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Arrows In Action are Built to Last on debut album

Figuring out your place in this crazy world is a scary time filled with ups and downs. With it often comes heartbreak, self-doubt, loss of connection and you may feel like things may never work out. On Built To Last, Arrows In Action explores this anxious time in our lives.
This pop-rock trio have gained a strong fan base over the last few years through TikTok and the success of their song “Uncomfortably Numb” off their 2021 EP Be More. Built to Last showcases the range of sound the group is able to create and execute from slower more acoustic moments like “Checking In” to heavier tracks like “Seeing Red,” and songs like “Over It” that bring a more groovy feel. By the end, you are full of emotion, the main one being hope.
This album discusses the struggles of mental health and life including relationships, career, family and friendships. Songs like “Put You Through Me” discuss pushing people away because you don’t want them to fall in love when you know you will only hurt them, whereas “Over It” is about feeling like life is beating you down again and again and just wanting it to turn around.
Tracks like “Entropy” are about moving somewhere new and working towards what you want and second guessing yourself. You get to the place you want to be but you feel alone, burned bridges and everything just feels numb. However, not every song is completely negative. The song “Head In The Clouds” is about having a positive look on life and believing that everything will be okay.
Built to Last comes full circle through the title track, connecting every song on the album and specifically tying back opening track “Made For This.” The very last verse of the song has lines that call back to each song on the album. You may not catch it on first listen, but once you notice it the appreciation and understanding of the song grows. “Built to Last” feels like a reflection of everything in life that has happened and ready to move forward and leave the past behind. The other tracks are the stories of the past, so referencing them is acknowledging the past and those lessons are a beautiful moment. Specifically, the last line, “What was I made for if I wasn’t made for…?” calls back to “Made For This” and cutting off of the title makes for a perfect transition back to the start of the album.
“The Credits” is a strong track that showcases all three vocalists individually very well. Loveless brings anger to the second verse and a chorus and Magnolia Park brings emotion to the powerful bridge.The name holds true and it has a feeling like it should be in a movie. The lyrics discuss the end of a relationship and not wanting to come to terms with it ending and your partner moving on. The line “the credits are rolling and I’m still holding on”, compares the end of a movie to the end of the relationship. Also, the transition from the first chorus to the next verse has this sound that almost mimics like some sort of magic effect found in a movie. Like it is dissolving from one scene to the next. The rolling drum beat keeps it moving and when the bridge kicks in, it is full speed ahead. The drums and guitar get louder and more intense, and even when the vocals drop, the drums are still going and gearing up for one more big chorus to close out the track.
“Wide Eyes” starts off with a groovy melody and quieter vocal, almost like lead singer Victor Viramontes-Pattison is talking to himself. But you can still hear just the right amount of sass and attitude thrown onto the vocals that will be the underlying theme throughout the song. However, by the time the chorus kicks in, nothing is quiet. And it only grows as the song goes. You can hear glass breaking effects, a running drum beat, synthesizers, all of it. Brian Butcher of The Home Team kills it, adding in his own sassy yet fun vocal. He not only shines his verse, but also by adding in some backing vocals on the chorus and bridge. The ending brings out fantastic high notes from the vocalists that seemingly transition into the guitar and drum melody and finish off with a simple “I hope you’re okay with that”.
“Seeing Red” is a stand out track on this album. The energy on this track feels vengeful and feeling like someone has backstabbed you with lines like “so who the fuck are you to tell me my own truth”. And the instrumental definitely matches that energy. This song shows off the band’s heavier side with rougher vocals, roaring guitars and heavy in your face drums that make you want to headband. The delivery of the vocals in the chorus feels very reminiscent of pop punk songs with straightforward, short lines that make you want to scream and point your finger as you sing them. However, the verses still have style that feels like the other tracks. The lines are a bit longer and more storytelling-like. Then we add in some screaming and synthesizer infused breakdown moment, followed by a moment of calm with a running guitar riff that builds into the last chorus to end the track strong.
“Checking In” is another stand out moment. This track explores feeling like you have lost connection to the loved ones in your life. They have reached out to you, but you have not returned the effort. Part of that is because you have all grown up and moved on in life, but part of it is isolating yourself from everyone. While not completely acoustic, this track is a more toned down moment on the album. A simple guitar line and drum beat that will have your toe tapping. The band lets the emotion in Vic’s vocals and the lyrics tell the story. A story that many listeners will be able to relate to.
Those listeners looking for a groovy bass line can find it on the track “High”. The bass on this track is heavy and fun and gives jazzy rock vibes. “High” overall is a more fun track, with a catchy chorus. While still hitting on the topic of being in a toxic relationship with lines like “She’s so sweet only when she needs somethin’ from me” and “what she don’t know is that it gets me high.” The bass line will have you dancing and singing along in no time. Mix that with the catchy chorus, a fun drum beat and dreamy vocals and we have a recipe for the song to get the crowd moving and grooving.
Arrows In Action also collaborated with several artists on this project. The first being on the track “The Credits” which was released back in February. This track features the bands Magnolia Park and Loveless. On the track “Wide Eyes,” the band The Home Team joins the band.
Overall, Built to Last is a fantastic debut album for Arrows In Action. This album feels like a complete story of struggle, self-reflection and perseverance. The order of songs is done in such a way that you hear every step of the story from sadness to anger and, by the end, hope. Finishing the album you feel like you have gone on a journey with the band and that everything will be okay.
Built To Last was released on May 26 and can be streamed on all major streaming platforms. You can catch Arrows In Action on tour this summer and tickets can be found on their website.
Image Credit: Zach Pigg
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Arrows in Action talk debut album release, fan support and upcoming summer tour

Alternative rock band Arrows in Action are taking the scene by storm following the success of their 2021 song “Uncomfortably Numb” with Taylor Acorn, which currently sits at over 13 million plays on Spotify. Since then, the band’s momentum has not stopped. Having amassed over 280K followers on TikTok and many dates on their upcoming tour being close to selling out, Arrows in Action are just getting started. We talked with vocalist Victor Viramontes Pattison, guitarist Matt Fowler and drummer Jesse Fimmel about their debut album Built to Last, the support from their ever-growing fanbase and their upcoming North American tour.

Matt Fowler, Victor Viramontes Pattison, Jesse Frimmel (from left) Congrats on putting out your debut album Built to Last! How does it feel to finally have your debut album out in the world?
Victor Viramontes Pattison: After well over a year of working on these songs, we feel like we’ve dialed in who we are as a band and what we want to convey through our records. It feels very validating to finally have a full record out and have it be so well received by our amazing fans! A lot has happened since we moved to Nashville together and releasing this album has helped us to feel at home in a new place.
What song were you most excited for people to hear on the album and why? Have you noticed a song that has become a fan favorite?
Jesse Frimmel: We were most excited for people to hear Checking In because it is such a sentimental song for us. As we were writing it with our friends, we were each thinking of someone we had lost touch with but who we wish we hadn’t. It was so genuinely fun to create, and we felt it had such a poignant call to action, that we couldn’t wait to share it.

Photo Credit: Zach Pigg This album touches on many topics relating to coming of age and finding your place in the world like mental health, relationships and keeping loved ones close which makes the songs very personal. What was the experience writing those songs like?
Matt Fowler: Writing these songs was incredibly cathartic for all of us. We’ve experienced a lot of life in the past three years, some incredible and some not so much. Getting together to vent, and create felt more necessary than it ever had. Most of these songs were written across late nights and long life talks. Through this process we learned to prioritize the relationships in life that mean most to us; our friends and family.
Who are your biggest musical influences and how have they influenced the way you create music? Can these influences be heard on the album?
MF: While writing for Built to Last, we referenced a wide range of artists! Most frequently referenced were Demi Lovato, Foo Fighters, 5SOS, Bad Suns, Waterparks and The Aces. For a long time, we created music through imitation like a lot of artists. Imitating our favorites while putting our spin on it. This time around it truly felt like we were keeping our own identity in mind, and letting these influences modify our style to create an eclectic batch of songs.

Photo Credit: Zach Pigg Looking online, it seems you have grown a strong community of fans online between TikTok, Twitter and your discord server. How does it feel to have such a strong community of support behind your band?
JF: It’s difficult to grasp how large the community has grown. It’s beautiful to see different groups of fans from all around the world forming friendships and regularly attending shows and live streams together. We are incredibly grateful that they’ve stuck with us and we plan to keep growing an inclusive and fun community!
You had the chance to feature Magnolia Park, Loveless and The Home Team on the record, how did those collaborations come about?
MF: We’ve known The Home Team since 2019 when we played four of their tour dates with them! We’ve talked about collaborating for a long time, and Wide Eyes just felt like the perfect track even before it was done we knew Brian would rip on it. We’ve been internet friends with Loveless for some time now and likewise had thought a collaboration would be super fun for fans and for ourselves. We felt like The Credits was an interesting opportunity to have rock vocalists on a more synthy, pop focused track. Magnolia Park saw some early Twitter discourse about the feature and offered to hop in and make it the awesome “TikTok band” trifecta that it is!

Photo Credit: Zach Pigg Was there anything you learned while making this album that you will take when you make future records?
VVP: Even though the record is sonically eclectic, we learned how to make a large collection of songs cohesive through story and theme. We learned how to work on multiple songs at once, and how to collaborate with each other on a deeper level.
This summer you are heading out on your first full North American headlining tour, what can fans expect from this tour?
MF: Fans can expect the best Arrows in Action show yet! We pride ourselves on being highly interactive with the crowd and full of energy. This will be the longest setlist of our career so far, and the first time we will be introducing a sick light show. And like always we’ll have surprises baked into the show that super fans especially will appreciate.
What songs are you most excited to finally get to play live? Are there any places you are excited to get to play?
JF: We’re all really excited to play Seeing Red because it’s our first song that’s as heavy as it is! It’s so hard to pick even a few places, we have so many second homes now thanks to our fans like Denver, Boston, Dallas, Chicago and so many more. But we are also stoked to be playing so many new places for us like Seattle and Vancouver!
Anything you would like to add?
“Thank you so much for thinking of us and including us!! If you listen to the album 500 times in a row it unlocks a special secret.” – All of us 🙂

Photo Credit: Zach Pigg Arrows In Action’s debut album Built to Last is available on all streaming platforms. The band is also heading out on a North American tour this summer with Honey Revenge and Finish Ticket. Tickets and dates for their summer tour can be found on their official website.
You can also follow the band on Twitter, Instagram and TikTok: @arrowsinaction.
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Songs to start your summer: Summer Playlist 2023

With the summer solstice marking the official start of the season, it’s only fitting to have a summer playlist on deck. Just in time, Penny Rae Hawkins and Alicia Kobasic have teamed up to bring you the top ten tracks off their ultimate summer playlist for 2023.
1. “Touch My Body” Sistar”
What summer playlist would be complete without the Queens of Summer themselves? This 2014 track from Sistar was touted as “a blast of summer fun” by Soompi upon its release, and rightfully so. With swift electric guitar, iconic choreography, joyful vocals and a wonderfully dated sax solo, this is the perfect track to put on when refilling mimosas with your besties at your next pool party.
2. “Head in the Clouds” Arrows in Action
When you think of summer, you think of good times, no problems and leaving all the negative energy behind you. And that is what is captured in this Arrows In Action Track. This upbeat track is full of clapping and acoustic guitar with a catchy chorus that will have you singing along in no time. With lyrics about living in the moment and putting a negative mindset behind you, this track is a must have for any summer playlist.
3. “Candy” NCT Dream
NCT Dream released this cover of the classic track from first gen icons H.O.T as the single of their 2022 Winter Special mini album, but I would argue “Candy” is better set at a summer carnival. Maybe I’m biased because of the original music video, but that vibe is carried over with Dream’s cheerful vocals and youthful charisma. Its bouncy melody almost makes you forget it actually begins as a breakup song, but quickly turns around by the chorus. Sour and sweet like a bag of Sour Patch Kids, “Candy” is perfect for summer love that outlasts the season.
4. “Take Me Home” Weathers
“Take Me Home” by Weathers captures the feeling of spotting someone from across the room but being nervous to approach them. The lyrics perfectly encapsulates the feeling of wanting to make the first move, but being hesitant. Whether it is a summer fling or the start of a new love, this fun guitar riff and catchy chorus is the perfect soundtrack. So maybe, if you got your eyes on someone this summer, throw on this dancey track and see where it goes.
5. “be free” KB
If “Candy” is a cute date at the state fair, “be free” is a hot summer night when you aren’t ready for that date to end. The solo track from OnlyOneOf member KB perfectly soundtracks the part of the evening that could go one way or the other. A funky bassline and a bright guitar complement KB’s voice masterfully on both the distorted chorus and his attitude-filled verses. Put simply, it’s confidence in a bottle that doesn’t waste a drop.
6. “Teenagers” The Summer Set feat. Against the Current
Summer can bring back nostalgic feelings and memories from the past. Especially from when you were young and carefree. “Teenagers” discusses remembering those times and wanting to go back to those days. The whole song just feels anthemic from instrumentals to vocals. With lyrics full of imagery of summer memories and lines like “summer never felt like this,” this track will have you empowered to have a summer just like you did when you were young.
7. “Young Boy” NINE.i
It’s been a while since I’ve heard a song that so perfectly captures youthful optimism, so discovering “Young Boy” feels like an old promise fulfilled. Vocalist and producer Vahn balances the uncertainty and excitement of being on the cusp of that first taste of freedom, whether it’s high school graduation or just another summer break. There’s no better song in K-pop right now that could soundtrack the feeling of running towards an uncertain future with nothing but vigor and brash naivety.
8. “Worst Apology” Honey Revenge
Every summer playlist needs a sassy and powerful track and “Worst Apology” is just that. This song is about not accepting apologies from people who won’t change. With a nice groovy beat and sassy vocals you will be dancing along as you blast it at all the summer parties in no time. Add lyrics with lines like “now my drink tastes like I should ruin your night” that are perfect to scream with all your friends. Time to leave that toxic energy behind and start fresh this summer.
9. “Prime Time” Vanner
The “Peak Time” winners have really outdone themselves with this bop. Produced by Ryan S. Jhun, “Prime Time” bounces across your speakers in a way that demands to be played at top volume. Ideally, they should be played from the radio of a convertible for that premium summer vibe. Without pause, “Prime Time” is a victory lap from the opening harmony to its triumphant closing notes. If you’re not shouting “this is how we do” or “can’t stop, won’t stop” at the top of your voice, you aren’t doing it right.
10. “Paradise” Broadside
What is a better song than “Paradise” for a summer song? This track is full of fun guitars and drums perfect for driving around with the windows down. The lyrics of the chorus, “go chase your paradise into the waves” and “dive right in, stop coasting through your own life/learn to value your time” is just the motto you need to go on all your summer adventures on your bucket list.
How will you be celebrating the beginning of summer? If these ten songs aren’t enough, check out our full playlist below!
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Mahall’s not “Loveless” in Lakewood

This show was the hottest on earth not just because it was a sold out show, but also temperature-wise. It may have been the hottest concert I have ever attended, including Warped Tour.

Loveless brought their world tour to Mahall’s in Lakewood, Ohio on May 19 and this sold out show brought energy not only from the band, but also from the fans in the crowd. It was not a joke, everyone was dripping in sweat just standing in the crowd. The difference in temperature from the lobby to the concert room was crazy, and adding in all the people did not help. Throughout the night, Julian, the lead singer kept talking about how hot it was, how the stage was full of sweat and that the front row was the “splash zone.” The temperature of the room was a recurring theme throughout the night because it never cooled down.
Loveless has grown in popularity over the last year or so largely due to TikTok. The group has gained a following through their videos on the app, which has resulted in the group selling out many of their shows on this tour and their fanbase growing exponentially. That was seen in full force at this show. The room was packed wall to wall, front to back. Fans filled the side risers and several stood on the benches on the side to get a better view of the stage.

Vocalist Julian Comeau was struggling with his voice after losing it at the first show, so he was sipping on tea in between songs and doing his best to not let it stop him from giving the audience the best show he could. He powered through and still sounded fantastic throughout the entire set. He had strong energy from start to finish, not letting anything put a damper on the set.
The set started off high energy with “Haunting Me” and the crowd wasted no time singing along to every lyric. The band brought high energy and was ready for a great set, and of course noticing right away how warm it was. Other songs on the set list included the hit “Worst Case Scenario”, “Better”, “Killing Time” and “If You Have My Voodoo Doll, Give Me A Hug.” They also played “Someone Else,” their song with Kellin Quinn of Sleeping With Sirens, and before his part Comeau said, “You guys can be Kellin.” This got the crowd involved with the set and to show off how good we know the lyrics to their song.

There was not a down or slow moment. It was just banger after banger. Every song grabbed the crowd’s attention and had people singing along, dancing, clapping, and just living in the moment. Little time in between songs, with short introductions, left no time to breathe. Loveless was there to play a show and get us moving and singing and they delivered.
Instrumentals sounded fantastic with Dylan Tirapelli-Jamail on guitar and Stephan Haaker on drums. They brought energy and kept the show moving and the crowd excited. Tirapelli-Jamail and Haaker may have not interacted with the crowd as much, but they still added an extra level of energy and fun to the show.
The band interacted with the crowd, having us put up phone lights during “Lighthouse.” During “IS IT ME,” a fan held up a sign with the lyrics for Julian to read off of to make sure he was signing the right lyrics. I guess he has struggled with those before, so the fans got his back and helped him out. That demonstrates how strong of a fanbase the band has.

Those who are familiar with the TikTok videos will be happy to know that Julian did say “thanks” after every song, just like how he closes his TikTok singing videos: the most polite concert ever. Those little touches can really make a concert feel more personal and unique to a band and give a little nod to the fans who have been following the group more closely. Those who may not follow the TikTok may not be familiar with that little touch, but those who do love it.
Instead of choosing to exit the stage and then come back on for their encore, the band decided to just stay on stage and play their last few songs. I like the trend that bands are doing nowadays with ditching the typical encore scenario of walking off stage and coming back on. Nowadays, everyone knows that they will be coming back, especially if they have not played their biggest hit yet. I am all for keeping the show moving. Maybe it could mean an extra song or so by cutting out the time of “leaving.” I am all for a chance to hear more songs.

Loveless closed the set with “A Thousand Reasons” and what a new song that seems to be titled “Sick,” according to a setlist. The band gave it their all for the last few songs and the crowd did the same. Singing at the top of their lungs and moving and showing their love for the band on stage. Not wanting the time to end.
The group took a bow and exited the now sweat filled stage to hopefully cool off and rest before the next show. Loveless brought it all to the stage. Julian may have been struggling with his voice a bit, but he did not let it show. The whole group pushed through the outrageously hot temperature of the room and made the crowd feel special and made it a show to remember. Trust me I was struggling in the crowd, I can only imagine how hot it was under the lights on stage and moving around.

Overall, Loveless is a fun band to watch and will not let anything stop them from putting on the best show for their fans. They are just getting started and I know they are only going up from here.
Loveless is currently on tour and tour dates and tickets can be found on their website.
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Jackson Wang brings his “magic” to Wintrust Arena

He isn’t a mystery, but he isn’t just magic. Jackson Wang is talented, generous and perhaps a little bit tragic.

Wang brought his globe-trotting Magic Man tour to Chicago’s Wintrust Arena on May 4. Opening the show with “100 Ways” set the tone for the first half of the show with a romantic melancholy. While it made for a bit of a slow start to the show, Wang performed them with a deep sincerity and that soaring, soulful voice of his. Magic Man really kicked off the moment he asked the audience’s consent to make the show a little hotter. Songs from his Magic Man album like “Champagne Cool” and “Drive It Like You Stole It” kept fans on their feet with their funky grooves and Wang’s unabashed confidence.

Without much exaggeration, Wang is a true chameleon. For songs like “Cruel” and his latest single “Cheetah,” he prowled across the stage with his impressive crew of backup dancers. For “LMLY,” he recreates the set from the music video so he can cavort amongst his crew as they perform happy couples completely ignorant of his pining. A motif that admittedly felt a little overused was the magic elevator, which rose and fell as each section of the show began and ended. While a creative idea that goes perfectly with the tone and title of the tour, watching the transitional object eventually got repetitive. The part that made it feel more natural was Wang himself, who believed every step he took and every word he said in way that could be felt from the third row.

In fact, the show was almost uncomfortably personal at points. Wang gave lengthy speeches about the purpose of the show and the hardships he’s endured during his time as an entertainer, but the songs tonally clashed with these speeches often. Many of them were about lost love, including the excellent “LMLY” and “Blue,” which That being said, when the show transitioned into the more overtly sexy numbers, it did make for a jarring experience at times, especially when Wang decided to bring out an entire bottle of Hennessy.

These aren’t the actions a man takes when everything’s alright. While he did share the whiskey with his bandmates, it was clear throughout the show who the majority of the bottle went to. It’s a total rock star move, but it’s more than slightly concerning within the context of Wang’s speeches expressing a growing distaste for the industry he spent so much of his life in and the sense of a deep, gutteral loneliness one can only experience in that position. Even more indicative of this are the literal mascara tears he painted down his cheeks: it’s one part circus, one part sadness. It’s brilliant and heartbreaking in the same breath.

The moments Wang brought fans onstage with him weren’t just highlights for those lucky chosen two. During “The Moment” and “Dead,” a young woman with pigtails and a fishnet crop top Wang chose fully understood the assignment. While she did visibly fawn over Wang like any fan in that audience would have, she took her moment by the hair by dropping it like it’s hot and actively playing along with and into the fanservice. What happened when they entered the magic elevator doors closed and it filled with smoke? That’s between her and Wang.

The encore was easily the best part of the entire night – rather than come back to perform more songs, he simply came out dancing to remixes of “Blow” and “100 Ways” while bringing more and more people onstage with him. It was here Jackson seemed well and truly happy to be there: comfortable clothes, no makeup and his signature black beanie made him look less like a sex demon and more like just a regular dude who just wants to party. It’s clear he’s spent a great deal of his life being who he needs to be, as a common thread of the show was his journey to become who he wants to be. Let’s just hope he’s taking care of himself as he goes along that journey.

Jackson Wang is a consummate entertainer with an eye for detail and a deep admiration for his fans. Whether he’s aware of it or not, he’s already made them incredibly proud. Let’s hope, one day, he’ll see that for and within himself.

The North American leg of Jackson Wang’s Magic Man tour wrapped up on May 11 in New York, New York. The tour’s final stop will take place in Mexico City’s CDMX Arena on May 25.
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Agust D burns down Allstate Arena

ARMY came prepared with gasoline knowing Agust D would be spitting straight fire.

Agust D, also known as Min Yoongi or Suga from BTS, took over Allstate Arena on May 3, 5 and 6 with his D-Day tour. This review covers only the May 3 show, which was a particularly delightful treat considering what he said right at the end of the show:
“Coming from New York, I had one rest day. I think I was in the best condition today.”
As someone who has now seen him both as BTS’s Suga and Agust D, it’s safe to say he’s correct. From the opening chords of “Haegum,” the crowd was on their feet and ready to fight. The title “Daechwita” literally refers to traditional Korean military music and keeps true to that meaning with it’s confrontational beat and the repeated insistence to “play it loud.” Following closely is his self-titled track “Agust D,” which contains lyrics including “my seat is business/yours is economy, forever behind me kissing my ass” and “you wasted rappers should be grateful that I’m an idol,” among other insults and clap backs to anyone who’s said his music isn’t “real hip-hop.”

Yoongi’s technical skill and talent are accompanied by a deep pain that doesn’t need to be translated or dissected to be understood – he leaves it all to his performance. That being said, if you do look into English translations of these lyrics, you’d better be ready to peer into a raw wound with fresh stitches. One example of this is his latest single “Amygdala,” which puts his deepest traumas in no uncertain words. Pouring out everything from his mother’s heart surgery to his father’s liver cancer, “Amygdala’s” chorus contains repeated pleas of “save me” and “let me out.” It’s transparently clear, while what didn’t kill him made him stronger, the way Yoongi seemed close to tears during this song that it still fucking hurts.

A theme that’s become pervasive throughout Agust D’s work is the battle he faces against more powerful, corrupt versions of himself. In the music videos for “Haegum” and “Daechwita,” he murders versions of himself as a mafia boss and a Joseon-era emperor respectively. It’s particularly interesting not only considering these are the two songs he chose to kick off the concert, but this theme persisted in the VCRs. One such example is when Yoongi is seen sitting in a motel room when someone knocks on his door. Pulling back from the peephole through a fisheye lens puts you in the perspective of the person on the other side of the door: Agust D, with a gun pointed straight into the peephole. Even if the trigger warning at the beginning of the show didn’t give it away, you sure knew what happened next in that moment.

The set list also included a medley of sorts, composed of his verses in BTS tracks “Cypher 3: Killer,” “Cypher 4,” “UGH!,” “Ddaeng” and “HUH?” The energy between Yoongi and the audience was particularly powerful during this medley, especially watching him bounce excitedly as he spits bars like cherry pits into the audience. However, his performance of “Interlude: Shadow” was enthralling not just because of his soul-baring delivery or technical prowess, but because of his own complicated feelings with his own success. Putting it plainly, he worked his way out of poverty doing what he loves, but still experiences dissatisfaction. Yoongi draws directly from BTS’s debut track “No More Dream,” he seems to mock himself with the line “you have a big house, big cars, big rings/all the things you wanted, you’ve got it all/so, what’s the problem?”

The slower moments offered a reprieve from the aggressive, high energy tracks but were no less intense. His performance of “Snooze” was particularly moving with the preface of a heartfelt tribute to the late Ryuichi Sakamoto, whom he collaborated with the song. From an acoustic version of “Trivia: Seesaw” to the piano ballad “First Love,” as well as the closing performance of “The Last,” Yoongi maintained a firm grip on the audience’s attention without fail. From his masterful storytelling to his hair-trigger flow, his stage presence and talent made for one of the best live shows in recent memory.
Min Yoongi put his shattered psyche on display for all of Chicago to see – and he did nothing to make it pretty but everything to make it entertaining. No matter what you call him – Suga, Agust D, Min Yoongi – this is who he is regardless of whether you can handle it.

Agust D’s D-Day tour wraps up the North American leg at Oakland Arena on May 17. The second leg of the tour begins on May 26 in Tangerang Regency, Indonesia and ends in Seoul, South Korea on June 25. His D-Day album released on April 21 and is available on all streaming services.
All photos were taken by Penny Rae Hawkins and edited by Jon Knoell.
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Weathers answer the question: Are We Having Fun?

Love, heartbreak, reflection, anger and sadness: all topics and feelings that many deal with it over the course of their life. Also not very fun feelings to experience. But these are all topics that are discussed in the songs on the new album by Weathers Are We Having Fun?
Alternative rock band Weathers released their third studio album Are We Having Fun? on May 5 through Sumerian Records. This album discusses all the struggles, conflicts, ups and downs of relationships. Everything from losing friends, watching your ex move on, realizing how toxic a relationship was and more. Through emotional vocals, synthesizers, roaring guitars, strong drums, groovy bass and powerful lyrics, the group tells clear stories throughout the album and creates a cohesive sound that will have you putting the album on repeat.
On Are We Having Fun? Weathers have evolved and grown as a group and create a strong, well produced and cohesive album that showcases their talent as a group. From songwriting, to production, and everything in between, Weathers have shown they are a group to be watched and stronger than ever. This album feels like they were discovering their sound and they can only go up from here.
The themes of the tracks all center around relationships and the ups and downs that come with love and heartbreak. Sonically, the songs are cohesive in that they all have strong instrumentals and emotional lyrics, however, the songs do not all sound exactly the same. Each song has at least one unique element that differentiates it from other tracks. Some have a more dancey, pop feel. While others like “Where Do I Sign?” (a top five favorite of mine) have a dark, heavier rock sound and others have a groovy sound. The album takes your ear on a journey and keeps you interested and engaged to see what else the group will bring to the table.
The band manages to tie the different parts of the album together in a small way that you may not catch right away. Following the track “She Hates Me” is “Interlude,” which takes the melody of the previous song and flows into another melody that we will hear later on. Leaving the listening wondering, how this interlude will connect to the rest of the album. We learn that the melody is from the closing track, “Little Castaway” creating a complete circle from the beginning to closing a – small little detail that adds just a little something extra to the record.
My top song on the album, which has been on repeat since it dropped, is “ALL CAPS (feat John The Ghost).” This track has an extremely catchy chorus that will have you singing along after one listen. Lead vocalist Cameron Boyer and John The Ghost’s voices sound fantastic and compliment one another during the few moments we hear them together. The pre chorus features drums and guitar that feel like you are running and rushing you to a finish line, creating an anxious feeling as the chorus hits. Then it tones down and goes right back to full instrumental. This use of dynamics goes along with the theme of the song talking about a rocky relationship where you have this distrust of a partner and lack of communication. The sound has this dancy feel to it, but the lyrics are full of anger and frustration, but yet sonically that dance sound works to imitate that feeling.
Two of my other favorite tracks on the album happen back to back on the album. The first track is “Carsick.” This track brings a more darker sound and feel to some of the other moments on the album and can hear some of the more emo, rock, grungy influences on the track. On this song, Cameron Boyer sings about watching an ex move on and how hard it can feel. At the same time thinking about how that person was not good for you, but you still have feelings and would go through it all again. It is a very guitar and drum heavy song, with some strong electronic guitar lines towards the end. Boyer’s vocals are laced with pain and longing, bringing the painful, and relatable lyrics to life, even a subtle scream moment right before the closing line, to emphasize the frustration.
The next track, “Drama Queen” is a contrast to the previous. This groovy bass and synthesizers with the acoustic guitar create a bouncy and cool sound that will have your head bouncing. This is a sassy track that talks about someone who was in your life that caused trouble and drama and you are happy is gone. Once again, Boyer’s vocals add the tone of the sound with a bit of sassy undertone. The line, “I think if the good die young then you might live forever” sums up the overall theme of this song completely. The little moments of dropping the instrumental and vocals lower for a moment then bringing it back up for the chorus or the soaring guitar moment with driving drums really tie the song together. It is a fun song that is the perfect song to scream along to while driving or rocking out alone.
A stand out song on the album is when the group slows it down on the track “Goodbye To My Friends.” This track finds the group exploring a more acoustic sound with a very emotional vocal from Boyer. On this track, the lyrics talk about letting go of people, specific friends in your life. Boyer sings about wondering if his friends are better now and if they still think about him. Instrumentally, it is simple with some light drums, guitar and bass in the verse. The chorus adds in some extra kick, but still simple, letting the lyrics tell the story. The sadness and questioning is heard in Boyer’s vocals brings the song to life. Adding in a soaring guitar solo in the bridge adds an extra level of emotion to the song which is paired perfectly with the ending of the song having Boyer repeating, “it’s okay, I’ll see, I’ll see you again” as the song gets quiet and drifts off into the final track.
Further emphasizing the diversity of sound on the album is the opening and closing tracks. “Little Castaway” is fast paced, full of funky bass, synthesizers, and dancey melodies. The lyrics discuss the person in your life who you let get away who you cannot stop thinking about. It feels almost like a party song that is meant to get you moving. The groovy bass and guitars and almost clappy drum beat cannot help but make you move. Whereas “One Of A Kind” is a more mellow, mid-tempo song with a more somber feeling. The chorus feels larger with in your face guitar and drums that is meant to emphasize the emotions behind the lyrics. Boyer almost feels like he is screaming at the lyrics discussing feeling like giving up and wondering if there is a version of him that is happy. Overall, you just picture a dark, somber image as you are listening.
Weathers gave it their all on Are We Having Fun? The group demonstrates their evolution and growth as musicians, as well as where they can go. The band answers the question that no, the events and feelings behind these songs are not fun and detail why in their lyrics. Across all 12 songs, the listener can draw a connection to their own life and relationships.
Are We Having Fun? was released on May 5 on Sumerian records and is available on all streaming platforms. You can purchase a physical copy of the album on the band’s official website.
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Op-ed: Peak Time finale a bittersweet victory

From the beginning of Peak Time, I was rooting for Vanner.
Since early 2021, I’ve been a devoted VVS. I attend fan meetings, buy video calls and even followed them on tour last year. So, even with other groups I enjoy competing, I wanted Vanner to win the global showcase, an album and 300 million won (roughly $225,479.14). As you can imagine, the feeling was indescribable when I watched the tears of joy stream down their faces as the host announced they had won it all. Taehwan holding the big check while Younggwang and Hyeseong held bouquets of flowers made it feel like their hard work paid off and my votes made a difference.

Vanner takes home the top prize. Yet, something was missing. Not something, but someone: Team 23:00.
Anyone watching the first episode of Peak Time was impressed with Team 23:00’s cover of TVXQ’s seminal K-pop classic “Mirotic.” From immaculate vocals and choreography to their obvious joy and charisma, it’s no wonder this performance went viral. When they followed it up with an adorable and show stopping cover of “Shine” by Pentagon, I realized I would be okay with Vanner taking second place only if DGNA were first.
Throughout Peak TIme, Vanner was open about their struggles as “part-time idols.” Team 23:00 was not so open, which was understandable if you knew who they were going into the competition.
Known as The Boss/DGNA, the boy group debuted in 2010 with 5 members under Open World Entertainment. For those who have been into K-pop for a while, just the name of that company sends a chill down the spine. Considering the sensitivity and severity of the scandal, I won’t relay the details here. However, I encourage you to watch videos from Chaennie Lisoo or Midnight Theories if you’d like more information.
The most important factor in this context is the heinous crimes of the company’s CEO’s lead to the dissolution of the company and halted the activities of DGNA and labelmate X-5. X-5 would later sign with a different company and debut under the name LU:KUS, while DGNA would focus on Japanese promotions since they were still signed with Sony Music Japan. However, as the group explained in the first episode, their contract expired in 2017 and their group activities came to an end.
“Without this chance, gathering and showing our dance and song will not happen anymore,” Karam said in an interview. “We put our life on it and try it.”
Despite their hardship, they never considered themselves disbanded. Karam, Jay and Injun came back together after five years to put on one stellar performance after another.
Unfortunately, their delightful “Chamomile” stage would be their last Peak Time performance. Team 23:00, The Boss/DGNA, was removed from the competition after private photos of Karam partying with Japanese adult video actresses were leaked online. Regardless of the invasion of Karam’s privacy, he and his members faced consequences. Despite a track record of excellent performances, they would no longer compete on Peak Time.
This decision was not only devastating, but infuriating. They were consistently among the Top 6 groups week after week, often coming in second place on fan votes alone. Considering the timing of the leak and account was only created in February 2023, it feels like deliberate sabotage from the Twitter user. Not only that but, at least from my perspective, the photos were not all that scandalous. Considering Karam is a man in his early thirties, it’s completely justifiable to spend his free time partying with friends regardless of their professions. The photo of him smoking a cigarette isn’t what I would consider flattering, but it’s not something that should potentially cost him his career.
Regardless of the user’s motive or the legitimacy of the scandal, the damage was done. After private discussions with each other and the production team, DGNA made their decision. Their exit from the program was graceful, apologizing profusely to the production team and the competing teams while thanking them for the opportunity. On April 12, Karam posted another apology on his personal Instagram.
Thankfully, this won’t be the last audiences will see of DGNA. On April 19, the group announced a fan meeting would take place in South Korea on May 20. This is both exciting and not surprising when you look back at the group’s introduction on Peak Time:
“We will not give up on our dream until the end,” Karam said. “We also want to show you there are some boys who have been working hard.”
Vanner’s victory is one I plan on celebrating every day for the foreseeable future. I only wish DGNA was on that finale stage with them.
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Bite-Sized Beats: Arrows in Action have their “Head In The Clouds” on new single

Arrows in Action leave negative energy behind and stay high.
Arrows in Action have released “Head In The Clouds” off of their upcoming album Built To Last due out May 26. This upbeat song is one that will be on repeat for the sunny day drives ahead. This upbeat and groovy track will have you dancing, nodding your head and singing along in no time.
The lyrics on this song discuss the struggle of working hard, wondering about success and feeling like you are stuck in a repetitive circle. However, you can abandon that mindset and choose to live in the moment. The chorus sings, “I’m just gonna stay high, I/Think I’m gonna be alright/Every day a little more alive/With all that I leave behind,” which speaks to leaving the negativity behind and believing that everything will work out. It finishes with the chorus: “I got everything I need now/Think I’m done looking down/Got my head In the clouds.”
Behind the lyrics is an instrumental that brings a feeling of warmth and hope that things will be okay. A nice clapping beat mixes with acoustic guitars to create a sound that will have you out of your seat and feeling you are up in the clouds. Throw in a touch of electric guitar that leads into the almost-a cappella at the end and you will be left feeling light and ready to take on the world by the closing of the song. It feels airy and is not overdone with lots of layers and added effects. The acoustic guitar is what brings the overall vibe of the song to life. It has the summer, feel good feeling to it that you cannot help but smile listening to it. “Head in the Clouds” shows that sometimes keeping it simple with a catchy chorus and toned back instrumentals is all you need.
This track is different from the others the group has released from the album thus far. It shows the group’s ability to change it up, but still stay true to who they are as a group. It still sounds like Arrows In Action, but their positive, groovy, upbeat side.
“Head In The Clouds” was released on April 14 and can be streamed on all major streaming services. You can preorder Arrows In Action debut album Built To Last on their website.
Check out the music video below!






