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  • Arrows in Action announce long-awaited part two of debut album

    Arrows in Action announce long-awaited part two of debut album

    The wait for part two of Arrows in Action’s debut album is almost over!

    On June 27, the Florida-based pop punk band dropped their brand new single “Empty Canvas”. This new single comes ahead of the highly anticipated second part of their debut album, I Think I’ve Been Here Before.

    “The second half of I Think I’ve Been Here Before will lead you into a groovier, sexier, sleeker vibe with a splash of sentiment. With ‘Cheekbones’ leading the charge for this new feel for the band, Side B explores attraction, longing, desperation, and the fear of loss, all packaged in a shiny pop-rock sound,” Arrows in Action said in a press release.

    The band describe “Empty Canvas” as “a high-energy dance-rock song about being so infatuated with someone that you’ll become anyone or anything just to be with them.”

    “The song mixes pop elements, a chorus you can jump to, and groovy saxophone riffs that match its sultry and passionate lyrics.”

    The single release was accompanied by a music video, which shows the band wearing white clothes in a blank room with, fittingly, an empty canvas. While not much mess is made of the environment, there are moments where the patterns painted on the canvas are mirrored on the band members’ faces. The members are splashed with a bright blue paint at the end, but it makes me wish they had done more with their own empty canvases. That being said, the song is catchy and will certainly make its mark on your summer playlist.

    Check out the full music video for “Empty Canvas” below!

    If that wasn’t enough excitement, Arrows in Action is embarking on the Summer School Tour with Taylor Acorn, Rain City Drive, Charlotte Sands, If Not For Me, Beauty School Dropput and special guest Huddy. The tour kicks off on July 11 at The Fillmore in Detroit, MI.

    Check out the full list of tour dates below:

    July 11 – Detroit, MI – The Fillmore Detroit

    July 12 – Chicago, IL – Riviera Theatre

    July 13 – Cleveland, OH – Agora Theatre

    July 15 – Newport, KY – MegaCorp Pavilion

    July 16 – Chesterfield, MO – The Factory at the District

    July 18 – Kansas City, MO – Uptown Theater

    July 19 – Denver, CO – Fillmore Auditorium

    July 20 – Salt Lake City, UT – The Union

    July 22 – Seattle, WA – Showbox SoDo

    July 23 – Portland, OR – Roseland Theater

    July 25 – Sacramento, CA – Channel 24

    July 26 – Long Beach, CA – 2025 Vans Warped Tour*

    July 27 – Tempe, AZ – Marquee Theatre

    July 29 – Dallas, TX – House of Blues

    July 30 – Houston, TX – House of Blues

    August 1 – Nashville, TN – Marathon Music Works

    August 2 – Atlanta, GA – The Masquerade Heaven

    August 3 – St. Petersburg, FL – Jannus Live

    August 5 – Silver Spring, MD – The Fillmore Silver Spring

    August 6 – Pittsburgh, PA – Stage AE

    August 8 – Sayreville, NJ – Starland Ballroom

    August 9 – Worcester, MA – The Palladium

    August 10 – Philadelphia, PA – Franklin Music Hall 

    Nov 15-16 – Orlando, FL – 2025 Vans Warped Tour*

    *festival shows 

    You can pre-save I Think I’ve Been Here Before here and buy tour tickets here. “Empty Canvas” is available on all streaming platforms.

  • Arrows in Action are ready to “Feel It Again” on new single, announce part one of new album

    Arrows in Action are ready to “Feel It Again” on new single, announce part one of new album

    Arrows in Action are gearing up for an action packed 2025.

    On February 21, alternative rock band Arrows in Action dropped their new single “Feel It Again” alongside a new music video. Accompanying the single, the band announced the first part of their new album, I Think I’ve Been Here Before, which will be out May 16. Part two of the album is to follow later this year. Alongside the new song and album, they have also announced they have signed to Nettwerk Music Group.

    I Think I’ve Been Here Before is set to explore themes of “nostalgia, breaking out of old habits, and trying to see your past and present in a new light” according to the band. Side A is to focus on the positive aspects of these themes with “a brighter sound, upbeat lyrics, a catchy blend of pop and rock that anyone can fall in love with.”

    Album artwork for “I Think I’ve Been Here Before”

    “Feel It Again” is a high-energy, hopeful song with a groovy bass line and drum beat that you cannot help but bob your head to. The snappy delivery of the verses complements the big sing-along chorus to keep the upbeat and soaring feeling throughout the track. Nostalgia and appreciating the happy moments in your life are at the center of this track. After focusing on the negative parts of life, it is finally time to welcome feelings of happiness and change. The time has come to “feel it again.” Perhaps that means giving that relationship you let slip away another chance.

    The video for “Feel It Again” brings in all the nostalgic vibes. The video itself is a parody of old-school infomercials. Except, instead of selling something like a ShamWow, the boys are trying to get people to purchase their new album. And of course, since it is in two parts, there’s a deal if you choose to get two. You pay an extra $10 to get the whole thing, but you only get to hear the first part now. You still have to wait to hear the other parts later this year. 

    The band stands in blue button-up shirts in front of the desk in an all-blue room, modeling the album, and graphics of the phone number you can call to order the album play along the bottom.  A box with the current caller flashes in the corner. It very much feels like you are watching an infomercial from your childhood. Adding to the nostalgia, the band pays homage to bands like the Backstreet Boys by donning all-white outfits and doing choreography. Clips of the bands embodying the nostalgic bands of Limp Bizkit and Creed are also featured.

    The band is also preparing for their first mainland Europe and UK headlining tour. You can also catch the trio playing Download Fest, Rock For People Fest, and Warped Tour Orlando later this year. 

    You can stream “Feel It Again” on all streaming platforms. Presave I Think I’ve Been Here Before here. You can also purchase tickets to upcoming shows and festival appearances on their official website.

  • Columbus duo Jady talk new album NAPALM at first-ever Cleveland show

    Columbus duo Jady talk new album NAPALM at first-ever Cleveland show

    Fresh off the release of their single “Matte Black”, Columbus, OH duo Jady stopped in Lakewood, OH on their Flares & Embers Tour. The band played their very first Cleveland show at the iconic Mahall’s on Aug. 9.  Our Music Manager Alicia Kobasic sat down (with some help from our Social Media Manager Skylar Bridgeforth) with Jarrett Doherty and Ashton Bergdorf to talk about their sophomore album Napalm, life on the road, their love of Buc-ee’s and if by the end of tour Jarrett will be in a full snowman suit. Keep reading to find out what the duo had to say. 

    Alicia Kobasic: Hello, I’m Alicia with the In-Crowd and I’m here with Jady and I have – 

    Ashton Bergdorf: Ashton

    Jarrett Doherty: Jarrett

    AK: Cool. Thanks so much for sitting down with me today. So, are you guys excited for the show tonight?

    AB: Yeah! Yeah, I think we’re going to have to donate an AC system to the venue. It’s been…

    Skylar Bridgeforth: This isn’t even the hottest it’s been. There was no AC for a really long time.

    AB: I heard it’s been pretty bad

    AK: We were here, what a week, two weeks ago? 

    SB: Yeah, two weeks ago and it was bad.

    AB: It’s getting steamy inside… 

    AK: Yeah. One of the guitarists wore a sweatshirt and jeans and immediately regretted all of his life decisions. 

    AB: Oh my goodness

    AK: So you guys have been on tour. How’s tour been so far?

    JD: It’s been so good. It’s been so much fun. This is our first headlining show in Cleveland, so we’re super, super excited. I can’t believe it’s been this long to get out to Cleveland. The last Cleveland show that we booked, I was actually sick and we had to cancel it. That was a while back, so we rescheduled it for today and it’s looking like a sell out show, so…

    AK: Awesome. Anything you want to add?

    AB: No, I think that’s about it. I think it’s sold out now?

    AK: I saw low ticket postings on social, so…

    JD: I don’t know. They’ll tell me if it is

    AB: Who knows? Close!

    AK: Any fun memories on tour so far? I know you guys have played what? Three or four shows so far. Any stand out memories or moments so far?

    JD: Buc-ee’s? Going to Buc-ee’s. It’s the Promised Land. 

    AB: Always being able to go to the South, because we don’t have it here. We have Sheetz, which is awesome, but Buckee’s is like Sheetz on steroids. 

    JD: I love Buc-ee’s. There’s a statue of the beaver outside. You always have to kneel. Before you leave, you have to pay respects. And I only go at three in the morning. 

    AK: Only three in the morning?

    JD: It’s always after a show, in the dead of the night.

    AK: Is there anybody else there?

    AB: Dude, yeah! That’s what’s weird

    JD: It’s always the most packed at three in the morning. You literally forget that it’s three in the morning. You think “oh, this is noon,” like, in Costco. 

    AB: It’s like you’re in Giant Eagle at twelve in the afternoon, and that’s Buc-ee’s at 3am. 

    JD: It really is The Twilight Zone! It’s not real. 

    AK: I’ve heard of Buc-ee’s. It’s been on my bucket list to go, you just have to go way down south to go. – – So your latest single, “Matte Black”, is out. How has the reception been? Are fans liking it? How is it going? How does it feel? 

    JD: People hate it

    AB: I think it’s okay

    AK: People hate it?

    JD: (joking) They’re like, everything was good up until now. You need to take it off… so I’m quitting music. 

    AK: You’re quitting music, this is your last show… 

    JD: After this interview, I’m done! 

    AK: The show is canceled tonight – 

    AB: I QUIT!

    JD: That’s how we sold out the show. We said it’s the last one

    JD: That’s crazy. No, people seem to really like the song. I really like the song. It’s a fun one. 

    AK: It’s groovy

    JD: Oh, thank you. Thank you. 

    AK: I listened to it on the way to work today, it woke me up a little bit, so it’s a good one. 

    JD: There you go. It can wake you up. It is one of those songs to make as a ringtone or alarm, specifically the part where I am just screaming. 

    AK: So “Napalm” is your latest album. It’s a really great album. How does it feel to have that out and to have fans hear it? 

    AB: Well, thanks, I’m glad you like it. 

    SB: I’m a big fan of “Dead Flowers” 

    AB: Let’s go! Oh, thank you! Some sleeper favorites! 

    JD: Let’s go! Yeah, that was a project that me and Ashton were really excited about and to be able to kind of go on our – just to be able to play around, go around and play the songs on that record, really get to bring it to life with some extra live members of the band, it’s been a lot of fun. That’s a project that we’re really proud of, so it feels good to have that out.

    AB: Yeah, I think we take the live shows so seriously, and with “The Haze,” our first record that we put out, it felt like we got to a point where we really dialed in what that show was for the record and for our fans. And to release new music and come up with a new show, we were like, “how do we top that?” or how do we make a new show with songs that we have to get familiar with? And kind of like what Jarett said, adding members on stage, live, and seeing how it’s brought the new songs to life, and even old ones to life even more has been super super cool. And seeing how we can continue to develop the live show with old stuff and, of course, new stuff. 

    AK: One question I always ask is, if you could collaborate with anyone in the world, living or dead, who would be your top collaborator?

    JD: There’s this guy named Zack Beaver. He… we wish we could play a show with him. I dunno. We’ve been trying to get a hold of him. 

    AB: He’s a tough cookie to try and get.

    JD: Somebody said he could be playing tonight. I don’t know. No one has told me. 

    AB: Zack Beaver!

    JD: I dunno. I really like The Neighborhood. They’re really cool. I’ve been listening a lot to them recently. 

    SB: It’s not sweater weather, I’m sorry.

    AB: It’s not sweater weather…

    JD: Contrary to popular belief. 

    JD: I thought it would be a great idea to walk out on the first song, probably the most energetic moment of the set, in a raincoat, and I still do it. I’m like, during the song, thinking “this is a terrible idea.” Thirty seconds into the set, I’m like, I might pass out. I don’t know why I continue to do it. And I’ll do it again tonight!

    AK: You’re committed to the bit

    JD: I guess I am. I think so. I don’t know. I need a heavier coat every tour. 

    AK: You’ll start with a trench coat and then a puffer coat…

    JD: Five years from now… (mimes an even bigger coat)

    AK: A full snowman suit

    AB: YES! 

    SB: Like Mackelmore, with the full fur jacket.

    JD: Now that – that’s what we need.

    AK: They probably have some out there.

    JD: The more clothes I wear, the less clothes Ashton wears.

    AB: Yeah, that’s the rule.

    JD: That’s the rule. It’s one of the non-negotiables for the band. 

    SB: In the contract?

    AB: Yeah, that was my pitch. If we were in a band together, this is what I think would be really cool…

    AK: He’s just fully dressed, full coverage, and you have just tiny shorts and socks on.

    AB: Yeah, it will get to that point.

    JD: And it will get to the point where he’s fully naked.

    (giggles from everyone)

    AK: So where can everyone find you online? Where can people find your socials, stream your music? Where can they find you?

    JD: “JADY” on all platforms. On Instagram, it’s @jadymusic. So, you should follow us…Or not! Or not! 

    AB: We would prefer you to follow, but if you don’t want to, it’s cool. 

    AK: Well, thank you so much for sitting down with me today. 

    AB: No, thank you so much. LET’S GO!

    JD: LET’S GOOOOO!

    Jady is currently on tour in Europe supporting CALL ME KARIZMA. You can also catch the band supporting IDKHOW BUT THEY FOUND ME on Nov. 19 at KEMBA LIVE! in Columbus, OH and supporting Welshly Arms on Nov. 29 at the House of Blues in Cleveland, OH. Tickets can be purchased on their website.  You can listen to NAPALM and all of Jady’s releases on Spotify and all major music streaming platforms.

  • Girl You Know It’s True is a well-deserved triumph for Milli Vanilli

    Girl You Know It’s True is a well-deserved triumph for Milli Vanilli

    Of all the films to leave me in an emotionally vulnerable stupor, I never could have predicted one to be the Milli Vanilli biopic.

    Girl You Know It’s True, originally released in Germany on December 21, 2023, was released on streaming services in the United States on August 9. Written and directed by Simon Verhoeven, the film follows the meteoric rise and catastrophic fall of 80’s pop supernova Milli Vanilli.

    The duo have been experiencing a bit of a renaissance in the past several years. Not only was Girl You Know It’s True one of two simultaneous Milli Vanilli biopics in production, but a Paramount+ exclusive documentary about their story and scandal, simply titled Milli Vanilli, was released October 24, 2023.

    As someone who knew virtually nothing about Milli Vanilli outside of the scandal, I was more than intrigued by the trailer. Not only did it feature the glittering synth and addictive percussion of the film’s namesake and the band’s signature track, but it promised a deeper exploration of two men raked over the coals by the very people who propped them up as gods in the first place. Admittedly, I was even more intrigued after reading Gil Kaufman’s 2020 Billboard article Blame It On the Tape: A Behind-the-Scenes Oral History of the Rise and Fall of Milli Vanilli. A common issue I have with biopics, particularly those involving celebrities who are no longer with us, is the tendency to gloss over or erase the less savory parts of their lives or personalities. After reading Kaufman’s article and rewatching the trailer (again), I was curious how this Girl You Know It’s True would handle its subject matter.

    One of the biggest and brightest green flags to rise while looking into this film’s production was the names attached to it. The film was co-produced by none other than Fabrice Morvan, Fab himself, and Kevin Liles, the composer behind the original version of “Girl You Know It’s True” by Numarx. Associate producers on the film also include Todd Headlee (Milli Vanilli’s former assistant), Carmen Pilatus (Rob’s sister), Brad Howell, Jasmine Davis (John Davis’s daughter) and Ingrid “Milli” Segieth (Frank’s assistant). Having so many people who were involved, or their relatives, in the real-life story behind the film adds authenticity and intrigue to the project. Not only are the events potentially closer to reality, but they result in conflicting accounts that add an interesting texture to Girl You Know It’s True. It speaks to the subjectivity of reconstructed memory and how it can interact with objective reality, and the film expertly finds balance between the two.

    Ali (left) and Njie (right) as Rob and Fab (Image Credit: IMDb)

    The film’s pitch-perfect casting is the first thing those familiar with the group and its history will notice. Tijan Njie and Elan Ben Ali are eerie as Rob and Fab, respectively. Milli Vanilli mastermind Frank Farian, who was previously best known for producing hitmakers Boney M, is portrayed by Matthias Schweighöfer. His assistant and girlfriend, Milli, is played by Bella Dayne, and Tijan Marie plays Rob’s sister, Carmen. On top of the casting is the flawless costuming and set design. At no point does the film feel like a modern movie in 80’s drag – everything from the clothes and hair to the locations feels like a peek back in time. Archival footage and photos are often used in tandem with film recreations, and it’s honestly difficult to tell them apart at times. 

    At the start of the film, much like in real life, Rob and Fab were nobody. While little is said of Morvan’s childhood and backstory, outside of his history as a choreographer and sporadic phone calls with his mother, we get an intimate snapshot of Rob’s childhood and struggles after his fall from grace. He is, without a doubt, the major focus of the film. This is made abundantly clear within the first few seconds of the film, which opens with a shot of his back as a frenzied crowd chants “We want Rob.”

    (Image Credit: IMDb)

    The adopted child of white German parents working his ass off as a breakdancer, Rob meets Fab on the set of a music video. While the first few years were spent scraping together a meager living as catalog models and street dancers, their big break came in March 1988 when they debuted their soon-to-be signature braids and met Farian. In seemingly no time at all, they became gods in the pop world. Their debut single “Girl You Know It’s True” became a smash hit in the United States, peaking at number 2 on the Billboard Hot 100 in April 1989. Their follow-up singles “Baby Don’t Forget My Number”, “Girl I’m Gonna Miss You” and “Blame It on the Rain” would all go on to reach number 1 in the United States.

    It’s no secret that the lack of transparency concerning the actual singers behind those infectious hits is what permanently tarnished the band’s name and cost Rob and Fab everything. In fact, it may be the only thing most people know about Milli Vanilli nowadays. However, the film poses an interesting question regarding the deception. In the scene where Farian introduces the audience to “the real Milli Vanilli”, revealing the artists and personnel behind the music, he asks the audience to consider if they would have bought t-shirts with the actual singers on them. Would you, dear viewer, have drooled over the “hot moves” of Brad Howell or screamed John Davis’s name?

    Schweighöfer as Frank Farian (Image Credit: IMDb)

    “Would we have been MTV material, huh? Ask yourself that.”

    Much of the film’s tone is tongue-in-cheek like this, including the needle-drop moment of Arista Records executives hearing the duo’s thick French and German accents or Rob’s quiet “oh yeah” when Fab reminds him they weren’t beloved by the entire USA after their first single (alluding to Numarx in Baltimore). However, the true heart of the film is Rob Pilatus. His particular tragedy of trying, and ultimately failing, to use his fame and status to find his birth parents is gut-wrenching. The scene where his supposed father is exposed is honestly chilling, largely due to Njie’s performance and the lighting shifts as the scene progresses. Watching his relationship with Fab fall apart in the back half of the film after their fall from grace is heartbreaking, and the way they portray his death left me genuinely speechless. That scene in particular should be considered a benchmark of how to portray something so tragic in a way that’s both effective and tasteful.

    (Image Credit: IMDb)

    Unlike some biopics, Girl You Know It’s True isn’t afraid to portray its protagonists in an unflattering light. In fact, one of my favorite scenes shows Pilatus throwing what can only be described as a violent hissy fit. He flips a table and screams at staff members because craft services provide sandwiches over his beloved sushi. Despite one of the managers making an excellent point about the duo’s constant drug use and some decidedly R-rated remarks being made in front of an audience that includes “ten-year-old girls,” an Arista rep basically tells the manager to get over himself and go fetch Pilatus some damn sushi.

    That being said, as with any biopic, there are certainly less flattering events omitted from Girl You Know It’s True. While Pilatus’s 1996 suicide attempt was visually alluded to in the first ten minutes of the film, his allegations of sexual battery were brushed over. Curiously, their work as Rob & Fab and the production of their only album under that name is completely absent. The unreleased 1997 Milli Vanilli comeback album, Back and in Attack, also goes unmentioned. After their fall from grace, the two men are seen living lower than square one with Rob’s sister encouraging him to give up on music altogether. As the film’s runtime exceeds two hours, it makes sense that certain events and details were altered or excluded. However, it does miss out on an added layer of tragedy by excluding their ultimately doomed attempts to reenter the spotlight.

    (Image Credit: IMDb)

    Regardless, the film does an incredible job balancing Pilatus and Morvan’s complacency in the lie with their victimhood within it. While it’s clear the duo didn’t deserve the praise, accolades and godlike status they gained from music they had no input in, despite their best efforts, they didn’t deserve the violent retaliation from the public. The same people who enabled the duo’s shittiest behaviors were among the quickest to disavow Milli Vanilli. Arista Records promptly erased their masters from their catalog. Phoenix-based radio station Y-95 really did host an event where DJ Bruce Kelly donned a dreadlock wig and steamrolled a pile of Milli Vanilli records and tapes. For years beyond the scandal, the name “Milli Vanilli” was synonymous with “lip-synching frauds.” The perspective shift alone makes Girl You Know It’s True worth a watch, but its overall artistry and care deserve the Academy’s consideration.

    To be blunt, this film is a triumph in more ways than one. Not only did it survive development hell, but the end result was an effective and thought-provoking exploration of one of the most infamous scandals in music industry history. The rise and fall of a worldwide sensation is a tale as old as time, retold time and again to the point of cliche, but the way Girl You Know It’s True tackles Rob and Fab’s story should be used as a blueprint for future biopics.

    (Image Credit: IMDb)

    Girl You Know It’s True is currently available on VOD and streaming services.

  • Burnout Syndromes fly high at Reggie’s Rock Club

    Burnout Syndromes fly high at Reggie’s Rock Club

    On August 27, Japanese rock band Burnout Syndromes took their Good Morning [New] World Tour to Reggie’s Rock Club in Chicago. The three-piece rock outfit has been active since May 4, 2005, and consists of lead singer Kazuumi Kumagai, bass player/keyboardist Taiyu Ishikawa and drummer Takuya Hirose.

    The band is probably best known to American audiences for their work doing OSTs for animes. Their track “FLY HIGH!!” was used as the theme song for season two of the volleyball anime Haikyuu! Looking out into the crowd, there were at least two in attendance dressed as characters from the show. Their songs “Hikariare” and “Phoenix”
    were the theme songs for the anime’s third and fourth seasons, respectively. All of these songs were performed live to the audience’s delight, some of which arrived in cosplay.

    Outside of their work for anime, Burnout Syndromes showcased an impressive range with their setlist. The setlist included the high-energy number “High Score Girl” and the darker, moodier “Maou,” as well as “The WORLD is Mine” and “Ocean.” Regardless of whether you came to the show as a longtime fan or completely green, the band made it clear how excited they were to perform in Chicago. Ishikawa was a particular highlight not just for his infectious smile and multi-instrumental talent but his persistence in making sure everyone in his eyesight was having a good time.

    Burnout Syndromes wrapped up the USA leg of their Good Morning [New] World Tour 2024 in Hollywood on September 3. Future dates for the tour can be found here.

  • Pop punk icons bring A Whole New Sound to Disney classics

    Pop punk icons bring A Whole New Sound to Disney classics

    The common ground between “it’s not a phase” emos and Disney adults has been found, and it just might rock.

    On August 15, the official Mickey Mouse Instagram posted the track list for the upcoming album A Whole New Sound. The compilation album features covers of beloved Disney songs retooled by pop punk artists including LOLO, Mayday Parade, Meet Me @ the Altar, BOYS LIKE GIRLS, Tokio Hotel and more.

    A Whole New Sound was announced July 11, one day before the release of its lead single “Can You Feel the Love Tonight?” by Simple Plan. They performed the song on August 9 at D23: The Ultimate Disney Fan Event.

    “It’s such an honor to offer our own version of this song and to cover such an iconic artist like Sir Elton John,” the band told Billboard. “We’re not sure if he heard the song or not, but we hope he will enjoy this new version and feel like we did it justice.”

    In addition to the Simple Plan single, official music videos for Magnolia Park‘s version of “I2I” and New Found Glory‘s version of “Part of Your World” are available on the official DisneyMusicVEVO YouTube channel.

    A Whole New Sound will be released on September 6 via Walt Disney Records.

    Which cover are you looking forward to? Do you already have a favorite? Let us know in the comments or on social media!

  • Yungblud continues fighting increased concert ticket prices with BLUDFEST

    Yungblud continues fighting increased concert ticket prices with  BLUDFEST

    Yungblud is once again working towards making music accessible for everyone. 

    Rock singer and songwriter Yungblud created his own music festival. The festival, called BLUDFEST, took place at Milton Keynes Bowl, England on August 11. The festival featured two stages and included fairground attractions, an art exhibition and a nod to Hawley Arms. Yungblud wanted the festival to feel like a whole world, not just another gig set at a festival.

    A driving force for Yungblud to create this festival was making live music accessible to fans. In recent years, the ticket prices for live music events have increased significantly with large ticket corporations like Ticketmaster adding in layers of fees and ticket scalpers reselling tickets for thousands of dollars. 

    He saw the effect of the rise in ticket prices first hand during his North American tour last year. In an interview with Billboard, Yungblud talked about how there were sections of empty seats where he had no control on what the price would be. He would talk to fans standing outside the venue listening to the concert because they could not afford tickets to actually attend. He has also discussed how, most of the time, the expensive prices and fees are not even going to the artist themselves. As a result, BLUDFEST was born.

    He achieved his goal, getting tickets as low as possible to allow as many fans to attend. Tickets for the festival were capped at £49.50 or just $63. 

    AEG was a co-promoter of the festival, which resulted in some pushback as many in his fanbase are anti-big corporations. However, for Yungblud to change the system, he wanted to go inside the corporate world and change it from there. Through the process of creating the festival, he was able to take control of parts of the process he would have never known about and saw what it actually costs to put on a festival. He saw things being charged higher than they should be and worked on getting them as low as possible. 

    This is not the first time the artist has challenged concert ticket prices. During his 2023 North American tour, he launched a $20 ticket program. In a video posted announcing the program, he once again brought up how he saw many fans discussing how they could not afford tickets to live shows and it broke his heart. He wanted everyone to be able to come to his shows, so he wanted to do whatever he could to make that happen. 

    In another move to make live music accessible and enjoyable for everyone, Yungblud also launched a program to help fans meet new friends who are attending BLUDFEST. The “Make A Friend Tent” was a physical tent for festival attendees to go to so attendees could meet up and enjoy the festival together. The idea was for those in the tent to want to be approached and be open to meeting new people. BLUDFEST also launched a Discord for festival attendees to chat online prior to the festival and plan to meet up at the tent. 

    Besides Yungblud, BLUDFEST had a pretty stacked line-up. Also scheduled to perform were Lil Yachty, Soft Play, Nessa Barret, Lola Young, Jazmin Bean, NoahFinnce, Jesse Jo Stark, Landon Barker, Hannah Grae, Aziya and The Damned playing in the Icon Slot. The goal of the line-up was for young emerging artists who are doing their own thing. He didn’t want it to be a one genre-focused festival. 

    BLUDFEST is not planned to be a one-year event. With plans in place to bring the festival to other regions across the world, this first year is just the beginning. 


    Information about the festival can be found on its official website. You can also follow Yungblud on Instagram, X and TikTok to stay up to date on new music and upcoming tours.

  • “I’ll see you there tomorrow”: My Journey with Tomorrow X Together

    “I’ll see you there tomorrow”: My Journey with Tomorrow X Together

    When I first discovered Tomorrow X Together, I nearly wrote them off completely.

    I became aware of the group pretty quickly, as I’d been an ARMY for four months and they were the first boy group to debut under Big Hit Entertainment since BTS. However, my first impression of the group was that I simply wasn’t in their target demographic. Their concept was incredibly young, as were the members. Eldest member Yeonjun was nineteen in 2019, and maknae Hueningkai was just sixteen. As a twenty-three-year-old sophomore in college who’d cut their teeth at punk shows and rock festivals, it all felt a bit too immature for me. I’d wish them the best, they were the baby brother group of BTS after all, but I figured their soft focused boyish visuals just weren’t for me. 

    A little less than a week after I saw those teasers, they debuted on March 4, 2019…and I couldn’t have been more wrong.

    While I was dead-on concerning their concept, Tomorrow X Together’s debut song “Crown” had instant classic appeal. The choreography was creative, intricate and told a story about five boys helping each other navigate the challenges of growing up. Beyond all that, they all had an infectious energy and joy I realized I’d been missing in my playlists. Feeling protective of them in a parasocial big sibling kind of way only helped, especially after Beomgyu, the boy with chestnut-colored hair, became my bias. Put simply, they effortlessly carved a place in my heart whether I wanted them to or not.

    I caught their Star in US showcase in Chicago on May 12, 2019, just a little over two months after debut, and was blown further away. It was the morning after BTS’s first night in Chicago for their Love Yourself tour, which I’d attended with a couple of friends. We were sitting in a McDonald’s preparing to go home before finals when. by some dumb luck, I found out TXT was playing The Vic Theater that night. By an even bigger miracle, I convinced my friends to go with me.

    By the date of their showcase, they’d only released their debut mini-album The Dream Chapter: Star. It was a five-song EP and these talented boys had an hour time slot to fill. Among performances of songs including “Blue Orangeade”, debut track “Crown” and the English version of “Cat and Dog”, they gave the audience a chance to get to know them with a game of Truth or Dare Jenga. Fans didn’t even have a dedicated fandom name yet, and we wouldn’t until TXT fans were dubbed “MOA”, or “Moments of Alwaysness”, on August 22, 2019. That didn’t matter, especially with the professional-level performance the group put on. They weren’t just “good for rookies”. They were good – PERIOD.

    On July 7, 2022 I saw them for the second time for their first-ever world tour, ACT: LOVESICK. From the moment I stepped into Rosemont Theatre, I couldn’t stop the sense of pride washing over me. Rosemont Theatre has a capacity of 4,400 people, 3,000 more than The Vic, and they’d released five albums since I’d seen them last. The difference three years can make for a group was truly something to behold, and you can check out a full recap of that show here.

    On June 5, I made my way to Allstate Arena for my third Tomorrow X Together concert. The journey on public transportation, followed by a ten-minute walk with other fans, felt like a pilgrimage. I’d missed their second world tour, ACT: Sweet Mirage in 2023, so I was dead set on attending their third. This also happened to be my first concert since attending Riot Fest in September 2023. Neither hell nor high water could have stopped me from seeing my boys.

    Their show opened with the title track “Deja Vu” off their latest mini-album minisode 3: tomorrow. I was floored by the song’s release on April 1 and, seeing it live, that feeling only solidified. Its production is spare, dominated by trap snares and lush synths, putting TXT’s performance front and center. Not only does “Deja Vu” continue the group’s lore with lyrical references to their debut track and “Platform and 3/4 (Run Away)”, but the song also boasts some of the most mature lines of their career. A particular lyric I still haven’t gotten over is “under the veil of light/I’ll hug you tight/who’s shining like a bride”. Not only is that an excellent line that works just as well in English as it does in Korean, but it plainly illustrates the depth of their commitment to each other. Their connection isn’t romantic, but the promises they made to each other are treated with the severity of wedding vows. Tomorrow X Together’s work has hardly, if ever, been shallow, but this is easily their best and most profound title track to date.

    The rest of the setlist had a healthy dose of title tracks, including “9 and Three Quarters (Run Away)”, “0X1=LOVESONG (I Know I Love You)”, “LO$ER=LO♡ER” and “Chasing That Feeling”, but there were also some beloved b-sides included for good measure. “Ghosting”, “Devil by the Window” and “Tinnitus (Wanna Be a Rock)” were particular highlights.

    One of my favorite performances of the night was a traditional Korean version of “Sugar Rush Ride”. While I would have been beyond happy to see the song in its original form, I felt beyond blessed to see such a unique and clearly special interpretation. It breathed new life into an already refreshing track, particularly the way they worked fans into the choreography. The use of more traditional instrumentation also made the transition into “Farewell Neverland” absolutely seamless.

    The unit performances showcased TXT’s range by acting like two sides of the same coin. Soobin and Yeonjun, wearing coordinated black leather pants, teamed up for “The Killa (I Belong to You)”. Easily the most explicitly sexual song in their discography, “The Killa” displayed their chemistry as performers with perfectly mirrored movements almost evocative of a tango. Beomgyu, Taehyun and Hueningkai kept things more subdued for “Quarter Life”. Stood atop a set reminiscent of a train station wearing oversized t-shirts and baggy jeans, the focus was placed squarely on their camaraderie and connection with the audience.

    While TXT has long earned its place in the conversation of fourth-gen leaders, alongside powerhouse groups like Stray Kids and ATEEZ, it’s clear they were born to be rock stars. An entire section of their concert consisted of hard rock arrangements of “Puma” and “Good Boy Gone Bad”, with the centerpiece being the hardcore-inspired track “Growing Pain”. From the second I heard that song, I knew it was a game-changer for TXT, but nothing could have prepared me to see it performed live. They’d done rock plenty of times, but never in a way that felt so genuinely raw as if openly bleeding. Yeonjun was the first to hold a baseball bat that got passed around the entire group, and he used it to smash seemingly anything in his vicinity that wasn’t his bandmates. If that isn’t some genuine rage or angst he’s working out onstage, he’s nothing if not a convincing actor. 

    After the adrenaline-spiking rock interlude, TXT slowed things down a bit with “Dreamer”, a sultry ballad featuring Soobin’s beautiful falsetto, and the melancholic “Deep Down”. The official set ended with “I’ll See You There Tomorrow”, minisode 3‘s opening track.

    The lullaby-esque “Magic Island” opened the encore, followed by the fist-pumping “Miracle” and their Tik Tok-viral hit “Happily Ever After”. Yet, to my delight, the concert concluded with the English version of their fan-favorite track “Cat and Dog.” The second single off their debut album, “Cat and Dog” has become something of a meme among MOA. Back at the 2022 Rosemont show, it wasn’t even on the setlist. This made for an even more delightfully surreal moment when the theatre erupted in the closing refrain during a talk break: “LET’S PLAY FOREVER – I JUST WANT TO BE YOUR DOG”, followed by three rounds of barking. In that arena, especially after Taehyun admitted he loved it was MOA barks, the crowd hadn’t merely maintained the high energy of the show – it was at its peak.

    While they had beyond proved themselves as performers years prior, it still seemed as though they felt that had something to prove. This concert showed me that was no longer the case, and likely hadn’t been at the previous tour. Over those three hours, it really felt as though I was watching them come into their own as men.

    The American leg of Tomorrow X Together’s ACT: PROMISE World Tour concluded on June 8 in Washington, D.C. As they began the Asian leg of the tour at Tokyo Dome in Japan, I couldn’t help but reflect on the journey I’ve taken with these five young men. I find myself both grateful and incredibly lucky to have supported them for the past five years, and I can’t wait to see what the next five years will hold.

    Tickets for Tomorrow X Together’s HYPERFOCUS VR CONCERT go on sale July 17. With over two weeks spent in Chicago alone, I’m sure I’ll find a way to see them again.

  • OP-ED: It Ends With Us trailer leaves me conflicted

    OP-ED: It Ends With Us trailer leaves me conflicted

    WARNING: THE FOLLOWING ARTICLE CONTAINS SPOILERS FOR IT ENDS WITH US BY COLLEEN HOOVER

    I never expected to say this, but I may written off a Colleen Hoover project too soon.

    On May 16, Sony Pictures Entertainment released the first trailer for the upcoming film adaptation of Hoover’s bestselling 2016 novel It Ends With Us. The trailer, soundtracked by “My Tears Ricochet” by Taylor Swift, begins with a vision of the whirlwind romance between Lily Bloom (Blake Lively) and Ryle Kincaid (Justin Baldoni) as Lily postulates about the vision of love and romance “everybody has.”

    “Is it harder to hold on or let go?”

    “But fifteen seconds is all it takes to completely change everything,” Lily says before the tone shifts to the dark reality of her relationship with Ryle. There are shots of Ryle smashing an object on the floor and Lily looking into the mirror at a bite mark over a tattoo on her collarbone, a reference to a scene in the novel where Ryle bites Lily hard enough to break skin before attempting to rape her. It’s clear this film won’t pull any punches when it comes to the more difficult scenes from the novel, but I can’t help but remain skeptical.

    It Ends With Us is the only one of Hoover’s 26 novels I’ve personally read, and I don’t intend to read any more of her work. As both a witness to and survivor of domestic violence, I didn’t feel empowered or inspired by this story. While the book occasionally provides good insight into how cycles of violence are perpetuated, I found it overall offensive, exploitative and condescending. Hoover puts more work into romanticizing the abusive lead than actually building the characters or their relationships, and the extent to which she provides excuses for Ryle’s abuse is appalling. Furthermore, her prose is simplistic and over-explanatory to the point it doesn’t feel like she trusts her audience to understand her story if she doesn’t hold their hands through it. Any deep analysis I’ve seen of any of her other work doesn’t suggest the rest of her catalogue is any different, and any other attempt I’ve made at reading her further work failed.

    According to Variety, It Ends With Us has sold over one million copies and has been translated into over twenty languages as of 2019.

    Yet, based on the first official trailer, Baldoni and screenwriter Christy Hall may have done the impossible by adapting this awful book into a halfway-decent film.

    Some fans of the novel complained the entire plot was in the trailer. This is not only objectively incorrect but, in my opinion, irrelevant. One of the biggest issues that has always plagued It Ends With Us is marketing. The story is about domestic abuse, which is made abundantly clear in the film’s trailer but is treated like a shocking mid-point plot twist by the source material. The novel is marketed as a “complicated romance,” with the only allusion to its darker subject matter being the header on the back of the book which reads: “SOMETIMES THE ONE WHO LOVES YOU IS THE ONE WHO HURTS YOU THE MOST.” Even so, that is undermined by the copy that states the appearance of an old flame threatens “everything Lily has built with Ryle”, rather than Ryle’s abusive behavior. In fact, it almost implies Ryle would not abused Lily if not for Atlas’s reappearance.

    Ryle is described in the summary as “assertive, stubborn” and “maybe even a little arrogant.” The only thing described as “disturbing” is his “complete aversion to relationships,” rather than any of his behavior leading up to or including physical abuse. While Ryle does exhibit controlling behavior before he and Lily ever get together, including one delightful scene where he essentially kidnaps Lily by locking her in his bedroom, this behavior is not intended to be seen as a red flag. Similarly, the opening scene where Ryle is seen destroying patio furniture in a barely-controlled rage is seen by the main character as enviable, rather than concerning.

    There’s never a point where Lily looks back on this encounter and recontextualizes it as an early sign of his present abuse. These moments occur when Ryle is still supposed to be seen as the ideal romantic lead as if it’s charming for a man to lock a woman in a room, ignore her when she says “no” or beg on his knees for sex. I can only see the blunt inclusion of Ryle’s abuse in the trailer as a good thing. Marketing this film in the same way the book was marketed would be disingenuous and, frankly, scummy. If you ask me, anyone with a personal history of domestic violence who picked up this book thinking it was a romance novel was done a great disservice. At least those who watch the movie without having read the source material won’t be going in blind.

    Fans complaining about the casting are also, in my opinion, wrong. In the book, Ryle and Lily are 29 and 23, respectively. Yet, Ryle is about to finish his residency to become a neurosurgeon and Lily has enough capital as a recent college graduate to open her own flower shop without so much as a business plan.

    According to the Cleveland Clinic, “It takes approximately 14 to 16 years to become a neurosurgeon, including pre-med (undergrad) education, medical school, internship and residency. Neurosurgeons undergo one of the longest training periods of any medical specialty due to the complexity of the field of medicine.” Unless Ryle graduated high school between the ages of thirteen and sixteen, a feat which would surely have been an important detail to include, it’s unlikely he’d be about to finish his studies at this age.

    This is a change even Hoover herself has expressed support for, as she admitted the characters’ ages relative to their professions was an oversight on her part.

    Before becoming a best-selling novelist Hoover “spent years working in social services,” according to a 2022 New York Times article written by Alexandra Alter.

    “Back when I wrote It Ends With Us, the new adult [genre] was very popular,” Hoover told The Hollywood Reporter. “You were writing college-age characters. That’s what I was contracted to do. I made Lily very young. [sic] There’s not a 20-something neurosurgeon. As I started making this movie, I’m like, ‘We need to age them out, because I messed up.’ So, that’s my fault.”

    While these changes are promising, I don’t want to give the film too much credit yet. There’s still no telling if they’re going to keep the scene where Ryle locks Lily in his room and undresses her without so much as asking, or how it will be framed if it is. It’s still unknown if Ryle is going to claim blackouts as a reason for his abuse, despite the presence of a scene where he plans and executes a deliberate humiliation for Lily. Hoover is credited as an executive producer and, while she has clearly shown herself to be flexible in terms of plot and cast changes, there’s still no telling what she refused to compromise on.

    I’m not going so far as to say they’ve spun straw into gold just yet, but the It Ends With Us film trailer promises the raw, engaging romantic drama the novel should have been. For the time being, Hoover Haters and CoHorts alike will have to wait and see if it makes good on that promise.

    It Ends With Us will be released in theaters on August 9, 2024. Check out the full trailer below:

    Did you read It Ends With Us? What are your thoughts on the trailer? Let us know in the comments or on social media!

  • FROM THE VAULT: Between You & Me talk first independent EP release, fan support, and first headlining North American tour

    FROM THE VAULT: Between You & Me talk first independent EP release, fan support, and first headlining North American tour

    The following interview was originally conducted and intended for publication before April 5. Due to internal issues and the hiatus from April to mid-May, this did not happen. The band toured North America from March 7 to April 6.

    Australian band Between You & Me are ready to show what they can do, and they can do it all on their own.

    The band are gearing up to release their very first independent EP Sh!t Yeah. This is their first full body of work since 2021’s Armageddon that was released on Hopeless Records. Their first independent single release “Nevermind” received great support, including being added into the rotation on the Australian radio station triple j. Since then, each release following has been loved and supported by fans. The group is also currently embarking on their very first headlining North American tour ahead of the EP release. We had the chance to talk to  bassist James “Bassy” Karagiozis about working on their first independent record, fan support and how the tour is going so far. 

    Congrats on the new EP SH!T YEAH! How does it feel to (almost) finally have your fans be able to hear the new music?  

    “So stoked to have new music for our fans. Personally, I think it’s our best music to date. Hope everyone vibes with it.”

     This is your first Independent release, how did that affect your mindset or process when going in to make the EP? 

    “To be honest, it feels like we have been an independent the whole time. But going in to make it and knowing we were spending our own money, fully investing in ourselves felt exciting and daunting at the same time. We’re stoked to put out something that was under our control the whole time.”

    Were there any bands or genres that you took inspiration from when creating the EP? Can we hear any of those influences on the project? 

    “The starting line, COLDPLAY, Korn, all American rejects. If you listen to the songs on repeat for 60 days you might be able to hear it.”

    For those who haven’t heard any of the EP yet, how would summarize the sound in just a few words? 

    “Sh!t fucking yeah.”

    Knuckle Puck is featured on the song “Kill My Vibe”. I had the chance to listen to the track and I absolutely love it. I was singing along to the chorus by the end, and their feature works so well on the song. What was it like getting to work with them on that track? 

    “We were able to tour with KP back in April ‘23 and I don’t know we just clicked socially. We really hit it off so when it came to features, hitting up the KP boys was a no brainer. We asked if they would be keen to collaborate on the track and they luckily said yes and now we have a kick ass track.”

    Do you have a favorite track on the EP? What track are you most excited for your fans to hear? 

    “Virus. It was a dark horse when it got bought to the table. It’s our most experimental. But once we heard JT’s lyrics and melody, off the top it quickly became a favourite. So we hope people like where we took it.”

     The reception online to the single “In The Middle” has been incredible. What has the support from fans meant to you as you gear up for the release of SH!T YEAH? 

    “It’s almost given us a second wind. It’s made us even more excited for the future of our band and what we can achieve. We released the song during our UK tour and it’s been incredible seeing people sing along at our live shows since.”

    Since beginning your journey of releasing music independently with “Nevermind”, has there been anything that surprised you positively or negatively?  

    “Honestly, the way our fans have gotten around us, it feels like we have this underground popularity vibe almost. Our fans have backed us and supported us when we’ve wanted to take our music somewhere else and keep it in our own hands. Like we have revamped and come back stronger than ever. Nevermind was a great example.”

    Was there anything you learned while making SH!T YEAH that you will take with you when working on future projects?

    “Letting the songs breathe and become their own pieces of art, for lack of a better explanation.”

    You are on your first headlining North American headlining tour! How does it feel to finally be headlining a tour here? What has the experience been like?

    Honestly, it was daunting. This is familiar, but new territory — getting to go to the venues we’ve supported multiple tours on, but now being the headliner. Seeing so many new faces at shows, people we have never seen before coming out: be it their first time ever hearing about us because their friends dragged them or they had recently just found out about us and decided to come through, it had been very fulfilling and rewarding. Like our hard work Is starting to pay off. “

     What songs have been your favorite to play live on this tour? What songs seem to be the crowd favorites? 

    “In the middle for sure, people have really been singing out for it. We have been riffing kill my vibe and we see heads nodding and the chorus being screamed. Repeat show visitors have really been getting into it.”

    Anything else you would like to add? 

    “Thank you for supporting us at shows or even just listening to our band. It all means the world To us. Shit yeah! <3”

    Sh!t Yeah is available on all streaming platforms. All upcoming tour dates can be found on the Between You & Me’s official website. You can also stay also stay up to date on all things Between You & Me by following the group on Instagram, X and TikTok: @byamaus.