas tree, SHINee will make the “white and coldly frozen world” just a bit brighter.
“December” Neck Deep
No Christmas pop punk list would be complete without this heartbreaking classic. The minute the clock strikes midnight on December 1, pop punk kids are spinning this track. While it may not be what you may think of as a Christmas song, it is played all season long, making it fit to be on this list. So, grab your tissues and get ready for a “long lonely December.”
“Funky Glitter Christmas” NMIXX
Since debut, NMIXX have been doing things just a little differently. For this 2022 holiday banger, the seven-member girl group pay homage to Christmas standards like “Joy to the World,” “Feliz Navidad” and “Deck the Halls” while still delivering a shiny K-pop package. All they want this holiday season is to have a big party with family and friends, which just sounds like a blast coming from them. I wish everyone could have this much fun during the holidays.
“Christmas on the Road” Sleeping with Sirens
Sleeping With Sirens talk about the joy and happiness of returning home after being on the road on this next song. Being with friends and family is the center of many people’s holiday traditions, and that is captured perfectly on “Christmas On the Road.” Kellin Quinn sings about returning home on Christmas and being greeted by his partner and watching his children play. The perfect song to listen to as you celebrate the holiday with the ones you love.
“Christmas Evel” Stray Kids
“Christmas Evel” is for anyone who just can’t bring themselves to get into the holiday spirit. Even while filling in for Santa Claus, the eight members of Stray Kids bemoan black street slush, biting cold weather, spending the holidays alone and even global warming. During the chorus, Felix drones “jingle jingle jingle all the way” with heavy sarcasm that works perfectly with the track’s jaded tone. So, feel free to sulk in the corner at your next family gathering without shame. Stray Kids understands.
“Every Snowflake is Different (Just Like You)”
This Christmas playlist would not be complete without the My Chemical Romance song that was featured in a Christmas episode of Yo Gabba Gabba! This song is all about how everyone is special in their own way, just like snowflakes. Spreading love and positivity with the Christmas spirit? What could be better. Plus, just like every classic Christmas song, this song is catchy and will have you singing along in no time.
“X-MAS” Xdinary Heroes
Much like Jack Skellington in The Nightmare Before Christmas, Xdinary Heroes bring a sinister twist to the holiday season. One could even imagine this song being from the perspective of one of the denizens of Christmas Town with lyrics like “on this happy street, there’s only darkness left” and “until the sunrise, hide in the closet/hide even the slightest breaths.” The holidays can be stressful and anxiety-inducing for many, and Xdinary Heroes shake that up with a party-ready banger.
“Santa Stole My Girlfriend” The Maine
Now, this track is for those who are experiencing some heartbreak this holiday season. This song talks about how Santa stole his girlfriend and now all get for Christmas is a broken heart. It is not your sweet and cheesy Christmas song about Santa coming to town. This song is full of anger and hatred towards Jolly old St. Nick. For those who need to let out some anger this Christmas, here is the track for you.
“All I Want for Christmas is You” Taehwan and Gon (VANNER)
On December 16, Vanner members Taehwan and Gon delivered an early Christmas gift for VVS: a cover of Mariah Carey’s immortal classic “All I Want for Christmas is You.” The cover adds an original rap from Gon, but it’s mostly a delightful and straightforward cover without many big changes. Whether you’re dashing out the door for a holiday party or unwinding at home with hot cocoa, this track will surely make you smile soon after the door closes at the start.
What songs are you adding to your holiday mix? Check out the full playlist below!
EDITOR’S NOTE: Music videos for each track have been provided where possible. This was not possible for every song on this list due to embedding issues with YouTube.
-
Hazbin Hotel unveils season one release date, trailer
Reservations are officially open at the Happy Hotel!
On December 12, Hazbin Hotel’s official social media shared an official poster including a release date. The poster revealed the show’s first season will premiere January 19, 2024 on Amazon Prime. This season is produced by A24 with Amazon MGM Studios.
The pilot will follow Charlie Morningstar (Erika Henningsen), the princess of Hell, as she tries to establish the “Happy Hotel,” renamed “Hazbin Hotel” by Alastor the Radio Demon (Amir Talai). She establishes the hotel a place intended to rehabilitate demons before the annual purge from Heaven. Principle characters from the pilot including Charlie’s girlfriend and hotel manager Vaggie (Stephanie Beatriz), adult film actor Angel Dust (Blake Roman) and his best friend Cherri Bomb (Krystina Alabado), among others, will be featured.
On December 13, the trailer for Hazbin Hotel’s first season was released on the Vivziepop YouTube channel.
Fan reactions on X (formerly Twitter) have been largely positive, with many offering fan art and theories in addition to building hype for the show. Show creator Vivienne Medrano chimed in to promote the show as well.
Hazbin Hotel‘s pilot episode was posted on October 28, 2019 via the official VivziePop YouTube channel. As of this article’s posting, it has received 92 million views. Additional content related to Hazbin Hotel includes the web comic Dirty Healings and an animated music video for the Silva Hound song “Addict” themed around Angel Dust, both released in July 2020. The show’s spinoff series, Helluva Boss, premiered October 31, 2020 and features a team of assassins set in the same universe.
With the release date of Hazbin Hotel’s first official still over a month away, there’s still plenty of time for even more anticipation to ramp up. In the meantime, check out the pilot episode below!
-
Scene Queen brings bimbocore, provides safe space for Ohio Bimbo Beta Pi sisters
The crowd is a sea of pink, feathers, glitter and plenty of pink cowgirl hats. All eyes are drawn to the stage set at the front of sorority house, waiting for the lights to dim and the show to begin.
On November 18, Scene Queen took the stage at The Roxy @ Mahalls in Lakewood, OH on her Bimbo Beta Pi (BBΠ) Nationwide Tour. This night was a special and exciting show. It was a hometown show for the singer, making it extra special, which she highlighted talking about how she grew up going to shows in the smaller room at Mahall’s. She was also one the first dozen or so shows at the newer larger venue The Roxy.
Scene Queen has coined her own style and subgenre of metalcore named bimbocore. Her music is full of themes of female empowerment, fighting the patriarchy and more. Bimbo Beta Pi is the sorority and community she has created to encompass her fanbase.
Halfway through the show, Scene Queen explained Bimbo Beta Pi a bit more. On stage she has the front of sorority house with the greek letters across the front along inflatable pools, prop kegs and solo cups to create a scene similar to what someone might expect at a frat party. She talks about how the idea of sorority is friendship and having a support system. Your fellow sorority sisters are people you can count on and create a place where you belong. That is the feeling and community she is trying to create.
Scene Queen picked two people from the crowd and invites them on stage. She then inducted them into BBΠ. They had to recite a promise and then were given two necklaces with the BBΠ letters. She then went on to say that everyone in the crowd is also a part of BBΠ, which emphasized the fact Scene Queen shows are a safe space where everyone looks out for one another.
Beyond that, the overall atmosphere, energy and experience at a Scene Queen show was different from any other metalcore or rock concert. For one, it was not a typical crowd of black band shirts you may expect to see at any other show. Everywhere you looked, you saw pink, sparkle and glitter. This show is for everyone to forget about the patriarchy, misogyny, hatred and all the other negative energy and problems going on in the world. At a Scene Queen show, you are encouraged to let go, shake your butt and be yourself. It is about reclaiming the metal and rock space to be a safe place for everyone, especially those who are not a cis-heterosexual male. Being in the crowd, you felt safe and comfortable. Before the show, everyone was talking to one another, making friends, and vibing. Everyone was there to rock out to some bimbocore.
Scene Queen’s stage presence was also captivating. She looked like she was having fun and living her dream. A large smile covered her face the majority of the time. But she also brought her songs to life adding in touches of sass, anger and flirting if needed. She used the entire stage and danced and interacted with the crowd, even crowd surfing several times. Her energy was on ten: bouncing around, dancing, messing with her guitar player, teaching the crowd how to twerk, getting the crowd to wave their arms and doing whatever she can to put on a show.
She is transforming what a typical metal show is. It is not just guys standing up there with guitars and singing. She is creating an experience that is more hyper feminine and is a safe space for women and people in the LGBT community. Which is a breath of fresh air, especially those who have been in the scene for a while.
Then, how could I forget the iconic twerkle pit? For those unfamiliar with that term, it refers to a circle pit but instead of the typical moshing, you are encouraged to twerk in the circle pit. This is referred to in Scene Queen’s song “Pink G-String:” “twerkle pit: twerk in the circle pit.” Before she performed that song in particular, Scene Queen encouraged everyone to open up the pit and she needed to see people twerking and dancing in that pit. Only at a Scene Queen show would this happen, and it was incredible. The pit opened and people got to moving, dancing, and shaking. They understood the assignment for sure. People brought out their best twerking moves for the Scene Queen twerkle pit.
Scene Queen also performed her newest song “MILF,” which stands for “Man I Love Fxxxing,” which mixes country and metal together because she wants “to take country music back from Republicans.” If you couldn’t tell by the name, the song is definitely one that would make the conservatives mad, but the crowd loved it. She donned her iconic pink cowgirl hat and turned the stage into her rodeo. She even mimicked a lasso to round up her guitar player. We got to have a little metal hoedown moment. The song itself is sexy and fun. The balance of the metal breakdowns with country guitar and vocals is unique and was such a fun experience live. What other show would you combine all that into one moment?
A stand out moment of the night was when Scene Queen played her song “18+.” This song calls out bands for being inappropriate with young fans and the rise of bands being canceled for allegations relating to that. Unfortunately, it is a very relevant topic at the moment. The crowd absolutely screamed the lyrics to this song, Scene Queen even pointing the microphone towards the crowd to give them the chance to sing parts of the lyrics. This moment felt very cathartic and satisfying, a moment for the crowd to release all the built of feelings of the current state of the scene. Scene Queen strutted around the stage, giving sassy, angry and powerful energy. When the part of the song that mimics a statement to address allegations of a band but bleeps out the name, the crowd shouted names, and she gave a look of we all know what band it could be. Sadly, there are so many.
No matter what song she played, the crowd screamed along to the lyrics. They let out all their anger, frustration and personal experiences to songs about the government trying to take away women’s rights like “Pink Barbie Band-Aid,” speaking your mind and exposing everyone (“Pink Bubblegum”) and taking back your power after experiencing a traumatic event (“Pink Push-Up Bra”). You definitely left the show with no voice, but feeling powerful.
Right before the last song of the night, Scene Queen played into the predictability and overdone idea of an encore. The typical act of bands acting like it is the last song of the night is walk off stage, the crowd cheers and then they come back on stage for one or more songs, many times being their most popular or fan favorite songs. And then the crowd acts all shocked, when most people know that it would happen. For veteran concert goers, this overdone practice can become very overplayed and not as exciting. You come to expect it and the time in between walking off stage and the encore is long and pointless. Many acts in recent years have come to ditch the typical encore and just go right into the last song.
Scene Queen began to introduce “Pink Rover” and called it the “last song of the night.” While introducing the song, she was making winking faces and sarcastically talking about cheering for one more song after she walks off stage. She was, of course, referencing the very predictable act of an encore.
Then, there is one actual final song. Scene Queen and her band came out on stage holding signs. They faced the stage and then all turned around to reveal the signs spelling out “Pre Planned Encore,” which the crowd all chanted. This of course played at the idea of how no matter what happened, they would sing one more song that was scheduled into the setlist. For Scene Queen, the last song of the night was “Pink Panther.”
The whole room was screaming the lyrics and taking advantage of the twerkle pit until the very end. The energy in the crowd was next level, giving it their all until the very last moment. Scene Queen took in every moment of the night and gave it her all until she walked off stage. She even walked along the barricade to say goodbye and give high fives to people in the crowd. As the song came to the close, Scene Queen closed out her hometown show and said goodbye to Lakewood, Ohio members of BBΠ, leaving everyone with a night to remember and a crowd full of new friends.
Scene Queen is an act to watch. Clearly just getting started, she is not afraid to be herself, call people out, and make the space a place that is welcoming to everyone. She is going to keep making the music she wants to, and no doubt her next tour will be even bigger and better.
Scene Queen’s debut album Hot Singles In Your Area is scheduled to be released in Spring 2024. You can keep up to date on upcoming releases and tours on her Instagram.
-
IN RETROSPECT: Riot Fest Report – Day Three
If the weather the day before was abysmal, the weather the morning of Sunday, September 17 was flat awful.
Anyone who had been lined up to enter the festival as soon as the gates opened at 11:00am were met with Tweets from the Riot Fest team announcing a rain delay. The festival would not open as planned and, in fact, I was concerned the fest just wouldn’t go on. The delay was put in place for safety reasons, as the flooding made Douglass Park unsafe to navigate.
the original schedule (left) vs. the amended rain delay schedule (right) Luckily, the weather cleared, the updated schedule was posted and gate finally opened at 2:00pm. Unfortunately, that also happened to be the exact time the first bands were rescheduled to begin. The line to enter the festival grounds stretched far down the sidewalk, which meant anyone closer to the back likely wouldn’t enter the festival for quite a while. With Thursday being scheduled to go on right at 2:00pm, I followed the line progression stressed and hoping I’d be able to catch a good chunk of their set. Luckily, it only took me about fifteen minutes to get past the gates and book it towards the Radical stage once more. Somehow, despite slipping on a patch of mud and nearly falling over, I was able to snag a spot not too far from the barricade.
Admittedly, I first tried to catch Thursday live when they played Riot Fest 2021. The issues I ran into when attempting to do so was drinking way too much, smoking weed on top of that and ending up half awake on a hill. In retrospect, it was such a waste. While I missed the first few songs due to the rain delay, watching Thursday sober was an incredible experience. Frontman Geoff Rickly, put simply, is a delight. Rickly has this really casual, comfortable vibe even when performing songs as devastating as “War All the Time” and “Understanding in a Car Crash.” Even if you aren’t super familiar with the band, I highly recommend seeing them live if you have the opportunity to. If you don’t, throw on their 2001 album Full Collapse. It’s worth a listen.
I remember Balance and Composure being a good live act, but I’ll admit I didn’t take too many notes during the performance. Songs like “Body Language” and “Savior Mode” were great live, but neither stuck with me as much as they should have. The crowd energy was great but I didn’t find them all that memorable. Two things I can say for sure is they seemed like great guys who were beyond stoked to be there, which is always awesome to see, and I caught some great photos:
L.S. Dunes may very well be one of the best supergroups to come out of the scene. Members of Circa Survive, Coheed and Cambria, Thursday, and My Chemical Romance came together to put a unique and fresh spin on hardcore. Frontman Anthony Green left it all on the stage, even when he was diving into and rolling all over the crowd. This was a particularly fun set for me because it was the third band including Frank Iero I got to see live, after frnkiero andthe cellabration and My Chemical Romance. Coming from different bands within the same scene, the members had an electric and dynamic chemistry as they tore through a setlist that included beloved tracks “Bombsquad” and “2022” as well as tracks from their debut album Past Lives. This is the only album they’ve put out so far, but this performance has me looking forward to what they put out next.
I’ll admit, going into Riot Fest, I didn’t have any experience with Finch. I’d heard of them, as any current-or-former emo likely would, but I never went out of my way to check them out. After seeing them live, let me tell you how much I was missing out on. Not only were Finch perfectly suited to my tastes in high school, but their live show is as engaging as it is excellent. Devoted fans, newbies like me and those in the middle were treated to performances of “Perfection Through Silence” and “Stay With Me,” and frontman Nate Barcalow frequently communicated with the audience between songs. While I struggle to find the words to properly express myself, the performance left a great impression.
As the sun began to set on Riot Fest, the stage crew began setting up facades covered with what looked like hundreds of pink roses. I couldn’t stop myself from shaking at the sight, as those roses were a visual reference to Toxic Positivity, released on May 19 by The Used. Here is where I need to admit this band was the primary reason I was so determined to get to the barricade. As much as I love them now, The Used meant absolutely everything to me as an angsty teenager. Songs like “The Taste of Ink” and “All That I’ve Got” made me feel seen at a time in my life I felt invisible, among many others of theirs. As much as I loved many of the other bands I saw that weekend, everything for me was leading up to The Used.
The band blasted onstage with “Pretty Handsome Awkward,” igniting a long-neglected rage in me and kicking off their set with white hot catharsis. Frontman Bert McCracken had a manic energy to him, constantly darting all over the stage and pulling wild facial expressions as he screamed lyrics like “I know you meant it/that’s fucking disgusting” and “help yourself/I hope you choke and die.” As I shrieked these long-since memorized lyrics with him, it felt as though I had expelled every negative thought or feeling I’d ever experienced.
After McCracken instructed everyone to throw their arms around each other, the band threw themselves into “I Caught Fire” from their iconic 2004 album In Love and Death. I was able to hold in my tears through the song, despite it being one of my favorite love songs of all time, but I couldn’t stop them when The Used directly followed it up with “All That I’ve Got.” Listening to a song hundreds of times in your bedroom is just fundamentally different from seeing it performed live, with the band only ten feet away and tears streaming down my face. I screamed lyrics long-since engraved somewhere deep in my psyche until my throat was raw. When that song was then followed with “The Taste of Ink,” I was left with no reprieve. It doesn’t feel like an exaggeration to say my soul left my body.
Whenever I unintentionally put a band on such a high pedestal, I’ll occasionally worry about how I would react if they fell off. I don’t think anyone wants to see a band they love in concert and be disappointed because they suck live. Luckily, that wasn’t anywhere near my experience with The Used. Even when shredding their hardest riffs or spouting their vilest lyrics, everyone from McCracken to bassist Jeph Howard, drummer Dan Whitesides and guitarist Joey Bradford were having a fantastic time onstage. Beyond being such excellent musicians and performers, seeing them put on such an incredible live show somehow made both my present self and my inner-angsty-teenager feel validated. Put simply, it was special beyond words and I’m grateful the weekend ended on this note for me.
As much as I wasn’t looking forward to the weekend being over already, I left the festival on light feet. I had nine hours of meandering in Union Station ahead of me, but the satisfaction of another successful and meaningful Riot Fest. Now, as the year is coming closer to an end, I’m shaking with anticipation on what Riot Fest 2024 will bring.
-
IN RETROSPECT: Riot Fest Report – Day Two
I did my best to be excited for the second day of Riot Fest.
On Sunday, September 16, there was certainly a lot to be excited about: the anticipation of seeing Bowling for Soup for the first time since the last Warped Tour, overpriced fair food and the prospect of discovering new bands. If you ask me, that’s one of the perks of attending a festival with a lineup you aren’t entirely familiar with.
Unfortunately, I tend to suffer with seasonal depression on top of my usual depression and the second day of Riot Fest was the definition of dreary. I’d packed my poncho, thankfully, but protection from the rain didn’t make the day any less grey. Much like the day before, I made a beeline to the Radical stage to make sure I got a good spot for Bowling for Soup.
If, like me, you were at the Radicals stage to wait for Bowling for Soup, you were in for a more chaotic start. The first band I caught that gloomy Sunday was Drain, a hardcore punk band from Santa Cruz, California. Their energy was ballistic the moment they hit the stage. Mosh pits opened from frontman Sammy Ciaramitaro’s first roar, and he was beyond ready to leap into the crowd to join them. The most invigorating part of the set occurred during the band’s final song, where they expressed how much more used to playing on stages in clubs and bars than a festival stage. They called for the crowd to treat this show like a down and dirty club show…by challenging us to try and bypass security to join them onstage.
From the moment that last track kicked off, fans launched themselves over the barricade and went head-to-head with security. Most didn’t make it far before being pushed to the ground or led away from the area. Two fans got their hands on the edge of the stage before security grabbed them by their waists and threw them onto the damp grass. By the time the madness came to a close, I was buzzing with adrenaline. I realized it had been way too long since I’d been in a proper hardcore crowd, and it was beyond energizing.
After around a thirty minute gap, a jaunty tune blasted over the speakers. Each stanza was punctuated by five magical words: “here comes Bowling for Soup.” Once the band bounced onstage, they started their set proper with “High School Never Ends.” The band continued to rock the crowd with “Almost” and “Ohio (Come Back to Texas)” before delighting us with “Today is Gonna Be a Great Day,” better known as the theme song for Phineas and Ferb.
As is par for the course, the band was fun and irreverent. Right before the final chorus of “Punk Rock 101,” they paused for a “photo shoot” so attendees could get proper shots of the band. What else were they going to blast over the speakers during this break except “Never Gonna Give You Up” by Rick Astley? Similarly, there was really no other way to end the set but their seminal classic cover of “1985” by SR-71.
At the end of the set, the band started throwing yellow guitar and green bass picks out to the crowd. I didn’t manage to get a guitar pick, but a bass pick landed on the grass just outside the barricade and got picked up by security personnel. I managed to get the pick by holding out my hand and asking them a polite-girlie question: “Can I have it? Can I have it, please?” I doubt the security guard actually heard me, but it’s nice to think he did. Regardless, the pick immediately got placed into my phone case beside an old Panda Express fortune and a Kpop photo card, where it remains to the publishing date of this article.
Still high from the excitement of the sets and the victory of nabbing a pick, I decided to grab a piece of pizza the size of my head. It was between that and a cheeseburger, as they were comparably priced, but you’ve got to stretch a penny like Mr. Fantastic here. After, I swung by the Romwe experience to recenter myself before charging my phone in the community connection bus. In the bus, a television played Riot Fest promo materials and PSAs from Rocked. Once my phone was charged to a reasonable level, my portable charger died and wouldn’t charge reliably, I went out to wander the grounds.
Admittedly, I don’t have a lot to say about Enter Shikari. I caught their set by passively walking around, but their performance and showmanship were compelling enough to get me to stop by for several minutes. I also happened upon just the right place to get some great shots of the band:
I swung by the Riot stage to catch Head Automatica. Frontman Daryl Palumbo bled charisma, wrapping his unique voice around every syllable of songs like “The Razor” and “Glass Bible.” The only song of theirs I was personally familiar with was “Beating Heart Baby,” which closed their official set. Even with as tired as I was, I can’t say I didn’t have an absolute blast.
Back in 2017, I became a casual listener of Pup while dating someone who was a huge fan of the band. I got a spot in the crowd for a nice hit of nostalgia, but I didn’t end up staying long for Pup. I was starting to feel weighed down by my seasonal depression and probable sleep deprivation, but I enjoyed what I was able to stay for. After only two or three songs, I made my way towards the exit.
To no fault of the fest, the ride back to my hostel was more melancholy than the night prior. Perhaps it was a combination of previously mentioned factors, or perhaps it was the subconscious knowledge I only had one day left in my favorite city. Luckily, the next day’s lineup was more than enough to keep me looking forward to the final day of Riot Fest.
-
IN RETROSPECT: Riot Fest Report – Day One
As holidays pass and bring us closer to the end of the year, it’s only natural to look back at the best events of the previous twelve months. For me, one of those events was Riot Fest.
The first day of Riot Fest occurred on an overcast Friday, September 15, much different from the balmy weekends of festivals past. As soon as I passed the line of port-a-potties nearest the sling back queue, I heard Young Culture playing from the Radical stage. I’m not familiar enough with the band to recall what song was playing, but the energy of it was enough for me to wonder why I’m not already listening to Young Culture.
On my way to pick up my guest pass, a familiar melody caught my ear and I thought to myself, “who is playing Pink Slip?” Upon checking the schedule, I concluded (and later confirmed) it was The Aquadolls playing “Take Me Away” from the 2003 film Freaky Friday. Performed by the film’s in-universe band Pink Slip and fronted by Anna Coleman, played by Lindsay Lohan, Aquadolls have the perfect sound and energy to show this underrated banger to a new audience twenty years later. It once again made me wonder why this band wasn’t already on a playlist of mine.
Aquadolls and Young Culture were just two bands making up Friday’s impressive roster, which included Screaming Females, Oso Iso, Silverstein, The Interrupters, Foo Fighters and over a dozen more. However, I was only able to catch three of these bands: Origami Angel, Hawthorne Heights and The Wrecks. I was mostly determined to catch The Wrecks that day, so I darted to the Radicals Stage and staked my claim close to the barricade.
The first band I caught properly was Origami Angel, a two-piece rock outfit from Washington, D.C. The setlist included “24 Hr Drive-Thru,” “Doctor Whomst” and “The Title Track” from their 2019 record Somewhere City, and “Thank You, New Jersey” from The Brightest Days released June 16. I’ll admit, while the performance was good, I couldn’t read the band’s energy well. They were obviously delighted to be performing at Riot Fest, but there wasn’t much interaction with the crowd. I didn’t know the band going into their performance, and unfortunately the music wasn’t particularly memorable enough to get me going back for more.
Scene mainstays Hawthorne Heights got the crowd hyped with a white-hot hit of nostalgia. The first three tracks were from their 2006 album If Only You Were Lonely, getting their set off the ground with “This is Who We Are” and directly following it with “Saying Sorry” and “Pens and Needles.” While I would have loved to see them perform songs from their 2018 record Bad Frequencies, getting a taste of their latest record Lost Lights, released on September 8, with “Dandelions” was a real treat. Naturally, the band closed with their iconic track “Ohio is for Lovers” from 2004’s The Silence in Black and White, a song any self-respecting emo would have had on their iPods. To the crowd’s delight, they exchanged the word “Ohio” with “Chicago” and, in that moment, I swear it was 2004.
As a fan of The Wrecks since 2017, I was shaking by the time it was their turn to take the stage. It had been six years since I’d seen them perform and they didn’t disappoint. Kicking off their set with “Freaking Out” off their 2020 album Infinitely Ordinary, the Los Angeles-based rockers made the Radicals stage their own. While they’ve always been a tight live act, the members carried themselves less like scrappy newbies and more like scene staples. Helping this was the inclusion of tracks “I Love This Part” and “Sonder” from their 2022 album Sonder. While I adore their older work and Infinitely Ordinary was a solid record, Sonder is easily their best work yet. Frontman Nick Anderson’s hair was dyed as red as his rage, damn near screaming lines like “it’s my fault I admit/six words that you don’t know” and “you took me for a fool when I took your hand/who the fuck are you if I’m not your man?” Regardless of which member you’re looking at, the band demands attention in a rare and special way where your eyes can’t move once they’re on them. When they ended the show with “Favorite Liar,” as they always do, it felt like I was right back at Newport Music Hall watching them open for The Maine.
After their set ended, I decided to wander the grounds to see what else this Friday had to offer. Walking past the vast array of tents set up in Douglass Park, the main one to catch my eye was Romwe’s. In hot pink, ROMWE Garage was splashed across a facade made to look like a cement wall covered in lime green spray paint. I could immediately tell it was more of an experience than a simple tent, where guests could choose two accessories to take home for no charge. Beyond that was a shaded seating area, ping pong, an accessory station where you could customize a bracelet or choker and a photo op for participants to act out their rock star fantasies.
As partners of Riot Fest, the experience was going to be big without a doubt. However much fun it was, and it was, it doesn’t feel very punk to collaborate with a fast fashion brand rated “We Avoid” by Good On You. While the accessories were cute, they were about as high quality as one would expect from a fast fashion brand. I get it, bills have got to be paid, but there have got to be better brands to join forces with to peddle a surface-level understanding of punk aesthetics. Hot Topic, perhaps?
Once I finished up in the ROMWE Garage, I decided to check out the Logan Arcade. Settled behind a half-pipe, the small white tent housed an array of classic arcade cabinets and a Chuck E. Cheese-style Misfits parody band called Biscuits. After collecting eight Chaos Emeralds in Sonic: The Fighters, I realized I didn’t have the energy to stand in any more crowds, and decided to call it early.
My day ended sooner than I would have liked, but I’m grateful it ended on such a captivating and nostalgic note. As I rode the Pink Line back to my hostel, I had nothing but anticipation for what Saturday would bring.
-
TRACK BY TRACK: TX2’s journey through the ups and downs of chasing your dreams
Breaking into the music industry and leaving your mark on the world is not easy, and TX2 makes that clear with bold lyrics, emotional vocals, and rock and roll instrumentals.
Rising emo rock artist TX2 released his newest EP Ghost Of LA on November 10 through Hopeless Records. Throughout the six songs, TX2 takes the listener on a journey emotionally and sonically, covering topics ranging from addiction, to mental health to relationships. From start to finish, TX2 will have the listener locked in, waiting to hear where the songs will take the next. Whether it is a slower acoustic song or fast paced rock banger, this EP has got you covered.
TX2 at Mahall’s on November 5
Keep reading for a breakdown of each of the six tracks on Ghost Of LA.
Walking Dead Man
The EP opens on a somber note with the song “Walking Dead Man.” This track discusses the topic of drug addiction, using drugs to cover up problems and feeling alone in the world. The song opens with a simple acoustic guitar that later transitions into a heavier drum and electric guitar. However, the instrumentals are not the star of the song. The emotional vocal delivery from start to finish is what brings the song to life. The chorus feels almost like a cry for help and release of all the built up emotions. His vocals are fuller, and sounds almost as if he is on the verge of tears, while on the verses the vocal delivery is short and has a more angry feel. The instrumentals shift from a simple guitar and drum line with a running drum line during the pre-chorus to a very full in your face sounding instrumental in the chorus. The song takes you on an emotional journey that will have you on the verge of tears by the end.
Sex Sells (Hard)
This next track is a complete 180 from the previous track. “Sex Sells (Hard)” is in your face from the very beginning. The track opens with heavy guitar and drums are quick to follow. The vocals are also on the rougher side, with a rock edge. However, while upbeat and high energy, the song still discusses some heavier topics with lyrics like “trauma and abandonment, all of it’s a brand to flip” and “monetize all your scars,” referring to using your trauma and past to become famous. The lyrics also address how sex and lust are heavily profitable, how your past and scene can encourage you to sell yourself for fame with lines like “Give ’em your blood, become a star/Give ’em the dirt, baby I promise/Sex sells, hard.” The drums on this track are in your face, and are used to keep the song moving until the very end. The beat underneath the vocals will have you bouncing your head and tapping your foot. It is loud, powerful, and gives this exciting feeling that makes you want to run. Especially when the vocals back off, the drums shine and the repetitive and in your face rhythm will have you moving. There is a roaring guitar solo towards the end of the track that is amazing, and screams rock and roll. The shredding guitar and accented lines help accent the moving drumline and create a groovy rock feel. You will be headbanging by the end of the song, no questions asked.
Degrade Me
“Degrade Me” is about being hooked on someone who is toxic and staying in a relationship that is not good, but you cannot leave, “The door’s wide open, but I won’t exit/Crazy how I just stay put /I let you play me like I knew you would.” The lyrics themselves are repetitive and straightforward, allowing for the drums and guitar to be more of the star of the show. The song opens with a shredding guitar line and grabs your attention right away. The guitar keeps that same energy, with the roaring, powerful lines continuing throughout the entire song and are the structure of the track. Supporting the killer guitar is the pounding drums and sassy, rough, and screamy vocals at the end. The stand out moment of the song was the breakdown that started off quiet with guitar and drums, that built into a soaring guitar solo that seamlessly brought back in the drums to transition to the final chorus. It is a simple track that packs a powerful punch.
Black Wedding
“Black Wedding” tells the story of a couple who ends up getting married because they got pregnant and the girl’s family is religious. However, they are not in love and, from the start, the marriage is doomed, “Maybe the cat got let out the bag/We miss the lives that we had, but we’re married.” The narrator does not want to be in the marriage, he wants to pursue his dreams. The song itself has a more theatrical feel to it to match the lyrics. It does not feel like a broadway song in a traditional sense, but the storytelling lyrics and large vocal performance give a feel of a more theatrical song. However, it still has rock elements to keep the same vibe of the EP. There is a breakdown in the bridge with heavy drums and screaming vocals with the line “this is what real love looks like” repeated over and over again. The song also opens with heavy electric guitar. Another layer of the song is the rap in the second verse, a change to the theatrical vocals heard throughout the rest of the song. While the track has the similar punk rock feel of the others, the lyrical style, breakdown, and overall different feel of a song, make it a stand out track.
Am I Ghost
The EP slows down with simple drums and acoustic guitar on the next track “Am I Ghost.” The whole song is toned back. The biggest moment of the song is towards the end with a slight build up of drums, guitars and louder vocals for the very last chorus. Besides that, the emotion laced vocals are what bring the song to life. The lyrics talk about feeling out of place and not belonging with lines like “Am I ghost/Am I out of place?/In a full room of/ strangers with nothing to say/A wilted bouquet, wish it away/Day after day, after day, after day.” TX2 talks about chasing his dreams, constantly criticizing himself, and feeling stuck in the place in life he is in which can be heard on the closing line, “Stuck in this place/ Day after day, after day, after day.” The song discusses mental health and struggling with being stuck in a negative mindset. You are doubting yourself, and don’t believe you deserve success. TX2’s vocals are more somber, quiet and sound like he is talking to himself. Giving it the aura of an internal monologue and reflectiveness. Then towards the end, it builds up to be more rough and vocals ridden with anger and frustration as the guitar and drums come in. While simple, the song hits you right in the heart, and is full of feelings and experiences many can relate to.
6 Seconds Left
Closing track “6 Seconds Left” is the heaviest track of the EP. This song discusses suicide, wanting to be remembered and chasing fame. The lyrics that sum up the song are “Sleep for the moment/Maybe sleep forever/All I wanted/Was to be remembered.” The song discusses the narrator wanting to take his own life and give up. He has been chasing his dreams, and has not experienced the success he wanted. All he wanted was to make a lasting mark on the world, he has failed to do so. Throughout the song he is reflecting on his choices, and wanting to escape the feelings of sadness and disappointment. His life is not going the way he expected it to, and he feels lost and wants to give up. He is crying for help and is on the verge of letting it all go.
Production wise the song itself almost splits into two. The first part is more acoustic, opening with just an acoustic guitar and somber vocals laced with longing and desperation. Slowly a drum comes in and then by the end of the second chorus, it is almost a whole new sound. There is an electric guitar and heavy drums. The vocals also shift into a more angry and pleading tone. Once the bridge kicks in, a heavy metal breakdown with screaming vocals, intense guitars and pounding in your face drums. The closing lines TX2 screams “Filled with regret, what did I expect?” The anger fully takes over as he beats himself for thinking he could make it in the world and have success. In a whiplash it drops back down to just acoustic guitar as it fades out, leaving the listener wondering what happens to our narrator.
Ghost Of LA is currently available to stream on all major music streaming platforms. You can keep up with all upcoming releases and tours on TX2’s Instagram.
-
Subscribe
Subscribed
Already have a WordPress.com account? Log in now.
The In-Crowd 