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  • INTERVIEW: The Haunt talk debut album, crafting the perfect setlist and fan support

    INTERVIEW: The Haunt talk debut album, crafting the perfect setlist and fan support
    Photo Credit: Alicia Kobasic 11.07.2025 at A&R Music Bar

    Sibling rock duo The Haunt, made up of Anastasia Grace Haunt and Maxamillion Haunt, sat down with Music Manager Alicia Kobasic during their November 7, 2025 stop of their New Addiction headline tour at A&R Music Bar in Columbus, Ohio. The duo talked finally releasing their debut album, designing their setlist, pre show rituals and more.

    Alicia Kobasic: How’s the tour going so far?

    Anastasia Grace Haunt: It’s been amazing. It’s our first headline tour ever, so we’re super excited.

    Maxamillion Haunt: It’s been insanity. I don’t think we expected the scope of it. We left originally for the European leg of it, which was first in June right around when the album dropped and it was just absolute insanity. This whole year of headliners and stuff has just been really really crazy for us. We’ve been supporting bands for a long time so coming out and doing our first headline tour has been kind of a dream come true for us.

    AK: Has there been any super memorable moments or shows so far in the tour that stand out in your mind?

    AGH: We just played our hometown and I think that had an amazing energy.

    MH: It was Halloween.

    AGH: It was Halloween and it was sold out, so that felt great to go home and do that.

    MH: Absolute chaos.

    AGH: It was insane, we thought.

    Photo Credit: Alicia Kobasic 11.07.2025 at A&R Music Bar

    AK: Your album New Addiction came out this summer. It’s your first album – how does it feel to finally have an album out?

    MH: Feels good! You know, we’ve kind of always been putting out music since like 2017 so, for us, it doesn’t feel all that different. But it is really cool to have a record that’s one full body of work that we’ve spent a while working on and not just a couple of EPs.

    AGH: It feels pretty good. I’ve been wanting this for a long time, to have one big body of work and I think we need an even bigger one so that’s on the horizon for us.

    AK: Going into make the album, was your process or mindset different from going in to just make singles or EPs? How was that different for you?

    AGH: Completely different. We went in kind of like knowing we wanted a full body of work and that’s how I wrote the music videos, according to that, and they all tell the same story which I think that music does as well.

    AK: How has the fan’s reaction been to the album? Are they loving it? Are there any standout favorites so far?

    MH: It’s interesting because different songs have resonated with different audiences. On streaming, “Masochistic Lovers” with Escape the Fate, “New Addiction” and “Bad Omen” have taken off. And then, in person, those songs do really well when we play them live. But, in person, some songs that were kind of sleepers on the record, I feel like “Dead to Me” and “Claws”, have been really big standouts in the live show. So, it’s kind of been all over the place. It’s fun to play the live show ’cause we play the whole album front to back and play a song we didn’t know people would really love as much as some of the more popular ones and see people in the audience start getting excited about that.

    Photo Credit: Alicia Kobasic 11.07.2025 at A&R Music Bar

    AK: You mentioned working with Escape the Fate. What was it like working with them for “Masochistic Lovers”?

    MH: It was really cool! We had originally written the song and then we sent it over to Craig [Mabbitt], and initially it was Ana’s vocal on the second verse of that song and then Kevin Thrasher was the producer on the song. So, he’s obviously good friends with Craig and we sent it over to him and he loved it, and he recorded the vocals. We actually didn’t meet him in person until we went to record the music video. He recorded [his vocals] at a studio in Phoenix, so we flew out to Phoenix and we recorded the music video. It was the Lionsgate and we took time to meditate together and I think that was really important to the success of the song that came later. It charted Top 40 on Rock Radio, which was our first time ever doing that, so it was really cool for us.

    AK: You also worked with Mod Sun. How did that come about?

    AGH: Honestly, same sort of thing. We played a show with him back in February [2025] and we had the song fully complete. It was me singing the second verse and we had met him. I think we kind of just sent it out for the fuck of it to see if he would be down, and he was. He has such a high intense amazing energy and I think he really made the song.

    AK: Is there anyone else on your dream collab list for future releases?

    AGH: Yeah.

    MH: Oh, for sure.

    AGH: Oli Sykes

    MH: Yeah, Bring Me the Horizon for sure. That’s our number one, for sure.

    AGH: We had a lot but he’s definitely number one.

    Photo Credit: Alicia Kobasic 11.07.2025 at A&R Music Bar

    AK: Is there any artist that you pull inspiration from when you are writing or producing or anything when you’re working on music?

    AGH: We have lots of influences from how we grew up. Definitely like White Stripes and Royal Blood.

    MH: I feel like a lot of nineties hip hop influence.

    AGH: Vocally I’m always inspired by Amy Winehouse and blues/jazz singers.

    AK: You’ve been putting out music since 2017 and I’ve been following you guys since 2018. Are there any old songs that you keep coming back to that the fans are just like, ‘you have to keep playing this, we love it so much’.

    AGH: Yeah, we actually just added it for this tour. We never play “Cigarettes and Feelings”. We’ve never played it on any tour ever and we decided to play it on this tour because people were honestly begging for it, so we couldn’t resist anymore.

    AK: I remember [inaudible] walking around my college campus listening to that song and that’s actually when [Skylar Bridgeforth and I] became friends.

    AGH: So cool!

    MH: That’s crazy!

    AK: It came on when we were in the car and [I was] like, “You know The Haunt?” I never thought anyone else would know them!

    AGH: It’s the kind of thing where we wrote it when I was like fifteen, so it doesn’t really resonate with what we’re making right now, but we still love it.

    MH: It doesn’t really feel like us anymore, but it is still something that like – once you release a song like that, it’s kind of like the fans’ now and they really want us to play it. We created a version of it that we feel suits our harder rock sound now. It’s fun and kind of different, so it works out.

    Photo Credit: Alicia Kobasic 11.07.2025 at A&R Music Bar

    AK: You mentioned playing the whole album for this tour. When picking out other songs to put on the set, are you trying to create a vibe or just kind of picking your favorites? How are you designing the set?

    AGH: When we started the tour in June, we were playing most of the album and for this leg of the run we decided to just do the whole thing.

    MH: I was going to say, I mean, it’s kind of vibe-based. There’s certain songs like “Cigarettes and Feelings” felt like, ‘okay, this is our first headline tour we have to play this song’. You know what I mean, based on popularity. Then there’s certain songs we’ve been playing for a really long time that we just want to continue playing. “I’m Not Yours” is an example of that where it’s one of our favorite songs to perform, so we just always do. [It’s] kind of a balancing act between popular songs and songs that we just want to play.

    AK: Do you have any pre-show rituals before you go onstage?

    AGH: We are usually a little late, so that’s a ritual.

    MH: ‘We’ meaning ‘her’.

    AGH: And then, once I get there, we have a moment and we pray with Pebbles.

    MH: We let Pebbles bless the band, our rabbit, we let him bless the band.

    AGH: You’ll see him onstage tonight. He’s always with us. I’m trying to think of anything else. We overcaffeinate, for sure.

    MH: Chug a Red Bull.

    AGH: I learned my lesson the hard way. I did two Red Bulls recently – never do that. Two Red Bulls is too much.

    MH: Never go for for two Red Bulls.

    AGH: Never two Red Bulls back to back. Space it out a little bit. That’s my tip.

    AK: Where can everyone find you online?

    AGH: You should follow us everywhere @wearethehaunt and you should stream all of our music on all platforms that you can stream music on, The Haunt…

    MH: (laughing) That is our band name. Stream us on Apple Music, Spotify. Watch our music videos on YouTube because we put a lot of time and effort into those.

    AGH: And check out our dates ’cause we might be coming to a city near you.

    MH: Yeah this tour is not ending soon.

    Check out The Haunt’s debut album wherever you stream music. You can buy tickets to The Haunt’s New Addiction tour here.

  • OP-ED: I’ve got the latest “Mirotic” milestone under my skin

    OP-ED: I’ve got the latest “Mirotic” milestone under my skin

    The impact TVXQ! had on K-Pop will never be truly erased. That won’t stop their company from trying.

    On February 25, the legendary TVXQ! track “Mirotic” became the group’s first music video to surpass one hundred million views on YouTube. However, it’s a complicated milestone.

    Screenshot of the official TVXQ! YouTube Channel

    Normally, when a K-Pop music video hits certain view counts, the band’s account will make a post including a photo of the group, the album cover or some other related image. To commemorate TVXQ! hitting one million views, the official YouTube channel posted a grey gradient block.

    When they debuted in 2004 under SM Entertainment, TVXQ!, or Dong Bang Shin Ki, was a five member group made up of U-Know Yunho, Max Changmin, Hero Jaejoong, Xia Junsu and Micky Yoochun. Only preceded by then-labelmate BoA, the group helped popularize K-Pop in Japan and are still considered by many to be the standard of idols. As a quintet with heart-stopping visuals, intricate choreographies, breathtaking harmonies and a devoted fanbase, they seemed unstoppable.

    That changed in 2009 when Jaejoong, Junsu and Yoochun filed an injunction to suspend their exclusive contracts with SM Entertainment citing their overly long thirteen-year contract and unfair profit distribution, among others. The trio, who’d rebranded as JYJ in 2010, officially left the group in 2012 after a three year legal battle. While JYJ is no longer active, their impact is still felt in the reforms made by the Korean Federal Trade Commission following the lawsuit’s conclusion. U-Know and Changmin started officially promoting TVXQ! as a duo in 2011 and still do to this day.

    Labelmate EXO’s 2018 single “Love Shot” surpassed 600 million views in 2024

    Going from a quintet to a duo demanded a drastic shift in the TVXQ! dynamic, especially considering the incredible five-part harmonies their songs were built around. However, the response to their first performance as a duo on August 21, 2010 at the SMTown Live ‘10 World Tour in Seoul proved they had fans willing to stand by them amidst that shift. The message of that performance was unmistakeable: “WE ARE DONG BANG SHIN KI“, not those other guys we used to share the stage with. U-Know later stated in an interview that he and Changmin continued to promote under the name TVXQ! to protect the band and its identity.

    “We have waited for them, but we could not wait for five or ten years until they come back because fans could forget TVXQ in that case,” U-Know told Han Cinema in 2011. “Someone has to keep Dong Bang Shin Ki until this dispute can be resolved.”

    In the process of re-establishing TVXQ! as a duo, SM Entertainment began promoting them as if the group had never been a quintet. U-Know and Changmin, sometimes referred to collectively as “HoMin”, rarely mentioned the three former members in interviews. Any public appearance they make that references their pre-split history is painstakingly edited to exclude the former members. When SM had a temporary museum from 2018 to 2020, the TVXQ! exhibit only included post-split artifacts and even included a timeline that skated over their pre-split discography. The only acknowledgement of the group as a quintet is their 2004 debut single “Hug”, and only because they kind of had to. Unfortunately, this decision to “keep Dong Bang Shin Ki” has had an unexpected side effect.

    Screenshot from Kring Kim’s video “SMTOWN MUSEUM **FULL DETAILED TOUR** — MUST-SEE!” from May 20, 2019.

    Despite the lawsuit ending over a decade ago, the trio’s departure from TVXQ! remains a difficult subject for fans. Their fan club, Cassiopeia, garnered multiple Reddit think pieces explaining and exploring the different factions they fractured into following the years-long legal battle. To grossly oversimplify the outcome, many sided with the three who left and many others sided with the two who stayed. No matter which side of the fan war you fight for, it’s highly unlikely anything the company would have posted to celebrate “Mirotic” hitting one hundred million views would please everyone.

    However, this gray block did not seem to go over well with either side. While some fans bemoaned the erasure of the former members, others questioned why the post couldn’t have included a photo or graphic featuring the current lineup.

    Some fans on Twitter went so far to use the make their own edits using the Mirotic album cover, with and without JYJ.

    Left image credit to @mytv5x9 (Twitter); Right image credit to @nekoerine (Twitter)

    Based on sheer numbers, TVXQ!’s peak period was while they were a quintet. In addition to the one hundred million view milestone, their 2008 smash hit “Mirotic” is the group’s most streamed track on Spotify at over 45 million plays. “Mirotic” has been covered relentlessly by other idol groups and was even named one of the best boy group songs of all time by Rolling Stone and Billboard, the former going so far as to name it one of the best K-Pop songs of all time. On top of all that, the song was the basis for Chinese girl group A2O May’s 2024 debut track “Under My Skin”. It shouldn’t be a surprise to anyone who knows anything about TVXQ! that this was their first music video to crack one hundred million views.

    TVXQ! didn’t just stop being successful after the split. They still sold records by the bucket and maintained a deeply devoted fanbase, but their fame naturally declined as audiences pivoted towards newer groups. SM Entertainment would go on to debut globally recognized boy groups including SHINee, EXO, NCT and Riize. As the K-Pop market became more saturated with newer and younger artists, industry veterans like TVXQ! became legacy acts in record time. Combining that with their company’s persistent efforts to downplay or outright deny their pre-split career makes it more difficult for newer generations of fans to understand the depth of their influence.

    Despite TVXQ! having over twenty years of history, the most successful of which occurred between 2004 and 2009, anything within that time frame simply is not worth mentioning if it means acknowledging the three former members. Does that mean, by extension, HoMin’s contributions and achievements during that time are also not worth mentioning? That’s certainly the impression left, most recently, by posting a gray block of nothing to “celebrate” a massive milestone achieved by the artists who have been called “K-Pop royalty”, and rightfully so.

    Considering they have been a duo longer than they were a quintet, it is understandable the company is focused on TVXQ!’s history and achievements as a duo. However, the February 25 post lays bare the problem with the attempted erasure of the original five member lineup: trying to erase the three who left risks erasing two who stayed.

    Check out the music video for this beloved track below:

    Featured image: TVXQ! The Fourth Album ‘Mirotic” album cover (Credit: SM Entertainment)

  • Industry Plant has our hearts on fire!

    Industry Plant has our hearts on fire!
    Bury the Pines performs at The Roxy for the Cleveland Awards Alternative Showcase 01/23/2025
    Photo Credit: Cody Stoll

    Bury the Pines ended 2025 with a new album that is the soundtrack to our 2026.

    Cleveland-based band Bury the Pines released their new album Industry Plant on December 5, 2025. Some key songs off the album had already been released such as “ADHD”, “All Quiet”, and “Afternoon in June”. The album offered a bold take on alternative music with layered instrumentals, catchy vocals and pure talent.

    Industry Plant has a wide variety of influences. When talking to guitarist Joe Skowronski, he stated there are “a lot of the more modern sounds come from some different areas of post hardcore. When I was doing a lot of guitar tracking I was listening to the album Pantheon by Dance Gavin Dance and I think you can hear that influence in the first two songs specifically.”

    The song “ADHD” is reminiscent of early Fall Out Boy when there was still a little screamo in there, especially near the end of the song when frontman Marcus Smith sings “I can’t focus on shit” along side friend of the band Nathaniel Weber in a moment of pure ADHD-fueled chaos. The song “Hearts on Fire” is easily a standout bop on the album. With lyrics like “suck it up buttercup/dry your tears/there’s always next year” partnered with raw guitar riffs, This song will make you want to put your windows down and sing along, even in the cold.

    There’s no way we can talk about this album without mentioning the absolutely sick saxophone solo in “Pardon My French”. This song talks about going through feelings of struggling but working through it without the influence of others, with Smith singing “I’ve been running on E for 100 days/Who left you to run the castle” to anyone that brings you down. While the musicality of the song is already showcased through short and dramatic notes along with rhythmic tempos, the build up to the saxophone break mirrors the feeling of pressure building on someone trying to be enough for someone else.

    This album is an easy no-skip listen. Industry Plant’s success even led to Bury the Pines to earn a spot as a finalist in the Cleveland Music Awards. Although many bands were considered, they were one of three finalist bands completeing for the title of Best Alternative in Cleveland for 2025.

    Make sure you check out Industry Plant and follow Bury the Pines here and all their social media to experience this masterpiece yourself!

    Featured Image: Bury the Pines performs at The Roxy for the Cleveland Awards Alternative Showcase 01/23/2025 (Credit: Cody Stoll)

    Update: In the initial post, it was reported Nathaniel Weber is the unclean vocalist of Bury the Pines. Nick Fischer is the official unclean vocalist of the band and Weber was brought onstage specifically for “ADHD”. The In-Crowd has corrected this error and is committed to better fact-checking in the future.

  • JUNHEE takes Chicago fans deep Into the Oce@n

    JUNHEE takes Chicago fans deep Into the Oce@n

    If there’s only one thing to say about Junhee fans, it’s that they’re always ready to dive right in.

    Junhee, the leader of K-Pop group A.C.E, brought his Into the Oce@n solo tour to Distro Music Hall on January 15. The small venue lent an intimate atmosphere that suited the vibe incredibly. While getting one of the VIP packages guaranteed a spot close to the stage, even having a basic ticket like mine still got you a pretty decent view if you – or your shoes – were tall enough.

    The night kicked off with “Supernova (00:00)”, the first single off his debut solo album The First Day & Night released September 12, 2025. During the show, Junhee admitted he was recovering from a cold and thus wasn’t at his best. If he hadn’t said anything, I never would have guessed he wasn’t feeling well. From the moment he stepped onstage, he was captivating. Junhee defined “feeling himself,” from his confident dancing to that gigawatt smile that never fails to brighten my day.

    Also included on the setlist was the wonderfully sincere “Tattoo (12:30)”, made in collaboration with A.C.E teammates Lee Jiham (formerly Donghun), Wow, BK and Yuchan. Album cuts “Sugar (18:00)”, “You Should Come (21:00)” and “Night (02:00)” had fans feeding off his contagious energy. He humorously noted how the crowd was having fun and dancing to “Umbrella (10:00)”, despite the fact that “it’s not a happy song”. Hey man, you can’t make a sad-boy banger and expect your fans to not shake ass.

    As good of an album as it is, you can’t fill a 90 minute set with only eight tracks. As such, the setlist included a good number of covers. One such cover was “Your Idol” by Saja Boys of the 2025 global phenomenon K-Pop Demon Hunters, which was fitting not just because his cover of the track has garnered 7.5 million views on YouTube. Junhee fully embodied the song, even wearing just a white tank top and blue jeans, body rolling and belting until the entire crowd was under his spell.

    Other covers included “Blinding Lights” by The Weeknd, “Toxic Til the End” by Rose of BLACKPINK and “Beautiful” by Bazzi.

    The night took on a particularly emotional vibe when he started discussing his fellow A.C.E members.

    “First, thank you for loving K-Pop,” Junhee said with help from a translator. “Second, thank you for loving A.C.E; and third, thank you for loving all the members. I truly trust that, thanks to you guys all for loving us, supporting us and believing in us that, one day, all five of us will be able to meet again.”

    On March 20, 2025, their now former company Beat Interactive announced the mutual decision to part ways with A.C.E following the completion of their exclusive contract. Despite this, the group is still permitted to use the A.C.E name, branding and discography unconditionally.

    “Departing from conventional industry practices, we have decided to allow A.C.E to freely continue using the group name and related content, without any conditions, so that their journey as A.C.E may continue seamlessly,” Beat Interactive CEO Kim Hye-im said in a press release.

    Despite this, the group has been focusing on solo projects since leaving the company. That being said, this is not the end of A.C.E. He expressed that the group’s hiatus was for the members’ individual growth and experiences. When they do come back, he promised a new and improved A.C.E. Considering how high of a bar they set, that’s a promise that will surely be kept.

    Appropriately enough, the main set closed with solo covers of A.C.E songs “Clover”, “My Girl”, “Just Better” and “Effortless”. “Clover” isn’t just a song lovingly written for CHOICE, A.C.E’s fanclub, but it’s also the name Junhee gave to his solo fans. Wrapped in the Chicago flag, the encore included repeat performances of “Supernova (00:00)” and “Sugar (18:00)” before finally closing with “Too Bad (15:00)”. Anyone who purchased selfies with Junhee was able to do so post-concert.

    For some Clovers, the fun didn’t end with the concert or even selfies. On January 16, Chicago K-Pop store K-Pop Merch by ChocChoc hosted a meet and greet with the idol. There were three experience tiers available for purchase.

    Unfortunately, I wasn’t able to do the second or third tier experience. However, it was still a delightful and unique experience to purchase an artist’s album directly from them. In his shop apron, he seemed shy and grateful as I told him what a great show he put on the night before. After paying for the album and accompanying photo card, both sat on the counter until one of the regular employees gently prompted him to hand it to me. It probably didn’t help that I ended up being the first person in line, but I’m sure he hit his stride for the rest of the attendees.

    On February 10, the Chicago K-Pop store posted a highlight reel of the meet and greet on their official Instagram account. Check it out below!

    Whether solo or with A.C.E, I know I’ll be one fan who will be ready to dive right back in next time Junhee comes back to Chicago.

    The US leg of the tour wrapped up in San Francisco at Brick and Mortar Music Hall on January 19. Junhee’s Into the Oce@n tour came to Seoul’s Gurumare Theatere on February 1. The European leg is set to begin in Amsterdam on March 4.

  • The Maine release new single “Die to Fall” ahead of new album Joy Next Door

    The Maine release new single “Die to Fall” ahead of new album Joy Next Door
    Photo Credit: Lupe Bustos

    Cut your parachute and prepare to feel alive again – The Maine have returned!

    On January 28, The Maine released “Die to Fall”, the first single off their highly-anticipated tenth studio album Joy Next Door set for release April 10. Joy Next Door marks their first release since their 2023 self-titled album.

    “Die to Fall” feels fresh and energetic in a way distinct to The Maine. This is in part due to frontman John O’Callaghan’s breezy tenor and achingly sincere lyrics. The song inspires bittersweet feelings as O’Callaghan seems to espouse his desire to live in the moment while lamenting his inability to do so through gritted teeth. It, according to O’Callaghan, describes a very real struggle.

    “’Die To Fall’ is a dialogue with myself about the desire to let go. Let go of my insecurities, my ego, my worries, let go of ‘me’ for even just a second and truly feel the gravity of all the little moments we can often take for granted,” he said in a press release.

    “Most of the personal friction I’ve felt during the making of this record has derived from having to face my own struggle with feeling like I have everything I could have ever dreamed of, yet I can’t seem to allow myself to be fully present and appreciate the weight of a very fortunate life.”

    That angst comes through lyrics like “gravity’s a bitch/always holding on and on and on” and “I’d feel alive/if I wanted to”. The instrumentation feels familiar without being stale, which is a feat on its own coming from a band who’ve been active for nearly twenty years. Bright guitars and Pat Kirch’s driving percussion and makes the synth-driven track maintain an organic edge that has made The Maine an emo mainstay since 2007.

    According to a press release from their label Photo Finish Records, Joy Next Door promises to be The Maine’s “most essential album yet”. If the lead single is anything to go by, I can’t help but agree.

    “Die to Fall” is currently available on all major streaming services and Joy Next Door will be available for pre-order February 3. Their I Love You, But I Chose the Maine tour kicks off on March 24 in Los Vegas. Dates and cities are listed below and tickets can be purchased here.

    What did you think of “Die to Fall”? Check out the official music video below and let us know what you think in the comments!

  • K-Pop legends reunite at Hanteo Music Festival

    K-Pop legends reunite at Hanteo Music Festival

    Nearly 30 years after debut, it looks like H.O.T and fans of first generation K-Pop are still standing under the same sky!

    On November 22 and 23, all five members of legendary K-Pop group H.O.T reunited for the first time in six years to perform a medley of their hit songs at the Hanteo Music Festival in South Korea. While Hanteo’s YouTube channel has only uploaded high quality videos of their performances of “I yah!” and “Candy” as of this article’s publication, their medley also included hits “Happiness”, “We Are the Future”, “Hope” and “Warrior’s Descendant”. During “I yah!”, leader Moon Hee-joon even donned a recreation of the iconic Freddy Krueger-esque gloves he wore during the track’s original promotions.

    H.O.T performs at the 1999 KMTV Gayo Daejeon.

    This stage marked their first performance since their 2019 High-five of Teenagers reunion concert. The concert was held at Gocheok Sky Dome from September 20 to 22, 2019.

    H.O.T, an acronym for “Highfive of Teenagers”, debuted under SM Entertainment on September 7, 1996 with the track “Warrior’s Descendant”. Their second single “Candy” is considered a staple song in K-Pop. They disbanded in May 2001 citing contract disputes with the company. Members Kangta and Moon Hee-joon stayed with SME while Tony, Woohyuk and Jaewon went on to form jtL. As of this publication, only Kangta remains with SME.

    They officially came back for the first time in seventeen years to perform a reunion concert, Forever [Highfive of Teenagers], at Seoul Olympic Main Stadium on October 13 and 14, 2018. Over 100,000 fans were in attendance.

    Check out the full performances of “I yah!” and “Candy” below!

  • davvn, Jack the Underdog and Yacobucci take Akron back in time

    davvn, Jack the Underdog and Yacobucci take Akron back in time

    From the moment the show started, it was clear this was not just another Friday night in Akron. The Rialto Theater had transformed into a time machine fueled by powerful riffs and nostalgic teenage angst.

    On October 17, 2025, Davvn and Jack the Underdog took the stage at the Rialto Theater in Akron, Ohio. This was the second stop of the Born in the Wrong Era 2er where the artists take the crowd back to a time of Myspace, iPods, OG Warped Tour and Limewire. They were supported by Akron native artist Yacobucci. 

    Right before doors, fans Abbi & Olivia snagged a moment with Mike & McCall of davvn to gift them a handpainted sign with the band’s name. These fans shared that they drove over three hours for the show and had been fans of davvn and Jack the Underdog for quite some time now.

    Jack the Underdog took the stage, opening the show up with some of his hits. This included his newest release “slur”, which hit over ten thousand listens in just three days. The energy in the venue was infectious but only got better as Jack turned to some “swemo” songs, Taylor Swift song covers with an emo style twist. Some of his videos even reached over two million views on Instagram and TikTok. The already-excited crowd exploded as they sang and danced along.

    Davvn took the stage next by welcoming in the crowd back to the year 2007. The band opened up their set with “brb ttyl” making everyone really feel like we had time traveled. After a few more songs off of the EP brb ttyl, the band welcomed the crowd to get a little sentimental as they performed “any other girl”; a song that talks about the self-consciousness of girls comparing themselves to others they see. A single glance into the crowd during this song showed fans were moved, some even brought to tears. After this, the lead vocalist McCall promised us to get a little more angsty. This led to Jack the Underdog running onto the stage to perform their song “substance” together. At this point in the tour, the band had not released their latest EP getting older scares me to death, but blessed fans with a peek at a formerly unreleased song called “girl_in_the_mirror.mp3”, which is available now. The entire set was full of energy, emotion and had the crowd jumping and singing along.

    The night was capped off with a set by Yacobucci. This local artist fuses punk rock and rap to explore life through music. During multiple points in the show, Yacobucci took a moment to really talk to his fans and share the journey he’s been through as an artist. He talked about his influences, such as Logic and Futuristic. Yacobucci even took the moment to acknowledge some of his established band members in the crowd. The entire vibe of the show was nothing but love and appreciation. Yacobucci stated, “The show was an incredible, wholesome, hometown reunion! I always love playing shows where I grew up because I get to see so many familiar faces and most of the crowd are singing the words back to me…WHICH IS NUTS! I’ll always represent where I come from and I’m so excited for the next one!”

    Have you listened to davvn’s newest album or Jack the Underdog’s newest hit? What’s your favorite Yacobucci bop?  Let us know in the comments! 

  • Jady leaves it all on stage at biggest headline show

    Jady leaves it all on stage at biggest headline show

    Three words to describe the night? Memorable, high-energy, and emotional.

    On October 18, Columbus-based duo Jady had their biggest headline show at Kemba Live. This show followed the October 10 release of their album Silver. This concert was a major step for the duo. Not only was this their biggest headline show, it was also a hometown show. It was almost double the size of their last hometown headliner at Newport Music Hall, which has a capacity of 1,700 people. Kemba Live has a capacity of 2,300 people for their indoor venue. 

    The fans showed out. Looking out into the crowd, there was a sea of people packed in and radiating high energy. The anticipation for the show was through the roof. Jady had been posting about the show for months, and the fans had been waiting to see what they would bring to the stage. As I stood in front of the crowd in the photo pit, I could feel their energy. That would not dial down at any point throughout the night. It would only grow exponentially. 

    Singing along to every song, including the ones off the album that was released just a week prior, these fans showed up to work. They were just as invested into the concert as the band on stage. Whether it was singing, dancing, or just giving claps of support, they spared no ounce of energy. Getting to witness that kind of love and support for a band that has been doing this for less than five years was so special. You could tell this band has greatly impacted their lives in various ways, big or small, and they are in it for the long haul. Their support is here to stay. 

    Jady did not disappoint. From the moment they stepped on stage, they were putting on a show. They brought theatrics, vocals, pyros, emotion and overall appreciation for being able to be on that stage. For a band that has only been playing together since 2022, it’s crazy to be able to play a show of that size. But this show displayed their hard work and why they deserve to be on that stage. The concert began with Ashton Bergdorf taking the drums and getting the music going. Then the white coffin on the stage begins to light up in the center and soon Jarrett Doherty emerged from inside and takes the stage and launches into “Reanimate”. 

    The show itself felt like a theatrical experience. Everything was carefully planned and choreographed, with lighting that changed from red to green to white. Doherty changed shirts multiple times, signaling different acts of the show. The coffin on stage would glow at certain points, including Doherty going back in and emerging again before beginning the next song. It felt like a story was being told on stage through the music. He was constantly running from one side of the stage to the next, interacting with Bergdorf on the drums, getting the crowd to jump, dance, sing, bounce their hands, and more. From his facial expressions to his use of the stage and his inexplicable stage presence, Doherty owned that stage.

    At one point, Doherty moved from one side of the stage to another lighting two lanterns, as sounds of footsteps played in the background. They sounded almost like army boots. All the lights were off, minus the lights of the lanterns. The darkness, mixed with the army stomping, added an extra level of anticipation and excitement for their performance of “Ghostman” from their album Napalm. And during the song their first and only crowd surfing of the night would make their way through the crowd. 

    The band even did their classic “Rose-Colored Lenses” bit. Before the song starts the band slowly unveils their rose-colored lenses, bringing them up from their side. As the crowd cheers, they open them up and put them on their face. This was one of their very first songs released, so it is a crowd favorite for sure. When they catch on that this song is coming, the cheers reach a new level. Of course, many fans sport their own Rose-Colored lenses. I have yet to purchase my own pair, so I should probably get on that for the next show. 

    There were no quiet or awkward moments. There were either transition videos jumping right into the next song, Doherty talking to the crowd to give tidbits about the history of the band or how much he appreciated the love and support of the fans. Everything carefully bled into the next, and everyone on stage from the lighting and tech crew, to their backing guitar and bassist knew exactly what to do.

    The transition videos were awesome. They were often pre-filmed videos of Jady in various different scenarios. A common theme was the duo interacting with a ghost figure – a staple of their new Silver era.

    A super wholesome moment of the night that warmed my little heart was when Doherty brought out his dad to help lead a crowd interaction. He divided the crowd in two and had his dad be the leader of one side. Each side would take turns cheering, trying to beat the other. And hIs Dad got really into it, pointing, jumping, and dancing on stage. Which caused Doherty to smile from ear to ear while laughing at how into it his dad got. 

    One of the most emotional moments of the night was the performance of “Landmines”. Doherty introduced the song saying it was his most emotional and vulnerable song. This slower and ballad-like song is off of their new album. Listening to Doherty sing the song, you could hear the emotion behind the lyrics. You could also see it on his face. HIs eyes were closed, he gribbed the mic, and his voice carried across the venue. His eyes would scrunch up as he got wrapped up in the lyrics. The crowd joined him in singing along to the lyrics, helping the singer get through the song. At one point, he leaned against the microphone and seemed like he was fighting back tears. It was a truly powerful moment. 

    To contrast that, “Chokehold” was an intense, high energy and insane moment. It opened with red traffic lights flashing on the stage before launching into the song. Doherty was screaming, Bergdorf was pounding on the drums, including holding up the cymbal over his head and banging it at the end of the sound. The dynamics of the song have crazy switches from low to high, and that was emphasized during the performance. As Doherty’s vocals would gradually get more intense leading into the chorus. Plus, the running drum beat built a feeling of anxiety and feeling of being in a battle that matched the overall vibe of the performance. 

    The show finished with a high-energy encore performance of “Sunseekers”. Jady gave every last ounce of energy they had. They had the crowd jumping, bouncing their hands, singing, dancing, and just going crazy. This was complete with the pyro going off during the last choruses, letting out big clouds of smoke as Jarrett instructed the crowd to put their hands up. Not letting a member of the crowd rest until the very end. 

    The end of the show was emotional. Bergdorf and Doherty hugged, followed by hugging and thanking their backing guitarist and bassist. Doherty also addressed the crowd, thanking them for their support and how they are only able to do what they do because of their support. They also said they would be meeting everyone at the merch table after, further emphasizing their appreciation and love for their fans. I may or may not have gotten a little teary-eyed. You will never know. 

    Then, the band exited the stage, fans began to pile out, many heading to buy merch or wait to speak with the band. The magical and highly anticipated night was coming to a close once and for all. 

    This was my fourth Jady show and the band is only getting better with each show. I can tell they are just getting started. They are already extremely cohesive on stage, have undeniable stage presence and know who they want to be as a band. They are already able to design a show that hooks you in and what they are able to do can only grow. Their passion and care for the music is clearly present. They are completely invested in their craft, growing, learning and getting better. Whether it was the small stage in Cleveland, the smaller crowd in Pittsburgh or this large crowd on a big stage, they put in the same amount of effort. They do not skimp on the performance. Every show is treated as if it is their biggest show to date. I cannot wait to see what they do in the future because they are not going anywhere anytime soon. 

    Jady’s new album Silver is available to stream on all major streaming platforms. You can also follow the band on Instagram @jadymusic. If you want to purchase the album, merchandise and stay up to date on upcoming shows on their website.

    You can also find our interview with Jady before their Cleveland headliner here. Keep an eye out for our interview with the duo about their new album coming soon!

  • Beauty School Dropout takes over Grog Shop

    Beauty School Dropout takes over Grog Shop

    BEAUTY SCHOOL DROPOUT absolutely rocked The Grog Shop of Cleveland, Ohio on October 19. Fans lined the block as they waited for the doors to open and filled the venue with a feverish energy of excitement. BSD was accompanied by local bands Sabon & Cherry (stylized as CHERRY!).

    Sabon, a “high energy ska/punk band”, opened the night strong with songs that got everyone dancing. Their song “Glue Sniffer” features a funky bass beat that led to skanking in the pit. Vocalist Sophia Parke kept pouring love into the crowd and left them with the important message of “be respectful, that’s punk rock. Drink water. That’s punk rock too”.

    Next, CHERRY! took the stage and immediately shared that it “feels like a dream to be playing here”. Their song “Anxiety” song perfectly captures the feeling of being anxious with lyrics like, “I can’t sleep/my anxiety’s calling again/it’s fucking killing me”. The crowd sang along and jumped along as the band rocked out.

    When BSD took the stage, they warned fans there were “no fucking rules tonight” and lead right into “XXX”. The crowd erupted within the first few notes. As the band absolutely tore the stage up as they played some of their newer songs off of WHERE DID ALL THE BUTTERFLIES GO. Fans knew the assignment and had every single word ready to scream back as the band played. One fan, Madison, traveled from southern Florida to see BSD for the 15th time. A sea of red paper butterflies printed with the words “we’ll be with you a long time” appeared in the air during “ON YOUR LIPS”.

    Lead vocalist, Cole “Colie” Hutzler, was face to face with the crowd to the point that it felt like each fan had a moment of eye contact. The already energetic vibe in the venue intensified when BSD started playing some of their previous hits like “WE MADE PLANS & GOD LAUGHED” and “A$$A$$IN”. This energy continued to grow, leading to band members removing shirts, pits opening, and crowdsurfing. During the last song, the bassist Brent “Beepus” Burdett, joined the crowd by crowd surfing, hanging from an exposed pipe, and jumping in a mosh pit. Just as Beepus got back on stage, the guitarist Bardo Novotny was hanging from a beam over the stage while still playing guitar.

    It was clear from the moment doors opened, all three bands and the crowd came to rock out. BSD made it clear they would be back to visit soon, hinting around unannounced tour dates back in the northeast Ohio region.

  • davvn revives the emo heart of our myspace years ❤

    davvn revives the emo heart of our myspace years <3

    davvn (pronounced “dawn”) is hitting the road with Jack the Underdog this October for the Born in the Wrong Era 2er!

    The Nashville-based duo has already stolen our hearts with their track “2002,” an updated version of Bowling for Soup’s “1985”. The reminds us of all our favorite parts of the 2002s like hit clips, TRL and Limewire. The song gained popularity on social media, even reaching Bowling for Soup’s lead vocalist Jaret Reddick. When he heard the updated cover, he went to TikTok and stated “this is easily one of the best one yet!!!”. This led davvn to the rerelease the song in collaboration with BFS.

    Since then, davvn hasn’t slowed down one bit, steadily releasing new music and posting on social media. Their newest album getting older scares me to death is set for release on October 24, 2025. You can listen to some of the tracks from the album including the title track, “third degree”, “whoa! i feel like a man,” “yeah, right” and “any other girl”. You can check out the music video for “whoa! i feel like a man”, which pays homage to the movie She’s the Man.



    In honor of the Born on the Wrong Era 2er, we here at The In-Crowd thought instead of your normal ‘about the band” article you’d find anywhere, we’d find a MySpace bulletin survey to use instead. So, time travel back to 2002 with us as we ask davvn about themselves and anything else the gods (Tom) of MySpace wanted to know.

    1. Your name?
    McCall & Mike! Hi we’re a band called davvn ❤

    2. Where you grew up?
    Mike’s from the Boston area and McCall grew up in Minnesota!

    3. Where do you want to be in 6 years?
    Hopefully playing more shows around the US and maybe the world!

    4. Your dream/goal?
    To be able to do music full time!

    5. Where were you last night?
    Hanging out with some friends in Nashville

    6. Muffins?
    Yes! But more of bagel fans 🙂

    7. One of your wish list items?
    I’ve been trying to find my old Zune! those were such a vibe

    8. The last thing you did?
    Scrolled instagram xD

    9. Your hair?
    Usually dyed blonde!

    10. Your friends & family?
    Love them!

    11. Your favorite thing?
    Hmm, probably our 2000s collection

    12. Your dream last night?
    I don’t remember it 😦

    13. Your favorite drink & snack?
    Favorite drink – whiskey and coffee, snack – popcorn or candy

    14. What’s on your TV lately?
    Friday Night Lights! we love it

    15. Your pets?
    2 cats – louie & luna

    16. Your mood?
    Excited! For tour

    17. Your car?
    Honda!!!

    18. What you’re about to do?
    Go on tour!

    19. Your next summer?
    Hopefully making some fire music

    20. Your favorite color?
    Pink (McCall) Blue or black (Mike)

    21. Repeat on your iPod right now?
    Definitely some Evanescence, Amira Elfsky, Linkin Park

    22. Who will repost this?
    Hopefully our fans!

    IDK about you but we definitely want to be MySpace friends with davvn! Join the band on the road this fall so you can make your way on their top 8!

    10/16 – Louisville, KY
    10/17 – Akron, OH (Say hi to this author if you’re there!)
    10/18 – Columbus, OH
    10/19 – Pittsburgh, PA
    10/21 – Philadelphia, PA
    10/23 – Boston, MA
    10/24 – New York City, NY
    10/25 – Baltimore, MD *Festival Date
    10/26 – Baltimore, MD **Emo Night
    10/27 – Richmond, VA
    10/28 – Charlotte, NC

    Can’t make it? Be sure to give them a follow them at @davvn.music on Instagram!

    Have you checked out davvn? Will we see you at one of these dates? Let us know in the comments!