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New highlight medley takes NMIXX one step closer to debut

NMIXX are beyond ready to show the world just how “freaky, fresh and fishy” they are.
On February 18, the upcoming JYP girl group released a highlight medley for their upcoming debut album “Ad Mare.” The album includes the title track “O.O” and the controversial “Tank,” which garnered a divisive response in early teasers for the group’s debut.
While the debut single will release on February 22 as planned, the debut showcase has been postponed. According to Soompi, “New Frontier: Ad Mare” will take place on March 1 due to member Bae testing positive for COVID-19.
“Lily, Haewon, Sullyoon, Jinni, Jiwoo, and Kyujin, who received negative results, are under self-quarantine,” D. Kim reported.
The teaser showcased impressive vocals from the girls with a hard hitting, almost militaristic groove for “O.O.” There’s something otherworldly about “Tank.” Confusing lyrics aside, the song snippet sounds like top shelf DCOM cheese, like a “Zenon: Girl of the 21st Century” track that was left on the cutting room floor in favor of Protozoa.
It’s a sound JYP has struggled to consistently nail down in the past with other groups. Will this septet of insanely talented girls break the streak?
Are you excited for NMIXX’s debut? Check out the full teaser below!
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Rolling Quartz Ready to Rock with Debut Album

It’s the moment Diadem have all been waiting for.
Korean rock band Rolling Quartz is gearing up to release their debut album Fighting on February 8. The track list includes studio versions of previously-released demos of “Holler” and “Delight,” as well as the live tracks “Rock and Roll Paradise” and “Higher.” Rounding out the track list is brand new song “Azalea,” a song with a title as beautiful as the ladies themselves.
According to the band’s YouTube page, fighting is an interjection “used to convey encouragement, incitement, or support.” The phrase is typically pronounced “hwaiting” or “paiting” in Korean, but maintains a powerful title for a first release even without the cultural context.
Commemorating the release of the album, Rolling Quartz will be making an appearance at the Feast of Pleasure! 2022 Kyung-Rock Jeol. The online festival will be hosted on the Crying Nut YouTube channel. The event will begin streaming at 6:00pm KST on February 9 and go on until February 11.
The five piece rock outfit debuted on December 30, 2020 with the single “Blaze.” The aggressively defiant track introduced singer Jayoung, lead guitarist Iree, rhythm guitarist Hyunjung, bassist Arem and drummer Youngeun to the growing Korean rock scene. As of the publishing of this article, the music video for “Blaze” has amassed nearly one million views on YouTube.
With only three days remaining, anticipation continues to build for the group’s first mini album. I see no reason why they shouldn’t live up to the hype.
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Chicago Ateez Concert Worth the Wait

In a word, Ateez fans are unstoppable. Neither the two-year wait nor the bitter chill of 28 degree Chicago winds could keep them from lining up, around and down the street from the Wintrust Arena for Ateez’s The Fellowship: Beginning of the End tour.
On January 18, eight member Korean boy group Ateez performed to a sea of 10,000 fans, called Atiny, wielding light sticks, banners and signs to support their favorite members. The sold out show offered a bombastic setlist of 27 songs, including newer title tracks like “The Real” and “Fireworks (I’m the One)” and album deep cuts like “Rocky” and “Good Lil Boy.” Of course, that didn’t make the show a nonstop party. Show closer and recent comeback “Turbulence” brought a particularly emotional message to fans who had been waiting for this show since it was postponed due to the COVID-19 pandemic: “It’s okay to be here, just as we are/just like now tonight.”
As high as expectations were, ATEEZ vastly exceeded them. Although a knee brace could be seen through youngest member Jongho’s ripped jeans at one point, his dancing was never visibly affected. In fact, he had all the energy of the rest of his team, especially Wooyoung, who hit every step and pose like it was as easy as breathing. Another standout was Mingi, whose brief hiatus from the group seemed to leave him with a confidence that made his already impressive bars even more spectacular. Regardless, the team moved together like a true pirate crew, celebrating the treasure they found yet always searching for more. High quality video intermissions (referred to as VCRs in the K-pop community) and interactions with the audience brought the show to around three hours, but seemed to pass in minutes.
As an added perk, soundcheck access and a hi-touch experience were available to those with extra money to spend. Per COVID-19 regulations, the hi-touch was more like a walk-wave, as the boy group stood behind a plastic screen and greeted eager fans with blown kisses, thumbs up and friendly waves as they walked by. While it was a practical solution, in retrospect it felt as though the members were animals in captivity, especially when a couple of them looked like they clearly wanted to go back to the hotel and sleep.
And who could blame them? Ateez has the talent, coordination and poise that is to be expected from a K-pop group, perhaps even moreso. But, what separates these eight young men from other idols is an unabashed passion and swagger that refuses to be ignored. Their performance felt more like a rock show than a K-pop concert, from the way San roared encouragement at the audience to the visceral screams the crowd responded with.
When the concert was postponed in 2020, Atinys were unexpectedly forced to wait to see Ateez perform. In 2022, Ateez further proved they’re something worth waiting for.
Tickets to the remaining dates of the tour can be found here.